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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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Figure 5.5 The proscenium <strong><strong>the</strong>ater</strong><br />

Note<br />

The modern <strong><strong>the</strong>ater</strong> building is not in itself a central structure at <strong>the</strong> heart of a clearly<br />

boundaried polis. That structure – if it exists at all – is <strong>the</strong> stadium or Superdome.<br />

Theaters are built in “<strong><strong>the</strong>ater</strong> districts,” one neighborhood in a ra<strong>the</strong>r ill-defined<br />

“urban area.” The proscenium <strong><strong>the</strong>ater</strong> itself is divided in<strong>to</strong> five areas: 1) sidewalk<br />

under marquee, 2) lobby, 3) house, 4) stage, <strong>and</strong> 5) <strong>back</strong>stage. Fixed seating points<br />

<strong>the</strong> audience <strong>to</strong>ward <strong>the</strong> stage. The stage floor is open <strong>and</strong> often slightly raked,<br />

tilting <strong>the</strong> action <strong>to</strong>ward <strong>the</strong> house. Stage machinery is hidden in <strong>the</strong> wings <strong>and</strong> flies,<br />

making quick scene changes possible. The lobby, which extends in<strong>to</strong> <strong>the</strong> street<br />

under <strong>the</strong> <strong><strong>the</strong>ater</strong> marquee, is a ga<strong>the</strong>ring place for <strong>the</strong> audience before <strong>the</strong><br />

performance <strong>and</strong> during intermissions.

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