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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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50<br />

actuals<br />

burning clo<strong>the</strong>s, burning food, ripping <strong>and</strong> kicking apart overstuffed<br />

furniture, dismembering dead chickens, tearing clo<strong>the</strong>s off participants,<br />

<strong>and</strong> throwing blood at each o<strong>the</strong>r. The piano destruction is<br />

carefully orchestrated <strong>and</strong> precisely performed by Ortiz. He is exact<br />

about how <strong>the</strong> demolition should be done. “One hundred live mice in<br />

a wire screen <strong>and</strong> two gallons of blood in plastic bags are <strong>to</strong> be placed<br />

inside <strong>the</strong> piano behind <strong>the</strong> panel above <strong>the</strong> keys.” The axe must be<br />

“br<strong>and</strong> new,” <strong>the</strong> piano “pushed on its <strong>back</strong> <strong>to</strong> <strong>the</strong> floor – <strong>the</strong> keyboard<br />

<strong>and</strong> hammer sections smashed away so that <strong>the</strong> harp is completely<br />

exposed,” <strong>and</strong> so on. The “Birth of Henny Penny” has two “men<br />

Initia<strong>to</strong>rs wearing maternity full-length dresses . . . under spotlights<br />

ten feet apart. Each has a live chicken tied between his legs under <strong>the</strong><br />

dress. There is also fifteen feet of tubing connected <strong>to</strong> a balloon tied<br />

low on <strong>the</strong>ir waists under <strong>the</strong> dresses which extends <strong>to</strong> an upright tire<br />

pump.” Initiates are “harangued in<strong>to</strong> pumping <strong>the</strong> pumps.” The<br />

dresses inflate, all participants “join in <strong>the</strong> sighing moaning groaning<br />

<strong>and</strong> sexual motions” which continue until <strong>the</strong> balloons explode <strong>and</strong><br />

<strong>the</strong> chickens are “delivered.” Two initia<strong>to</strong>rs (now called Shamans) raise<br />

<strong>the</strong> birds “vic<strong>to</strong>riously . . ., <strong>the</strong>n waving <strong>the</strong> chickens like flags <strong>the</strong>y<br />

race through <strong>the</strong> Ritual Room shouting irrational violent sounds”<br />

which convert in<strong>to</strong> a “Henny Penny” chant. The o<strong>the</strong>r Initia<strong>to</strong>rs pick<br />

up <strong>the</strong> chant <strong>and</strong> <strong>the</strong>n attack <strong>the</strong> Shamans, grabbing <strong>the</strong> chickens <strong>and</strong><br />

bringing <strong>the</strong>m <strong>to</strong> <strong>the</strong> demolished piano. The chickens are spreadeagled<br />

over <strong>the</strong> piano harp. The Initia<strong>to</strong>rs form a tight circle. The<br />

Shamans, outside <strong>the</strong> circle, start chanting “The sky is falling.” They<br />

take <strong>the</strong> axe, <strong>the</strong> circle admits <strong>the</strong>m, <strong>and</strong> each Shaman decapitates <strong>the</strong><br />

o<strong>the</strong>r’s chicken. As this happens, everyone cries like children,<br />

“Mommy!” The decapitated heads are worn in small plastic s<strong>and</strong>wich<br />

bags “taped inside <strong>the</strong> fly” of each Shaman’s pants. The cry changes <strong>to</strong><br />

“Mousie” as <strong>the</strong> tight circle opens <strong>and</strong> <strong>the</strong> Initia<strong>to</strong>rs go <strong>to</strong> “zones”<br />

where <strong>the</strong> Initiates have watched <strong>the</strong> sacrifice. The Initia<strong>to</strong>rs shout at<br />

<strong>the</strong> Initates, “You’re just a bunch of fucking voyeurs!” Then <strong>the</strong><br />

Shamans give each Initia<strong>to</strong>r a live mouse. The Initia<strong>to</strong>rs surround <strong>the</strong><br />

mouse trap area <strong>and</strong> throw <strong>the</strong> live mice in. Led by one of <strong>the</strong> Shamans,<br />

<strong>the</strong> Initia<strong>to</strong>rs begin <strong>to</strong> leave <strong>the</strong> room, “seeking out Initiates <strong>and</strong> seductively<br />

<strong>and</strong> lovingly telling <strong>the</strong>m ‘You love me, you love me.’ ” 12 The<br />

room after <strong>the</strong> performance was strewn with guts, living, dead, <strong>and</strong>

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