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dressing (with cream, curiously) and putting up with endless ‘whys’; another shot shows<br />

him explaining to his brother how a cello works. A string snaps painfully against<br />

Edward’s cheek; he doesn’t cry but gets extremely cross: ‘What did you do that for?’<br />

Elizabeth is photographed on Britannia, maternally holding Margaret’s daughter, Lady<br />

Sarah Armstrong-Jones, in her arms. It is August and the family are on their way to<br />

Balmoral; the Snowdons are presumably somewhere in the Mediterranean. ‘I think<br />

sometimes the Snowdon children used to think of the Queen as Mum,’ a friend said.<br />

Charles, Anne and their father are portrayed very much in sporting ‘Action Man’ mode,<br />

Charles and Anne being winched over a rough sea between Britannia and the<br />

accompanying destroyer. We are told that Charles’s favourite sports are ‘shooting,<br />

skiing, waterskiing and his father’s favourite sport – polo’. Philip is pictured<br />

helicoptering on to the lawn at Buckingham Palace, at the controls of an aircraft of the<br />

Queen’s Flight – ‘he has flown 55 different types of aircraft’. His private office is staffed<br />

by upper-class girls in what appears to be a uniform of grey lambswool sweaters and<br />

twin rows of pearls.<br />

Elizabeth works on the move. The royal train has ten coaches including three working<br />

offices, three dining-rooms, five bathrooms and three kitchens. En route to Scotland she<br />

is seen going through papers with Martin Charteris, her Assistant Private Secretary,<br />

while Bobo irons her clothes in preparation for the public engagements she will face<br />

during her annual stay at the Palace of Holyrood in Edinburgh early in July. Sir Hugh<br />

Casson, commissioned to redesign the interior of the train, had been given minute<br />

instructions by Bobo – ‘Bobo was the client really,’ he said. Even at Balmoral Elizabeth’s<br />

official ‘boxes’ follow her; at least a dozen a day are loaded on to a trolley at the back<br />

door and trundled through the hall with its life-size statue of Prince Albert and up the<br />

stairs past antlers and trellised thistle-flocked wallpaper to Elizabeth’s office on the first<br />

floor. When on holiday, she works on them in the evening before dinner and even at<br />

Balmoral she cannot escape the traditional annual visit of the current Prime Minister<br />

and spouse.<br />

Britannia was different; for a family on whom cameras are trained as soon as they<br />

emerge into the daylight, the royal yacht was a refuge with the particularly holiday<br />

atmosphere of being at sea. Elizabeth is shown wearing trousers and a twinset. The crew<br />

take orders in hand signals so as not to disturb the royal family on the decks below. As<br />

Britannia steams into some foreign port at the beginning of a state visit (in this case<br />

Brazil), there is a resounding oompahing of Sousa marches from a Marine band in white<br />

uniforms and pith helmets, an ear-splitting whistling as Elizabeth is piped either on<br />

board or into the royal barge, and a huge spray of white water from accompanying<br />

speedboats official and unofficial.<br />

While Britannia provided Elizabeth with a private refuge, once on shore, then as now,<br />

on state visits she is on duty every hour of every day. She can never see what she wants<br />

to see, only what her hosts are determined she should. There is a good deal of official<br />

eating. Sometimes, as on the state visit to America, she would give a state banquet in a<br />

big hotel, when all arrangements, down to the last coffee spoon, would be brought out

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