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National Park Service U.S. Department of the Interior

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The Gilded Age and Country Places<br />

an enormous forest. Olmsted had persuaded George that forestry would be an interesting and<br />

gentlemanly agricultural endeavor. Vanderbilt hired Gifford Pinchot to be <strong>the</strong> chief forester for<br />

Biltmore, thus creating one <strong>of</strong> <strong>the</strong> earliest scientific forestry management programs in <strong>the</strong><br />

United States. In addition, Biltmore had a manorial village, in true emulation <strong>of</strong> <strong>the</strong> English<br />

tradition, which was even built in an old English style. George, and later his wife Edith,<br />

entertained guests (many <strong>of</strong> <strong>the</strong>m family) in <strong>the</strong> enormous house.<br />

Both <strong>the</strong> Shepards and <strong>the</strong> Twomblys turned to McKim, Mead & White for <strong>the</strong> design <strong>of</strong><br />

<strong>the</strong>ir country estates. The Shepard Estate, Woodlea, was in Scarborough, New York, not far<br />

from Hyde <strong>Park</strong>. This area <strong>of</strong> lower Westchester County was especially attractive to millionaires<br />

who wanted to be close to Manhattan. John D. Rockefeller was one <strong>of</strong> <strong>the</strong> Shepards' closer<br />

neighbors. William Ru<strong>the</strong>rford Mead, who usually tended to <strong>the</strong> administration <strong>of</strong> <strong>the</strong> firm, was<br />

<strong>the</strong> partner-in-charge, assisted by Stanford White. Mead was related to Elliot Shepard through<br />

<strong>the</strong> marriage <strong>of</strong> his sister to Shepard's bro<strong>the</strong>r. Woodlea was completed in 1895 after <strong>the</strong> death<br />

<strong>of</strong> Elliott Fitch Shepard. It was an English style house, characterized by its long hallways. It was<br />

built <strong>of</strong> light-colored brick trimmed with classically detailed limestone. The landscaping was<br />

done by <strong>the</strong> Olmsted firm and includes especially impressive stretches <strong>of</strong> rolling lawns and<br />

Italian gardens. The interiors were carried out with <strong>the</strong> expense and splendor expected <strong>of</strong> <strong>the</strong><br />

Vanderbilts, although <strong>the</strong>re were no extraordinary decorative schemes. The long axis <strong>of</strong> <strong>the</strong><br />

house featured rooms en filade, 171 including <strong>the</strong> Living Room, Gold Room, and <strong>the</strong> Dining<br />

Room. All <strong>of</strong> <strong>the</strong>se rooms had views <strong>of</strong> <strong>the</strong> Hudson River. The family and guest rooms were<br />

distinguished by <strong>the</strong>ir spaciousness. The servants' wing was isolated on <strong>the</strong> north side <strong>of</strong> <strong>the</strong><br />

house.<br />

William Ru<strong>the</strong>rford Mead was also <strong>the</strong> McKim, Mead & White partner-in-charge <strong>of</strong><br />

Florence and Hamilton Twombly's estate, Florham, in Convent Station, Morris County, New<br />

York. Morris County was ano<strong>the</strong>r wealthy enclave whose residents included <strong>the</strong> Dodge,<br />

Armour, and Harkness families. The house was finished in 1897. Florham was a conscious copy<br />

<strong>of</strong> an aristocratic English estate encompassing a grand house, a farm, greenhouses, an orangery,<br />

and a large tract <strong>of</strong> land. Florham was designed in <strong>the</strong> Georgian Revival style and constructed <strong>of</strong><br />

brick. William Mead wrote, "Twombly wants a house on <strong>the</strong> order <strong>of</strong> an English gentleman. I<br />

don't think he knows exactly what he means, and I am sure I don't, but as near as I can ga<strong>the</strong>r,<br />

his idea was that it shall be a thoroughly comfortable house without <strong>the</strong> stiffness <strong>of</strong> <strong>the</strong> modern<br />

city house." 172 It was composed symmetrically with a large center section that is flanked by<br />

wings. Everything about <strong>the</strong> house emphasizes <strong>the</strong> wealth and social importance <strong>of</strong> its owners.<br />

Like Woodlea, <strong>the</strong> plan features a long hall. Twombly's important collection <strong>of</strong> tapestries was<br />

hung throughout <strong>the</strong> house. 173 The decoration was English in taste marked by <strong>the</strong> marble floors,<br />

mahogany doors, and widespread use <strong>of</strong> damask wall covering, much <strong>of</strong> which was carried out<br />

by William Baumgarten, formerly <strong>of</strong> Herter Bro<strong>the</strong>rs. Like most <strong>of</strong> <strong>the</strong> o<strong>the</strong>r Vanderbilt houses,<br />

Florham incorporated <strong>the</strong> most up-to-date technological advances in plumbing, heating, and <strong>the</strong><br />

like. Frederick Law Olmsted and his son Frederick, Jr., landscaped <strong>the</strong> grounds. Despite <strong>the</strong><br />

early death <strong>of</strong> Hamilton Twombly, Florence entertained regularly.<br />

171<br />

En filade rooms are rooms that open one into <strong>the</strong> next along a single axis.<br />

172<br />

Letter Mead to Frank Millet, July 9, 1895, N-YHS quoted in Richard Guy Wilson, McKim, Mead &<br />

White Architects, 155.<br />

173<br />

The tapestries had been made for Louis XIII <strong>of</strong> France; <strong>the</strong>y were later owned by <strong>the</strong> Barbarini Family<br />

and were purchased from Charles Foulke. See McKim, Mead & White (MMW) Collection, N-YHS,<br />

Correspondence-Twombly, 1892.<br />

36

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