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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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124<br />

<strong>from</strong> <strong>ritual</strong> <strong>to</strong> <strong><strong>the</strong>ater</strong> <strong>and</strong> <strong>back</strong><br />

events; <strong>the</strong> sacralization or increasingly codified parameters of experience;<br />

<strong>and</strong> <strong>the</strong> disappearance of solitude <strong>and</strong> one-<strong>to</strong>-one intimacy as<br />

<strong>the</strong>se have developed in <strong>the</strong> west since <strong>the</strong> Renaissance. Postmodern<br />

tribalism is medievalism under <strong>the</strong> auspices of technology.<br />

Such tribalism is good for <strong>the</strong> <strong><strong>the</strong>ater</strong> – if by good one means that<br />

most social situations will be governed by conventional, external gestures<br />

loaded with metaphoric/symbolic significance. The <strong><strong>the</strong>ater</strong> in <strong>the</strong><br />

<strong><strong>the</strong>ater</strong> will probably continue <strong>to</strong> decline; but <strong>the</strong> <strong><strong>the</strong>ater</strong> “in life” will<br />

permeate more <strong>and</strong> more activities, both ordinary <strong>and</strong> special. Anomie<br />

<strong>and</strong> identity crisis diminish, while in <strong>the</strong>ir place are fixed roles <strong>and</strong><br />

rites of passage transporting persons not only <strong>from</strong> one status <strong>to</strong><br />

ano<strong>the</strong>r but <strong>from</strong> one identity <strong>to</strong> ano<strong>the</strong>r. These transformations are<br />

achieved by means of performance.<br />

When <strong>the</strong> performer at Kurumugl stepped outside his hut he joined<br />

a group of envious males whose costumes were, like his, peculiar<br />

amalgams of traditional <strong>and</strong> imported stuff; sunglasses <strong>and</strong> bones stuck<br />

through <strong>the</strong> spectrum; cigarette holders <strong>and</strong> home-made <strong>to</strong>bacco pipes;<br />

khaki shorts <strong>and</strong> grass skirts. But despite <strong>the</strong> breakdown of traditional<br />

costuming, at <strong>the</strong> level of discrete items an old pattern was being<br />

worked out. An ecological <strong>ritual</strong> where <strong>the</strong> pig meat was a “pay<strong>back</strong>”<br />

(pidgin for fulfilling a <strong>ritual</strong> obligation) <strong>from</strong> <strong>the</strong> hosts <strong>to</strong> <strong>the</strong> guests.<br />

As among <strong>the</strong> Tsembaga every adult male at Kurumugl was in a deb<strong>to</strong>r<br />

relationship <strong>to</strong> persons arriving in <strong>the</strong> afternoon of <strong>the</strong> second day. The<br />

nature of <strong>the</strong> pay<strong>back</strong> is such that what is given <strong>back</strong> must appear <strong>to</strong><br />

exceed what is owed. 14 The pay<strong>back</strong> ceremony involves an exchange of<br />

roles in which credi<strong>to</strong>rs become deb<strong>to</strong>rs <strong>and</strong> deb<strong>to</strong>rs become credi<strong>to</strong>rs.<br />

This insures that more ceremonies will follow when <strong>the</strong> new deb<strong>to</strong>rs<br />

accumulate enough pigs. The circle of reciprocating imbalanced obligations<br />

may involve a number of groups linked in a complicated network.<br />

Never is a balance struck, because balance would threaten an end<br />

<strong>to</strong> <strong>the</strong> obligations, <strong>and</strong> this would lead ei<strong>the</strong>r <strong>to</strong> war or a stale peace. As<br />

long as <strong>the</strong> obligations are intact <strong>the</strong> social web transmits continuous<br />

waves of pay<strong>back</strong>s throughout <strong>the</strong> system.<br />

The visi<strong>to</strong>rs approaching Kurumugl came not as friends <strong>to</strong> a party<br />

but as invaders dem<strong>and</strong>ing what was <strong>the</strong>irs <strong>to</strong> claim. The afternoon’s<br />

performance was a <strong>ritual</strong> combat with <strong>the</strong> guests assaulting Kurumugl<br />

in a modified war dance, armed with fighting spears, as <strong>the</strong> campers at

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