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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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128<br />

<strong>from</strong> <strong>ritual</strong> <strong>to</strong> <strong><strong>the</strong>ater</strong> <strong>and</strong> <strong>back</strong><br />

only a charade of power can be displayed at <strong>the</strong>atrical performances; or<br />

<strong>the</strong> actual changes played through by performance artists affect very<br />

few people. When artists, or <strong>the</strong>ir audiences, recognize that <strong>the</strong>se<br />

staged “<strong>ritual</strong>s” are mostly symbolic activities masquerading as effective<br />

acts, a feeling of helplessness overcomes <strong>the</strong>m. So-called “real<br />

events” are revealed as metaphors. Governments can organize largescale<br />

displays – parades of military hardware, for example – but far<br />

<strong>from</strong> effecting change <strong>the</strong>se <strong>ritual</strong>s are designed <strong>to</strong> forestall change.<br />

At Kurumugl <strong>the</strong> transformation of deb<strong>to</strong>rs in<strong>to</strong> credi<strong>to</strong>rs was not<br />

simply <strong>the</strong> occasion for a celebra<strong>to</strong>ry performance (as a birthday party<br />

celebrates but does not effect a change in age). The performance at<br />

Kurumugl makes happen what it celebrates. It opens up enough time in<br />

<strong>the</strong> right place for <strong>the</strong> exchange <strong>to</strong> take, be made: it is liminal, a fluid<br />

mid-point between two fixed structures. This mid-point occurs when<br />

for a brief time <strong>the</strong> two groups merge in<strong>to</strong> one dancing circle. During<br />

this liminal time/place communitas is possible – that leveling of all differences<br />

in an ecstasy that so often characterizes performing (see Vic<strong>to</strong>r<br />

Turner 1969, 1974, 1982, <strong>and</strong> 1985). Then <strong>and</strong> only <strong>the</strong>n can <strong>the</strong><br />

exchange take place (figure 4.3). The transformations above <strong>the</strong> line<br />

convert dangerous encounters in<strong>to</strong> less dangerous aes<strong>the</strong>tic <strong>and</strong> social<br />

enactments. Those below <strong>the</strong> line effect changes <strong>from</strong> one actuality<br />

in<strong>to</strong> ano<strong>the</strong>r. It is only because <strong>the</strong> transformations above <strong>the</strong> line<br />

happen that those below <strong>the</strong> line can take place in peace. All <strong>the</strong> transformations<br />

– aes<strong>the</strong>tic <strong>and</strong> social as well as actual – are temporary. The<br />

meat will be eaten, <strong>the</strong> costumes doffed, <strong>the</strong> dance ended. The single<br />

group will divide again according <strong>to</strong> known divisions; <strong>to</strong>day’s deb<strong>to</strong>rs<br />

Figure 4.3<br />

war parties . . . transformed in<strong>to</strong> . . . dancing groups<br />

human victims pig meat<br />

battledress costumes<br />

combat dancing<br />

two groups one group<br />

deb<strong>to</strong>rs credi<strong>to</strong>rs<br />

credi<strong>to</strong>rs deb<strong>to</strong>rs

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