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National Park Service U.S. Department of the Interior

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Resource History and Description <strong>of</strong> Existing Conditions<br />

McKim also provided a short description <strong>of</strong> each room to be furnished, as well as <strong>the</strong> following<br />

guidelines:<br />

It is understood that Mr. White is to exercise his own judgment in making <strong>the</strong><br />

various purchases, which, however, are to conform, as far as possible, to <strong>the</strong><br />

selection <strong>of</strong> such furniture, hangings, floor rugs, mantels and objects <strong>of</strong> a decorative<br />

character, in wood, metal, stone or marble, <strong>of</strong> Italian workmanship, as may, in his<br />

judgment, be appropriate for use in your house.<br />

While, necessarily, <strong>the</strong> nature <strong>of</strong> his purchases will be largely dependent upon <strong>the</strong><br />

condition <strong>of</strong> <strong>the</strong> market in such things, we have suggested to Mr. White your wish,<br />

and it will be his aim, to expend a considerable proportion <strong>of</strong> <strong>the</strong> money upon such<br />

objects possessing interest and character, but not necessarily representing intrinsic<br />

cost, <strong>the</strong> remainder to be applied to <strong>the</strong> purchase <strong>of</strong> certain more important pieces,<br />

on which <strong>the</strong> interior <strong>of</strong> your house will depend for its chief adornment.<br />

It is fur<strong>the</strong>r understood that none <strong>of</strong> <strong>the</strong> money shall be applied to <strong>the</strong> purchase <strong>of</strong><br />

tapestries, mural or o<strong>the</strong>rwise . . .<br />

Draperies<br />

Curtains and portieres in velvet or damask, to conform to <strong>the</strong> treatment indicated in <strong>the</strong><br />

living room, hall, approach to staircase, lobbies leading to living room, and dining room.<br />

If material is used in <strong>the</strong> dining room, it is desired that it shall be green.<br />

Miscellaneous<br />

Any Antique <strong>of</strong> finely wrought designs in metal work, such as fire-irons, candelabra,<br />

standing lamps, etc.<br />

Large hanging lantern <strong>of</strong> <strong>the</strong> Genoese sort, to be hung in <strong>the</strong> portico on <strong>the</strong> front door.<br />

Metal wall lights; wrought iron, bronze or brass mountings; such as a handsome door<br />

knocker for <strong>the</strong> vestibule, etc. etc.<br />

Jardinières - Stone or marble, for hall; as well as porticos.<br />

Interesting screen <strong>of</strong> lea<strong>the</strong>r or silk. 491<br />

It is evident that McKim had very definite ideas <strong>of</strong> how he envisioned <strong>the</strong> interiors <strong>of</strong><br />

Hyde <strong>Park</strong>, despite <strong>the</strong> fact that White did <strong>the</strong> majority <strong>of</strong> <strong>the</strong> interior decoration at McKim,<br />

Mead & White. Charles McKim's work focused more on institutional architecture including<br />

such noted projects as Columbia University, <strong>the</strong> Boston Public Library, and <strong>the</strong> University Club,<br />

although he had a long list <strong>of</strong> residential commissions as well. In contrast to Stanford White,<br />

McKim did relatively few domestic interiors. White's interior decoration is distinguished by <strong>the</strong><br />

rich layering <strong>of</strong> decorative motifs, materials, furniture, and objects. McKim's work leans more<br />

toward a classical elegance where fewer decorative motifs make stronger statements and are<br />

governed by <strong>the</strong> strength <strong>of</strong> <strong>the</strong> architectural elements.<br />

Stanford White's role as an antique dealer and not a decorator in this commission is<br />

noteworthy. McKim's letter at once gives White very strict boundaries for his purchases, but<br />

also great freedom in using his judgment and in making choices. He recommended objects <strong>of</strong><br />

"Italian workmanship," underscoring <strong>the</strong> mood <strong>of</strong> <strong>the</strong> American Renaissance, but also added<br />

that White should exercise his judgment in selecting what was "appropriate." White had <strong>the</strong><br />

491 Letter, MMW to Frederick W. Vanderbilt (FWV) September 17, 1897, SW Papers, Box 19:2.<br />

99

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