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Analysis <strong>of</strong> Historical Significance and Integrity by Resource Type<br />

DeGrasse Fox, after his purchase circa 1889; 1429 and Frederick and Louise remodeled at least<br />

two houses, 1025 Fifth Avenue, New York City, with Ogden Codman, <strong>the</strong> original architect, in<br />

1917, and Adams and Warren's Sonogee in Bar Harbor, with Andrews, Rantoul, and Jones, circa<br />

1920. 1430 (See Chapter 1, The Vanderbilts as Patrons and Clients.)<br />

In new construction alone, sixteen houses were erected by <strong>the</strong> siblings between 1879 and<br />

1902. Seven different prominent architects or architectural firms <strong>of</strong> <strong>the</strong> day were engaged to<br />

design <strong>the</strong>se homes; at least three o<strong>the</strong>rs were used for homes where only alterations were<br />

carried out. 1431 Collectively, <strong>the</strong> ten different styles employed in <strong>the</strong>se houses represented<br />

almost <strong>the</strong> entire spectrum <strong>of</strong> architecture popular at <strong>the</strong> time, each one different, and each one<br />

harmonizing with its specific locale. If <strong>the</strong> setting was less sympa<strong>the</strong>tic to <strong>the</strong> preferred<br />

architectural design, <strong>the</strong> patron manipulated it with <strong>the</strong> architect and landscape architect to<br />

create a new one, as George did at Biltmore. The Vanderbilt fortune allowed for this kind <strong>of</strong><br />

creativity and monumentality, while <strong>the</strong> individual personalities no doubt contributed to <strong>the</strong><br />

great variety.<br />

The late nineteenth and early twentieth centuries were an incredible era for erecting<br />

great domiciles. During this time <strong>the</strong> Vanderbilt family probably patronized more architects and<br />

contributed to <strong>the</strong> magnificence <strong>of</strong> <strong>the</strong> era's architecture more than any o<strong>the</strong>r family. Taken as a<br />

whole, <strong>the</strong> structures <strong>the</strong>y commissioned represent a vastly significant contribution by one<br />

generation <strong>of</strong> one family to American architecture between 1879 and 1920.<br />

A list <strong>of</strong> houses that were newly constructed by Frederick Vanderbilt and his bro<strong>the</strong>rs<br />

and sisters follows:<br />

1429<br />

G.W. Helfrich and Gladys O'Neil, Lost Bar Harbor, (Camden, ME: Down East Books, 1982), 15;<br />

Floyd, 426, 503 (en. 166).<br />

1430<br />

Helfrich and O'Neil, 73; "Cottage for Henry Lan[d] Eno, Esq., Bar Harbor, Maine," Series VIII;<br />

"Home <strong>of</strong> F.W. Vanderbilt, Bar Harbor, Maine, Series XXXV, ROVA Archives.<br />

1431<br />

William K. Vanderbilt's wife, Alva, contributed greatly to <strong>the</strong> three houses that Richard Morris Hunt<br />

designed for <strong>the</strong>m, and Frederick and Louise probably designed <strong>the</strong>ir Japanese Adirondack camp.<br />

252

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