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APPENDIX 9<br />

CHARACTER-DEFINING FEATURES OF THE CULTURAL LANDSCAPE<br />

INTRODUCTION<br />

Many <strong>of</strong> <strong>the</strong> character-defining landscape features or characteristics <strong>of</strong> <strong>the</strong> Hyde <strong>Park</strong> estate were<br />

fully appreciated by <strong>the</strong> Vanderbilts upon <strong>the</strong>ir arrival in 1895. Landscape characteristics such as<br />

views <strong>of</strong> <strong>the</strong> Hudson from <strong>the</strong> existing mansion along with a "park" landscape well served by roads<br />

and embowered with specimen trees may have influenced <strong>the</strong> couple's decision to situate <strong>the</strong>mselves<br />

on <strong>the</strong> banks <strong>of</strong> <strong>the</strong> Hudson. Site considerations appear to have been especially important given <strong>the</strong><br />

couple's spirited building program, which replaced almost every extant structure during <strong>the</strong> early<br />

years <strong>of</strong> <strong>the</strong>ir tenancy. One may attempt a nuanced understanding <strong>of</strong> <strong>the</strong> Vanderbilt influence on <strong>the</strong><br />

pre-existing estate landscape by considering elements which <strong>the</strong>y chose to keep largely as found;<br />

those which <strong>the</strong>y sought to transform into <strong>the</strong>ir own; and those aspects, such as new buildings which<br />

most intensely reflect <strong>the</strong> personal preferences <strong>of</strong> <strong>the</strong> patron.<br />

The landscape features <strong>of</strong> <strong>the</strong> Vanderbilt tenancy may be subdivided into two distinct sub-periods.<br />

The first period 1895-1910 represents a lively fifteen-year program <strong>of</strong> building and rebuilding during<br />

which most <strong>of</strong> <strong>the</strong> landscape changes were accomplished. The second period, 1911-1938, was a<br />

slower-paced eighteen year interval when refinements and adjustment were made to <strong>the</strong> established<br />

order. This division <strong>of</strong> <strong>the</strong> Vanderbilt tenancy may be justified through appreciation <strong>of</strong> <strong>the</strong> changes<br />

that had taken place by this time. The majority <strong>of</strong> <strong>the</strong> building program was completed by 1903 with<br />

<strong>the</strong> construction <strong>of</strong> <strong>the</strong> Italian Garden. The historic estate was reassembled and its view <strong>of</strong> <strong>the</strong><br />

Hudson restored when <strong>the</strong> Sexton Tract was reintegrated into <strong>the</strong> historic estate and <strong>the</strong> buildings<br />

removed in 1905. A private underpass, <strong>the</strong> "subway" was constructed in 1906. By 1907, an ambitious<br />

tree planting campaign had been completed. In 1909, <strong>the</strong> boundary wall along Albany Post Road was<br />

reconstructed following <strong>the</strong> realignment <strong>of</strong> Albany Post Road.<br />

With <strong>the</strong>se projects complete, three o<strong>the</strong>rs were undertaken in 1910 that recommend using this year<br />

to serve as an important dividing point in understanding <strong>the</strong> Vanderbilt tenancy. These three changes<br />

involve important modifications to <strong>the</strong> estate's gardens, its roads, and finally <strong>the</strong> buildings. Regarding<br />

<strong>the</strong> roads, during 1910, a "Great Circle" was added to <strong>the</strong> pre-existing layout <strong>of</strong> drives attributed to<br />

Parmentier. With <strong>the</strong> creation <strong>of</strong> <strong>the</strong> Great Circle, one can see <strong>the</strong> Neoclassical order <strong>of</strong> <strong>the</strong><br />

Vanderbilt Mansion extending east into <strong>the</strong> landscape. Regarding <strong>the</strong> gardens, in 1910 Thos. Meehan<br />

and Sons was contracted to build <strong>the</strong> Rose Garden, an extension <strong>of</strong> Greenleaf's 1903 Italian Garden.<br />

The Rose Garden, likely designed by Robert Cridland during his employment with Meehan,<br />

completed <strong>the</strong> large-scale built elements <strong>of</strong> <strong>the</strong> formal gardens even though <strong>the</strong> plant palette and<br />

minor elements would continue to evolve through 1938.<br />

Yet perhaps <strong>the</strong> most significant and symbolic change to <strong>the</strong> property, <strong>the</strong> change that most strongly<br />

suggests <strong>the</strong> selection <strong>of</strong> 1910 as a watershed year in <strong>the</strong> Vanderbilt ownership, is <strong>the</strong> conversion <strong>of</strong> <strong>the</strong><br />

Carriage Barn to automobile use. The significance <strong>of</strong> this modification to an existing building might<br />

easily be overlooked, but <strong>the</strong> change is emblematic <strong>of</strong> systemic changes in popular culture made<br />

manifest on this particular property. In <strong>the</strong> conversion, one can forecast diminution <strong>of</strong> <strong>the</strong> role <strong>of</strong><br />

draft animals in <strong>the</strong> park landscape. This change, which presupposes <strong>the</strong> use <strong>of</strong> fossil fuels ra<strong>the</strong>r than<br />

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