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National Park Service U.S. Department of the Interior

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following 1827, <strong>the</strong> year <strong>of</strong> <strong>the</strong> battle <strong>of</strong> Navarino, though <strong>the</strong> term does not appear in French<br />

writing until 1860 or later." 1537<br />

"An architectural style developed in France in <strong>the</strong> 1840s, applying Greek forms to brick and cast<br />

iron." 1538<br />

Norman architecture - architecture <strong>of</strong> <strong>the</strong> Middle Ages, characterized by massive construction,<br />

Roman arches, and round turrets, <strong>of</strong>ten including crenellated parapets.<br />

"Norman architecture - The Romanesque architecture <strong>of</strong> England from <strong>the</strong> Norman Conquest<br />

(1066) until <strong>the</strong> rise <strong>of</strong> <strong>the</strong> Gothic around 1180." 1539<br />

Palladian - design attributes introduced by <strong>the</strong> Italian architect Andrea Palladio in <strong>the</strong> sixteenth<br />

century, and <strong>of</strong>ten employing symmetry and a triple-window opening, arranged with a center<br />

round-arched window flanked by shorter, rectangular openings.<br />

"Palladianism - A mode <strong>of</strong> building following <strong>the</strong> strict Roman forms, as set forth in <strong>the</strong><br />

publications <strong>of</strong> <strong>the</strong> Italian Renaissance architect Andrea Palladio (1508-1580); particularly in<br />

England under <strong>the</strong> influence <strong>of</strong> Lord Burlington in <strong>the</strong> 18 th cent." 1540<br />

Queen Anne - based on English precedent and popular in America in <strong>the</strong> 1870s and 1880s. This<br />

style is characterized by asymmetry, <strong>the</strong> use <strong>of</strong> round or faceted turrets, combinations <strong>of</strong> siding<br />

or building materials, threaded chimneys, and a stylized sunburst or sunflower motif.<br />

"The architecture existing in England during <strong>the</strong> short reign <strong>of</strong> Anne, 1702 to 1714. The more<br />

important structures <strong>of</strong> <strong>the</strong> reign were generally <strong>the</strong> completion <strong>of</strong> designs fixed in all <strong>of</strong> <strong>the</strong>ir<br />

parts before her accession, and but little that was monumental was begun in her time. . . . A<br />

certain picturesqueness <strong>of</strong> treatment, like a revival <strong>of</strong> Elizabethan, or even <strong>of</strong> mediæval styles, in<br />

mass, in sky line, and in such details as chimneys, gables, and dormer windows, is noticeable in<br />

<strong>the</strong>se; and, although all is on <strong>the</strong> same moderate scale, and nothing is very massive or imposing,<br />

<strong>the</strong> style has considerable attraction when applied to dwelling houses. It was this character <strong>of</strong><br />

<strong>the</strong> buildings <strong>of</strong> Anne's reign which caused <strong>the</strong>ir acceptance by some architects <strong>of</strong> <strong>the</strong> years from<br />

1865 to 1885, in England, as types for modern designing, and country houses <strong>of</strong> this character<br />

were built in considerable numbers. A feeble imitation <strong>of</strong> <strong>the</strong>se modern buildings was also<br />

attempted in <strong>the</strong> United States, but usually on a very small scale, and with such inappropriate<br />

materials as those used in <strong>the</strong> ordinary frame construction." 1541<br />

"Irregularity <strong>of</strong> plan and massing and variety <strong>of</strong> color and texture characterize <strong>the</strong> Queen Anne<br />

Style. Several different wall surfaces may occur in one building; brick for <strong>the</strong> ground story with<br />

shingles or horizontal boards above is a common combination. There may be some halftimbering<br />

- perhaps only in a gable or two. Upper stories may project beyond those below.<br />

Windows are <strong>of</strong> many forms . . . Bay windows are much employed. Ro<strong>of</strong>s are high and multiple,<br />

1537<br />

Sturgis, vol. II, 1025.<br />

1538<br />

Harris, 372.<br />

1539<br />

Harris, 374.<br />

1540<br />

Harris, 394.<br />

1541<br />

Sturgis, vol. III, 249-50.<br />

426

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