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the Prince for her co-operation. Elizabeth was aware of the interviews, but when she<br />

discovered, as the book was nearing completion in September 1994, that the Prince had<br />

given Dimbleby access not only to all his correspondence and diaries but also to state<br />

papers without checking what they were, there was an explosion. She insisted that he<br />

take the papers back and ensure that Dimbleby did not have access to official material<br />

which he had no right to see. At Balmoral on his annual visit the Prince stayed with his<br />

grandmother at Birkhall. ‘He’ll only be coming here for one day,’ Elizabeth remarked<br />

drily; the day which Charles chose was the Ghillies’ Ball, when there would be no<br />

occasion for a conversation with his mother.<br />

The Prince of Wales: A Biography, finally published in November to a major fanfare in<br />

the press and three weeks’ serialization in the Sunday Times, was an important book<br />

based on original material which under normal Palace conventions would not have been<br />

released until after Charles’s death. But both its tenor and its timing could hardly have<br />

been worse from Elizabeth’s point of view, hurting her in both her private and her<br />

public role. The serialization, coming as it did on the eve of her visit to Russia, the first<br />

ever by a reigning British sovereign, diverted media attention from this historic royal<br />

event to sensational revelations with all the most controversial material lumped<br />

together. It was, of course, the Case for Charles and was intended as a heavyweight<br />

riposte to Andrew Morton’s Case for Diana.<br />

According to Dimbleby, blame for the unhappy state of the monarchy as a result of<br />

the failure of the Waleses’ marriage could not be laid at Charles’s door. In common with<br />

almost everyone since Philip Larkin wrote his memorable line, ‘They fuck you up, your<br />

mum and dad’, the Prince and Dimbleby blamed what Charles saw as inadequate<br />

parenting. His mother had been remote, his father a bully. Both of them had been<br />

‘unable or unwilling to proffer… the affection and appreciation’ which Charles craved.<br />

His wife had been neurotic; one passage described an occasion when she had sat all day<br />

in Colborne’s office ‘her head bowed in silent despair’. Only Camilla Parker Bowles<br />

emerged with credit as, in the words of one reviewer, a kind of virginal Mills & Boon<br />

heroine: ‘Her warmth, her lack of ambition or guile, her good humour and her<br />

gentleness endeared her to the household.’ (But not, it should be said, to the British<br />

public at the time; housewives reportedly spat at her when she shopped in her local<br />

supermarket.) Within months of the book’s publication the Parker Bowles’s twenty-yearold<br />

marriage ended. The Prince’s initiative in making his TV confession had made it<br />

untenable.<br />

It is terrible for any parent to be accused publicly of being a bad mother or father.<br />

Elizabeth had done her best in a difficult situation – to be a mother and a head of state,<br />

head of the Commonwealth and head of a household is a unique experience. She has had<br />

to put her job first and the reason why she has been so successful at it is because she not<br />

only enjoys it but also because she is a dedicated, self-contained personality. Charles<br />

may have felt excluded from areas of his mother’s life and subject to the rigorous<br />

standards expected of the heir to the throne, but, except at boarding-school, he had been<br />

surrounded by love, from his nannies and his grandmother, let alone his mother’s

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