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The Gilded Age and Country Places<br />

Frederick and Louise Vanderbilts' lives, <strong>the</strong>ir houses, lifestyle, and interests cannot be<br />

divorced from <strong>the</strong> major political, economic, social, cultural, and demographic events <strong>of</strong> <strong>the</strong><br />

time. Their estate at Hyde <strong>Park</strong> needs to be interpreted not just within <strong>the</strong> context <strong>of</strong> o<strong>the</strong>rs<br />

more or less like it, but also as part <strong>of</strong> <strong>the</strong> seamless web <strong>of</strong> American society and its history.<br />

When focused on <strong>the</strong> Vanderbilts and o<strong>the</strong>r elites, it is easy to lose sight <strong>of</strong> just how rarefied<br />

<strong>the</strong>ir lives were when compared to that <strong>of</strong> <strong>the</strong> vast majority <strong>of</strong> Americans. Data shows that <strong>the</strong>re<br />

were 125,000 families in <strong>the</strong> United States in 1890 with annual incomes over $50,000. The<br />

wealthiest one percent <strong>of</strong> families in 1890 owned 50% <strong>of</strong> <strong>the</strong> real and personal property. 10<br />

However, most workers at <strong>the</strong> time earned less than $800 per year with many, especially<br />

servants and industrial laborers, earning less than <strong>the</strong> $544 yearly income that marked <strong>the</strong><br />

poverty line. 11<br />

Class definitions are not based on income alone. Race, ethnicity, occupation, education,<br />

and religion shaped class identification as well. For example, teaching, while paying far less than<br />

industrial jobs, still conferred middle-class status. Elite behavior sought both to set cultural<br />

standards and to separate itself from o<strong>the</strong>r classes <strong>of</strong> people in ways that perhaps could be<br />

emulated but certainly not replicated. And, as Kathy Peiss has demonstrated in her study <strong>of</strong><br />

working class women in New York City, cultural transfer worked both ways, from <strong>the</strong> bottom<br />

up as well as from <strong>the</strong> top down. 12<br />

For most contemporary historians, <strong>the</strong> Gilded Age and <strong>the</strong> Progressive Era toge<strong>the</strong>r span<br />

a period from <strong>the</strong> end <strong>of</strong> <strong>the</strong> Civil War and Reconstruction to 1920, but where <strong>the</strong> one ends and<br />

<strong>the</strong> o<strong>the</strong>r begins is a question <strong>of</strong> perspective and perhaps it is not <strong>the</strong> most important question.<br />

The development <strong>of</strong> history itself as a pr<strong>of</strong>ession is bound up in this period. Up until about<br />

1890, most historians worked in <strong>the</strong> tradition <strong>of</strong> gentlemen-amateurs. The development <strong>of</strong> <strong>the</strong><br />

modern American university produced a new class <strong>of</strong> historians, trained in scientific methods <strong>of</strong><br />

objectivity whose careers were tied to academic employment. 13 These "New Historians,"<br />

represented by Frederick Jackson Turner, James Harvey Robinson, Charles Beard, and Carl<br />

Becker, came <strong>of</strong> age during <strong>the</strong> great economic depression <strong>of</strong> <strong>the</strong> 1890s and thus were shaped by<br />

what H<strong>of</strong>stadter called this "turning point in <strong>the</strong> American mind." Their ideology and<br />

methodology turned away from past histories <strong>of</strong> moral and constitutional argument and Civil<br />

War to a systematic critique <strong>of</strong> capitalism and capitalists. 14 Vernon L. Parrington's influential<br />

1930 assessment <strong>of</strong> <strong>the</strong> Gilded Age painted a national picture <strong>of</strong> crass materialism where <strong>the</strong><br />

10<br />

Ray Ginger cites <strong>the</strong> 1893 population at 67 million. (Ray Ginger, Age <strong>of</strong> Excess, The United States From<br />

1877 to 1914 [New York: The MacMillan Company, 1965], 36.)<br />

11<br />

Nell Irvin Painter, Standing at Armageddon, The United States, 1877-1919 (New York: W. W. Norton &<br />

Company, 1987), xix-xx. Painter cites United States <strong>Department</strong> <strong>of</strong> Commerce, Bureau <strong>of</strong> <strong>the</strong> Census,<br />

Historical Statistics <strong>of</strong> <strong>the</strong> United States (1975) and Charles B. Spahr, An Essay on <strong>the</strong> Present Distribution <strong>of</strong><br />

Wealth in <strong>the</strong> United States (1896).<br />

12<br />

Kathy Peiss, Cheap Amusements, Working Women and Leisure in Turn-<strong>of</strong>-<strong>the</strong>-Century New York<br />

(Philadelphia: Temple University Press, 1986).<br />

13<br />

Richard H<strong>of</strong>stadter, The Progressive Historians, Turner, Beard, Parrington (New York: Alfred A. Knopf,<br />

1968), 35. See also Joyce Appleby, Lynn Hunt, Margaret Jacob, "The Heroic Model <strong>of</strong> Science," in Telling<br />

<strong>the</strong> Truth About History (New York: W. W. Norton & Company, 1994); and Peter Novick, That Noble<br />

Dream, The "Objectivity Question" and <strong>the</strong> American Historical Pr<strong>of</strong>ession (Cambridge and New York:<br />

Cambridge University Press, 1988).<br />

14<br />

H<strong>of</strong>stadter, Progressive Historians, 41-3; Novick, That Noble Dream, 92-5.<br />

3

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