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National Park Service U.S. Department of the Interior

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Resource History and Description <strong>of</strong> Existing Conditions<br />

Bro<strong>the</strong>rs carried out <strong>the</strong> ornamental design. 510 There is a hanging pierced metal lighting fixture<br />

with a glass globe. 511 A pair <strong>of</strong> Italian green pottery jars purchased by Stanford White flank <strong>the</strong><br />

inner doors. 512<br />

The vestibule stands today as it was designed with little deviation from McKim, Mead &<br />

White's drawings and with an exceptionally high degree <strong>of</strong> integrity. The only visible change is<br />

in one doorknob out <strong>of</strong> <strong>the</strong> four that does not match. The Vanderbilts and/or <strong>National</strong> <strong>Park</strong><br />

<strong>Service</strong> may have spruced up <strong>the</strong> painted finishes. 513<br />

Elliptical Hall<br />

The Elliptical Hall is an elliptically shaped room in a classical French Renaissance style<br />

designed by Charles McKim. 514 It is documented by eleven drawings drawn by Hunter and Hall.<br />

There is a terrazzo floor with pale-colored borders. The walls have Italian green marble<br />

pilasters with white marble bases and capitals above which is a molded cornice with a decorative<br />

frieze <strong>of</strong> stylized an<strong>the</strong>mions in relief on a pale green painted ground. An elongated octagonal<br />

opening in <strong>the</strong> ceiling provides light from <strong>the</strong> second-story skylight. A similar band <strong>of</strong><br />

an<strong>the</strong>mion decoration in relief on <strong>the</strong> ceiling surrounds <strong>the</strong> opening. There are two doorways<br />

opening onto <strong>the</strong> west portico overlooking <strong>the</strong> Hudson River. O<strong>the</strong>r doorways open into <strong>the</strong><br />

Lavatory and Coats room, Lobby, Den, Gold Room, and Grand Stair Hall. The North and<br />

South Foyers join <strong>the</strong> Elliptical Hall to <strong>the</strong> Dining Room and Living Room respectively.<br />

There were only minor deviations between <strong>the</strong> McKim, Mead & White drawings and <strong>the</strong><br />

executed design including <strong>the</strong> vertical panels over <strong>the</strong> entrance door, bathroom, and Lobby<br />

where stacked urns were used in place <strong>of</strong> berries and leaves. 515 The work was carried out by<br />

510 Herter Bro<strong>the</strong>rs Sales Ledger, 1898-1904, Joseph Downs Collection <strong>of</strong> Manuscripts, Winterthur<br />

Library (Herter Bro<strong>the</strong>rs hereafter), vol. 18, 65, Entry April 10, 1899, "F.W. Vanderbilt, Hyde <strong>Park</strong>,<br />

N.Y. Messrs. McKim, Mead & White, archts." It is worth noting that this was a direct contract<br />

between McKim, Mead & White and Herter Bro<strong>the</strong>rs, and not a sub-contract from Norcross Bro<strong>the</strong>rs, as<br />

occurs elsewhere in <strong>the</strong> mansion.<br />

511 This is probably an antique fixture that was refitted for electricity by Caldwell.<br />

512 See bills SW Papers, Box 49:3, and Box 19:2.<br />

513 No paint samples have been taken.<br />

514 The following MMW drawings refer to this space:<br />

no#- 3/4 detail <strong>of</strong> caps<br />

#110 (6/21/97), 1/4 Plan<br />

#111 (6/21/97), Elevation <strong>of</strong> Lobbies leading into Dining and Living Rooms<br />

#162 (12/13/97), 3/4 Plan<br />

#171 (2/19/98), Longitudinal Section<br />

#175 (2/1/98), Elevation <strong>of</strong> Door to Reception Room 3/4 Scale details <strong>of</strong> one bay <strong>of</strong> elliptical hall<br />

#178 (2/7/98), Window Bays<br />

#179 (2/7/98), Partial Plan <strong>of</strong> Ceiling<br />

#184 (2/16/98), Details <strong>of</strong> Lobbies and Doors<br />

#205 (3/15/98), Plan showing furring for marble work<br />

#285 (7/11/98) Detail <strong>of</strong> Bronze Grill for Vestibule Door<br />

515 O<strong>the</strong>r deviations: Close examination shows that #184 reveals more precise detailing <strong>of</strong> five<br />

doorways that are similarly represented in #171. The two constructed differences in #184<br />

versus extant decoration are <strong>the</strong> elimination <strong>of</strong> <strong>the</strong> designed rosettes in <strong>the</strong> corner-blocks <strong>of</strong> <strong>the</strong><br />

104

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