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Mr. Vanderbilt's Bedroom<br />

Resource History and Description <strong>of</strong> Existing Conditions<br />

Mr. Vanderbilt's Bedroom is accessed through <strong>the</strong> South Foyer, a connecting door from<br />

Mrs. Vanderbilt's Bedroom, and a door from his bathroom. McKim determined <strong>the</strong><br />

arrangement <strong>of</strong> <strong>the</strong> rooms in <strong>the</strong> layout <strong>of</strong> <strong>the</strong> floor plan. The room has spectacular western<br />

views <strong>of</strong> <strong>the</strong> Hudson River and bright sou<strong>the</strong>rn light.<br />

The room was lavishly decorated by Georges Glaenzer in a Renaissance Revival style.<br />

The walls are covered with lush tapestries that are richly bordered by a paneled walnut dado and<br />

a faux-carved and gilded frieze. The bed is set <strong>of</strong>f by a pair <strong>of</strong> monumental carved and twisted<br />

columns with gilded foliage and gilded Corinthian capitals. It has a shallow canopy with arches<br />

that terminate in pendant rosettes. There are small built-in nightstands on ei<strong>the</strong>r side <strong>of</strong> <strong>the</strong> bed<br />

just inside <strong>the</strong> columns. The bed itself has a carved head and foot board with figural members at<br />

each corner. The door leading to Mrs. Vanderbilt's room on <strong>the</strong> east wall is concealed by an<br />

unbroken line <strong>of</strong> <strong>the</strong> tapestry covering on <strong>the</strong> wall and paneling, as is <strong>the</strong> door to <strong>the</strong> South<br />

Foyer and <strong>the</strong> bathroom. The ceiling is made <strong>of</strong> composition with elaborate scrolling foliate<br />

designs that are separated by gilded, pierced, and carved cross-members that meet in a carved<br />

medallion with figural elements and a pendant rosette. The outer timbers <strong>of</strong> <strong>the</strong> ceiling enclose<br />

more faux-carved scrolling composition panels and terminate in alternating pairs <strong>of</strong> carved<br />

ram's heads and scrolled brackets. There is much whimsy and character in <strong>the</strong> many carved<br />

faces that are worked into <strong>the</strong> decorative paneling. The old women, men, and animals with<br />

exaggerated features that exist amidst <strong>the</strong> swirling scrolls animate <strong>the</strong> bedroom walls.<br />

Nine drawings by Glaenzer document this space, most <strong>of</strong> which are dated October 26,<br />

1897. 718 The fact that <strong>the</strong> drawings are numbered beginning with #1 suggests that this was <strong>the</strong><br />

first room which Glaenzer was hired to decorate. According to tradition it was installed by<br />

Norcross Bro<strong>the</strong>rs. 719 Glaenzer's drawings called for elaborately carved built-in pieces <strong>of</strong><br />

furniture. The side cabinet on <strong>the</strong> eastern wall flanked by a pair <strong>of</strong> pedestals was entirely<br />

eliminated. In its place is a carved walnut sideboard (possibly Herter Bro<strong>the</strong>rs from <strong>the</strong> New<br />

York City house). The door on <strong>the</strong> eastern wall adjoining Mrs. Vanderbilt's Bedroom was<br />

moved closer to <strong>the</strong> South Foyer. On <strong>the</strong> western wall <strong>the</strong> form <strong>of</strong> <strong>the</strong> built-in bureau is<br />

somewhat different than <strong>the</strong> drawings. 720 The drawing called for shelves on <strong>the</strong> sides, although a<br />

717<br />

The space originally had a red plush s<strong>of</strong>a with loose cushions, according to <strong>the</strong> Curry Inventory. This<br />

s<strong>of</strong>a has been returned to <strong>the</strong> Vanderbilt Mansion from <strong>the</strong> Shears family and is now in storage. The<br />

paintings were also moved around. In 1938, <strong>the</strong> Sleighing Party was hanging here and has been replaced<br />

by a Woman Holding Flowers. The original teakwood stand in situ in 1938 was replaced by a walnut table<br />

by 1940.<br />

718<br />

Drawing #1 (10/26/97) North Elevation<br />

#2 (10/26/97) South Elevation<br />

#3 (10/26/97) East Elevation<br />

#4 (10/26/97) West Elevation<br />

#5 (10/26/97) Ceiling Plan<br />

#22 (10/26/97) Side Elevations <strong>of</strong> Mantel Breast and Bed<br />

#23 (10/26/97) West Elevation, revised Design for Window Trim<br />

#24 (10/26/97) South Elevation, revised design for Window Trim<br />

#33 Side Elevation <strong>of</strong> Cabinet, Side Elevation <strong>of</strong> Dressing Case<br />

719<br />

John Claremont interview<br />

720<br />

The bureau is lined in bird's eye maple.<br />

133

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