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National Park Service U.S. Department of the Interior

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Resource History and Description <strong>of</strong> Existing Conditions<br />

today. 532 The rug that is presently in front <strong>of</strong> <strong>the</strong> fireplace came from <strong>the</strong> Second Floor North<br />

Foyer. 533<br />

Eight matching sconces by E.F. Caldwell & Co. are located on <strong>the</strong> walls in between <strong>the</strong><br />

marble pilasters. Each sconce is composed <strong>of</strong> a lion's head surmounted by three fluted<br />

cornucopias with a glass globe at <strong>the</strong> top. There is also a pair <strong>of</strong> figural single globe sconces, one<br />

in each alcove. These fixtures were most likely designed or selected by McKim, Mead &<br />

White. 534 Stanford White supplied <strong>the</strong> two busts. 535 O<strong>the</strong>r accessories include a Chinese vase<br />

with French gilt-bronze mounts on <strong>the</strong> mantel, 536 <strong>the</strong> French clock on <strong>the</strong> center table, and a<br />

blue planter. 537 There were also originally palm trees all around with four or five vases <strong>of</strong><br />

flowers. 538<br />

The 1906 redecoration <strong>of</strong> <strong>the</strong> Second Floor Hall by Whitney Warren had a major impact<br />

on <strong>the</strong> appearance <strong>of</strong> <strong>the</strong> Elliptical Hall because <strong>of</strong> <strong>the</strong> change in <strong>the</strong> opening <strong>of</strong> <strong>the</strong> light well. 539<br />

The original shape <strong>of</strong> <strong>the</strong> opening in <strong>the</strong> ceiling was rectangular with longer sides oriented<br />

North-South, and semi-circular openings indented at north and south ends. Warren replaced<br />

this scheme with an octagonal opening surrounded by a double row <strong>of</strong> stone balusters. The<br />

ornament on <strong>the</strong> ceiling around <strong>the</strong> opening was copied from <strong>the</strong> frieze by McKim, Mead &<br />

White, although executed in a flatter style. Drawing #28 by Hall, dated December 28, 1897, "3/4<br />

Scale Detail - (revised) <strong>of</strong> Light in Floor <strong>of</strong> Second Story Hall," indicates that <strong>the</strong> Elliptical Hall<br />

was designed with a metal armature spanning <strong>the</strong> opening <strong>of</strong> <strong>the</strong> well and containing glass. The<br />

armature appears to be slightly domed above <strong>the</strong> ceiling level and is divided into sections<br />

separated by bands <strong>of</strong> scrolling ornament. There are rosettes where <strong>the</strong> bands intersect.<br />

It is also possible that <strong>the</strong> Elliptical Hall originally had different furnishings. The fact<br />

that <strong>the</strong> upholstery and trim on <strong>the</strong> s<strong>of</strong>as matched that <strong>of</strong> <strong>the</strong> draperies in <strong>the</strong> Living Room<br />

strongly suggests that <strong>the</strong>se pieces were originally in <strong>the</strong> Living Room. The Elliptical Hall had<br />

532<br />

Some <strong>of</strong> <strong>the</strong> rugs were taken by Mrs. Van Alen in 1938-40, and several have been moved<br />

within <strong>the</strong> house. See Curry Inventory.<br />

533<br />

See Catalogue notes for #3924 and Curry Inventory,46.<br />

534<br />

Caldwell Collection, Cooper-Hewitt Library, Wall Brackets Volume 3, 25 #c-4806, and 18 #c-5133.<br />

The base at <strong>the</strong> Vanderbilt Mansion has an additional cornucopia around <strong>the</strong> lion mask and also a<br />

pendant ribbon.<br />

535<br />

According to Mitchell Samuels, <strong>the</strong>se are copies <strong>of</strong> Louis XIV busts. (Samuels, French & Co.,<br />

1940.)<br />

536<br />

"She [Mrs. Van Alen Bruguiere] pointed to <strong>the</strong> Chinese vase on <strong>the</strong> mantel and stated that it<br />

was a fake job done by Mr. Glanzer [sic]. It was a plain Chinese vase, with <strong>the</strong> bronze or gold<br />

added. She stated that it usually sat on <strong>the</strong> middle <strong>of</strong> <strong>the</strong> hall table but had been placed up <strong>the</strong>re<br />

when she brought <strong>the</strong> clock into <strong>the</strong> hall." (Bruguiere, 1948.)<br />

537<br />

The planter should be by <strong>the</strong> door.<br />

538<br />

Series Historian's Research Notes File, V.C. Vanderbilt Mansion, 1019, cites interview with Mr.<br />

Martin. See also Knauss, List <strong>of</strong> Flower Arrangements.<br />

539<br />

A perspective drawing showing <strong>the</strong> new opening with surrounding ornament is <strong>the</strong> only<br />

drawing that shows <strong>the</strong> first floor change. There are too many doors in <strong>the</strong> drawing. It is<br />

believed that <strong>the</strong> detailing around <strong>the</strong> wall perimeter <strong>of</strong> <strong>the</strong> ceiling, designed by MMW, was<br />

copied by WW for <strong>the</strong> same detail around <strong>the</strong> new opening. Frieze <strong>of</strong> <strong>the</strong> opening: large<br />

acanthus leaves are separated by a series <strong>of</strong> flutes with small acanthus leaves within and at <strong>the</strong><br />

bottom <strong>of</strong> each flute. Appears that as designed is same as built in 1906.<br />

107

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