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436 Barry’s Advanced Construction of Buildings<br />

generally dictate the need to allow some movement of joints and fixings. There will be, for<br />

example, very considerable temperature differences between facing slabs on an exposed<br />

south-facing wall and the structure behind so that differential thermal movement has to<br />

be allowed for both in joints and support and restraint fixings.<br />

A general recommendation in the fixing of stone facing slabs is that there should be<br />

horizontal movement joints at each storey height below loadbearing support fixings or not<br />

more than 3 m. These joints are usually 10–15 mm deep and filled with one of the elastic<br />

sealants. Where so wide a joint would not be acceptable in facework finished with narrow<br />

joints, it is usual to accommodate movement in narrower sealant-filled horizontal joints to<br />

all the facework. Vertical movement joints are formed in facework where these joints occur<br />

in the structure, to allow for longitudinal structural, thermal and moisture movements. A<br />

continuous vertical joint is formed between stone facings and filled with sealant.<br />

Faience slabwork<br />

Faience is the term used to describe fire glazed stoneware in the form of slabs that are used<br />

as a facing to a solid background wall. Slabs are fixed in the same way as stone facings. The<br />

best quality slabs are made from stoneware that shrinks and deforms less on firing than<br />

does earthenware. The fired slab is glazed and then refired to produce a fire glazed finish.<br />

The slabs are usually 300 × 200, 450 × 300 or 610 × 450 mm and 25–32 mm thick. They<br />

form a durable, decorative facing to solid walls. The glazed finish, which will retain its lustre<br />

and colour indefinitely, needs periodic cleaning, especially in polluted atmospheres. Faience<br />

slabwork was much used as a facing in the 1930s in the UK, as a facing to large buildings<br />

such as cinemas.<br />

Terracotta<br />

Terracotta was much used in Victorian buildings as a facing because it is less affected by<br />

polluted atmospheres than natural limestone and sandstone facings. Fired blocks of terracotta,<br />

with a semi-glaze self-finish, were moulded in the form of natural stone blocks to<br />

replicate the form and detail of the stonework buildings of the time. The plain and ornamental<br />

blocks were made hollow to reduce and control shrinkage of the clay during firing.<br />

In use the hollows in the blocks were filled with concrete and the blocks were then laid as<br />

if they were natural stone. This labour-intensive system of facing is still used today.<br />

Tiles and mosaic<br />

‘Tile’ is the term used to describe comparatively thin, small slabs of burnt clay or cast<br />

concrete up to about 300 mm square and 12 mm thick. These small units of fired clay and<br />

cast concrete are used as a facing to structural frames and solid background walls. For<br />

many years, the practice has been to bond tiles directly to frames and walls with cement<br />

mortar dabs, which provides sufficient adhesion to maintain individual tiles in place.<br />

Unfortunately, this system of adhesion does not make any allowance for differential movements<br />

between the frame, background walls and tiles, other than in the joints between tiles,<br />

which can be considerable, particularly with in situ cast concrete work. To make allowance<br />

for movements in the structure and the facing, tiles should be supported and restrained by<br />

cramps that provide a degree of flexibility between the facing and the background. For

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