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National Park Service U.S. Department of the Interior

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Resource History and Description <strong>of</strong> Existing Conditions<br />

screen. The seating furniture is mostly covered in its original Aubusson tapestry. Stanford<br />

White provided several <strong>of</strong> <strong>the</strong> tables. There are four pieces <strong>of</strong> furniture made by <strong>the</strong> nineteenthcentury<br />

Parisian cabinet-maker Paul Sormani including a pair <strong>of</strong> card tables, a two-tier tea<br />

table, 645 and a roll-top desk. All <strong>of</strong> this furniture is Louis XV style with gilt-bronze mounts.<br />

Sormani exhibited at <strong>the</strong> World's Columbian Exposition in Chicago in 1893. Frederick and<br />

Louise attended this exhibition, and it is possible that <strong>the</strong>y became acquainted with his work at<br />

that time. The Steinway piano with a gilded and decorated case was originally made for<br />

Frederick Vanderbilt's 693 Fifth Avenue house. 646 The green cut and voided velvet curtains and<br />

portieres were made from fabric purchased by Stanford White. 647 The large Living Room rug<br />

was supplied by Stanford White 648 and was supplemented by a number <strong>of</strong> smaller rugs, although<br />

many <strong>of</strong> <strong>the</strong> ones presently <strong>the</strong>re now have been moved from <strong>the</strong> foyers and hall. 649<br />

The Living Room has interesting wall sconces composed <strong>of</strong> gilt-bronze mounted pink<br />

marble urns on gilt-bronze brackets that were made by E.F. Caldwell & Co. 650 The many<br />

Oriental vases mounted as lamps attest to Frederick's interest in porcelains.<br />

I asked her whe<strong>the</strong>r <strong>the</strong>re were any pieces in <strong>the</strong> room that were acquired by Mr. Vanderbilt<br />

o<strong>the</strong>r than from <strong>the</strong> decorator. She [Van Alen Bruguiere] said that only <strong>the</strong> Whitney statue<br />

and possibly all <strong>of</strong> <strong>the</strong> Chinese vases on <strong>the</strong> south side <strong>of</strong> <strong>the</strong> room, but definitely piece<br />

number (old number) 108, and present number 868, and possibly <strong>the</strong> corresponding vases on<br />

<strong>the</strong> o<strong>the</strong>r side <strong>of</strong> <strong>the</strong> room were from Mr. Vanderbilt's fa<strong>the</strong>r William H. Vanderbilt. 651<br />

One pair <strong>of</strong> lamps on <strong>the</strong> western refectory table still has <strong>the</strong> original tops to <strong>the</strong> jars<br />

beside <strong>the</strong> lamps. One lamp known to have been taken from <strong>the</strong> Living Room is a bridge<br />

lamp. 652 There are a number <strong>of</strong> bronzes displayed on <strong>the</strong> tables, one <strong>of</strong> which was made by<br />

Frederick's cousin Gertrude Vanderbilt Whitney. 653 Ano<strong>the</strong>r bronze was taken by Mr. Shears<br />

and <strong>the</strong>n returned in 1939. 654 There were a number <strong>of</strong> books and folios recorded in <strong>the</strong> Living<br />

Room in 1938, but <strong>the</strong>ir location is unknown. 655<br />

The Vanderbilts had many problems with <strong>the</strong> appearance <strong>of</strong> <strong>the</strong> Living Room. Whitney<br />

Warren was asked to make changes at <strong>the</strong> same time that he redesigned <strong>the</strong> Second Floor Hall in<br />

645<br />

Branded on <strong>the</strong> underside "P. Sormani."<br />

646<br />

Serial # 41139. See correspondence in object file #839 from Theodore Steinway to Mrs. Margaret<br />

Partridge, August 20, 1970. The piano was sold to Frederick on October 23, 1880, and was one <strong>of</strong> <strong>the</strong> first<br />

Steinway pianos with double-reinforced waterpro<strong>of</strong>ed hammers. The piano as recorded in <strong>the</strong> Steinway<br />

ledgers was finished in Rosewood and was finished in June 1880. It was decorated after that. According<br />

to an article in <strong>the</strong> New York Morning Journal, March 18, 1887, <strong>the</strong> piano was decorated by Martine and<br />

was "one <strong>of</strong> <strong>the</strong> rarest and costliest in <strong>the</strong> city." Mr. James Maher kindly shared his notes from this article<br />

with me. I was unable to locate a copy <strong>of</strong> <strong>the</strong> original.<br />

647<br />

Van Alen, 1940. The original drapes were put into storage in 1998. The portieres are replacements.<br />

648<br />

Van Alen, 1940 believes that <strong>the</strong> rugs date to <strong>the</strong> late 16th century. According to Traudt, <strong>the</strong> large<br />

living room rug was brought back by Mrs. Van Alen's chauffeur; she had taken it to Wakehurst but it did<br />

not fit. She also took a small rug at that time. (Fred Traudt Report, Vanderbilt # 46, December 19, 1939.)<br />

649<br />

According to Craig Jessup, former curator.<br />

650<br />

Caldwell Collection, Cooper-Hewitt Library, Wall Brackets, Volume 3, 20, #c-4140.<br />

651<br />

Bruguiere, 1948.<br />

652<br />

"Mr. Reeves came for a bridge lamp in living room for Mr. Shears. (Fred Traudt Report, Vanderbilt #<br />

46, December 19, 1939.)<br />

653<br />

Van Alen, 1940<br />

654<br />

Fred Traudt Report, Vanderbilt #46, 1939.<br />

655 Curry Inventory, 1938, 9-10.<br />

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