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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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Integral-Aes<strong>the</strong>tic Accidental-aes<strong>the</strong>tic<br />

Invited audiences<br />

Opening nights<br />

Commercial productions publicly<br />

advertised<br />

Audience of those “in <strong>the</strong> know” Audience of those who are<br />

interested<br />

Integral-Ritual Accidental-Ritual<br />

Audiences at weddings, funerals, Tourists watching a ceremony<br />

etc.<br />

Inaugurations, signing of treaties,<br />

state matters<br />

Figure 6.3<br />

selective inattention 221<br />

Imported <strong>ritual</strong>s performed in<br />

<strong><strong>the</strong>ater</strong>s<br />

where <strong>the</strong>y are exhibited in public <strong><strong>the</strong>ater</strong>s (see chapter 4). Select<br />

mailing lists <strong>and</strong> word-of-mouth performances are popular in New<br />

York now: a kind of not-so-secret society of those in <strong>the</strong> know. An<br />

attempt is being made for <strong><strong>the</strong>ater</strong> <strong>to</strong> fill a niche ab<strong>and</strong>oned by religion:<br />

solidarity, mutual supportive belief, ga<strong>the</strong>ring in <strong>the</strong> catacombs, etc.<br />

Even within <strong>the</strong> same performance an audience can change <strong>from</strong> accidental<br />

<strong>to</strong> integral. At <strong>the</strong> end of Over Here!, a light Broadway musical of<br />

<strong>the</strong> mid-1970s, <strong>the</strong> two Andrews Sisters came on<strong>to</strong> <strong>the</strong> stage <strong>and</strong> gave<br />

an encore of some favorite oldies. The audience immediately picked up<br />

on <strong>the</strong> apparent “special performance” <strong>and</strong> <strong>the</strong> <strong><strong>the</strong>ater</strong> was aglow.<br />

(Even I was taken in. I later inquired whe<strong>the</strong>r <strong>the</strong> Sisters did this every<br />

night, or only <strong>the</strong> night I was <strong>the</strong>re. Every night.)<br />

Interestingly, <strong>the</strong> behavior of people as specta<strong>to</strong>rs differs greatly<br />

depending on whe<strong>the</strong>r <strong>the</strong>se individuals comprise an integral or accidental<br />

audience – <strong>and</strong> this difference is not what one would expect. By<br />

<strong>and</strong> large, <strong>the</strong> accidental audience pays closer attention than does an integral audience.<br />

This is for four reasons: 1) <strong>the</strong> accidental audience chooses <strong>to</strong> attend,<br />

has often paid <strong>to</strong> attend; 2) its members attend as individuals or in<br />

small clusters so that large crowd action is unlikely – each specta<strong>to</strong>r or<br />

small group is a stranger among strangers. 3) An integral audience<br />

often knows what’s going on – <strong>and</strong> not paying attention <strong>to</strong> it all is a<br />

way of showing off that knowledge. Sometimes, as during <strong>the</strong> reading<br />

of <strong>the</strong> Torah prior <strong>to</strong> <strong>the</strong> bar mitzvah boy’s performance, <strong>the</strong> featured

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