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pop star Phil Collins at a holiday camp organized by his inner-city help organization,<br />

the Prince’s Trust, he appeared as a good communicator in contrast with his diffident<br />

television interview manner. The ‘hook’ of the programme was the Prince’s response to<br />

Dimbleby’s question about his marriage: ‘Did you try to be faithful…?’ The Prince<br />

answered ‘until the marriage had irretrievably broken down’. The episode, with its<br />

painful confessional aspect, was aimed at stopping the continual speculation about his<br />

marriage and his affair with Camilla, whom he described as a ‘dear friend’ he would<br />

continue to see. Viewers responded favourably to the programme; press commentators<br />

who had indicated the opposite were forced to backtrack when street polls produced a<br />

‘thumbs-up’ reaction to the Prince for his honesty and for his ‘caring’ image.<br />

Elizabeth, however, who, her entourage claimed, ‘had not watched the programme’,<br />

and other commentators thought that the Prince, in baring his soul as he had, had given<br />

hostages to fortune and not only with his confession of adultery, which was so vague in<br />

its timing as to be misleading. The Prince might complain about his concern for his sons’<br />

reading newspapers with ‘Charles and Di’ stories, but the programme revealed him,<br />

immediately after being shown in father and son shots at Balmoral, as confessing to a<br />

television interviewer that he had been unfaithful to their mother. There had been other<br />

aspects which, as the future constitutional monarch, he should have avoided. An early<br />

sequence of the programme showed the Prince at one of his ‘dreaded’ programme<br />

meetings objecting to being asked to be present at the Royal Command Film<br />

Performance. Pulling a face, he said, ‘I thought the Queen always did it.’ The occasion is<br />

a traditional charity fund-raising event always patronized by royalty; the Prince’s<br />

implication that it was too boring for him to attend was offensive to the organizers and<br />

raised a fundamental question as to what he thought he was there for anyway. It was a<br />

symptom of the Prince’s increasing impatience with public duties which did not suit him<br />

and his failure to comprehend, as his mother did, that fulfilling these duties was one of<br />

the principal purposes of a monarchy. Perhaps the saddest, most revealing moment in<br />

the whole programme came when the Prince, asked by a little Malaysian boy, ‘Who are<br />

you?’, responded ‘I wish I knew’.<br />

From Elizabeth’s point of view, the television programme had been bad enough but at<br />

least it seemed to have succeeded in its object of winning back some sympathy for the<br />

heir to the throne. Counteracting the tabloid image of him as a ‘social dinosaur’, Charles<br />

had presented himself as a man with a vision of the future and what he saw as a<br />

monarchy consonant with a changed Britain, as when he said he wanted to be known as<br />

‘Defender of Faith’ (i.e. of all religious denominations in the United Kingdom) rather<br />

than ‘Defender of the Faith’ (limited to the Protestant faith in its Anglican, Church of<br />

England, form). Dimbleby followed up the television programme with a major<br />

biography of the Prince, which went far beyond being ‘the book of the film’. He had<br />

already, on the Prince’s recommendation, interviewed all his friends and confidants,<br />

taking statements on the subject of the Prince’s marriage to be deposited in the royal<br />

archives. Camilla Parker Bowles did not co-operate on the book, nor, to her credit, did<br />

the Waleses’ ex-nanny, Barbara Barnes, who refused to take sides despite an appeal by

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