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National Park Service U.S. Department of the Interior

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feed grown on <strong>the</strong> adjacent estate farm, also demonstrates how self-sufficiency was in reality not <strong>of</strong><br />

great concern to <strong>the</strong> Vanderbilts' management <strong>of</strong> <strong>the</strong> property.<br />

Listing <strong>of</strong> Features<br />

What follows is a listing and narrative description <strong>of</strong> character-defining landscape features, and a<br />

chart intended to show <strong>the</strong> evolution <strong>of</strong> <strong>the</strong>se features during <strong>the</strong> Vanderbilt tenure. Characterdefining<br />

features have generally been regarded as features present during <strong>the</strong> historic period which<br />

have survived to <strong>the</strong> present. In <strong>the</strong>ir survival on site, <strong>the</strong>se features or characteristics have <strong>the</strong> ability<br />

to "define <strong>the</strong> character" <strong>of</strong> a historic property. While <strong>the</strong> list and narrative description <strong>of</strong> features<br />

that follows only deals with surviving landscape features, a chart is provided at <strong>the</strong> end <strong>of</strong> this section<br />

intended to show more clearly <strong>the</strong> dynamic-changeable aspects <strong>of</strong> landscape features. This chart<br />

includes both features which are missing from <strong>the</strong> property, such as <strong>the</strong> mansion's foundation<br />

planting or <strong>the</strong> Bard Rock boathouse both removed by <strong>the</strong> NPS, and <strong>the</strong> ensemble <strong>of</strong> farm buildings<br />

which were divested from <strong>the</strong> estate property in 1939 just prior to federal acquisition.<br />

Land-Use/ Spatial Organization<br />

The <strong>Park</strong>, 1764-present<br />

Prior to Vanderbilt ownership, <strong>the</strong> land use <strong>of</strong> <strong>the</strong> Hyde <strong>Park</strong> estate was organized from east to west.<br />

Between <strong>the</strong> eastern bank <strong>of</strong> <strong>the</strong> Hudson and <strong>the</strong> shoulder <strong>of</strong> Albany Post Road, <strong>the</strong> landscape was<br />

developed into a pleasure ground, something <strong>the</strong> English referred to as a "park." West <strong>of</strong> Albany Post<br />

Road, while aes<strong>the</strong>tic concerns were important, <strong>the</strong> primary focus was agriculture and production<br />

intended to render <strong>the</strong> estate as "self-sufficient" as possible. Under Vanderbilt's stewardship, this<br />

organization was retained if not streng<strong>the</strong>ned. Drawing upon <strong>the</strong> historic name <strong>of</strong> <strong>the</strong> property,<br />

Vanderbilt himself called <strong>the</strong> area between <strong>the</strong> river and <strong>the</strong> public highway <strong>the</strong> "park." Separate<br />

accounts were kept for expenses relating to "Farm," "<strong>Park</strong>," and sometimes "Garden." The park<br />

landscape may be described as a broad flat terrace dissected by Crum Elbow Creek and <strong>the</strong> Hudson<br />

River. The character <strong>of</strong> <strong>the</strong> park landscape is defined by topography, vegetation and views. There is<br />

great variety in landscape character, from <strong>the</strong> moist Hemlock woodland along <strong>the</strong> creek and<br />

meandering carriage drives, to <strong>the</strong> flat terrace east <strong>of</strong> <strong>the</strong> mansion that is furnished with mature<br />

specimen trees, to <strong>the</strong> precipitous drop <strong>of</strong>f west <strong>of</strong> <strong>the</strong> dwelling, spilling down into meadow and<br />

woodlot. This well-tended, genteel landscape, along with its mature plantings, captured <strong>the</strong><br />

imagination <strong>of</strong> President Franklin Roosevelt who saw <strong>the</strong> potential <strong>of</strong> <strong>the</strong> property for a national park.<br />

Mansion Site, 1799-present<br />

While <strong>the</strong> architecture itself has changed, <strong>the</strong> physical location <strong>of</strong> <strong>the</strong> principal dwelling on this<br />

property has been consistent across <strong>the</strong> tenure <strong>of</strong> several owners, beginning with Bard's initial 1799<br />

construction. The mansion site may be defined as a westward bowing prospect on <strong>the</strong> natural terrace<br />

so fundamentally associated with <strong>the</strong> Hudson Valley. Remarkably, <strong>the</strong> design treatment <strong>of</strong> <strong>the</strong><br />

landscape immediately surrounding <strong>the</strong> building has been as consistent as <strong>the</strong> location. The dramatic<br />

natural qualities <strong>of</strong> <strong>the</strong> site, which include topography and broad and atmospheric westward views,<br />

have worked to discourage <strong>the</strong> accretion <strong>of</strong> landscape styles or design elements. As a result <strong>of</strong> such<br />

little interference and <strong>the</strong> compatibility <strong>of</strong> <strong>the</strong> Vanderbilts' Beaux-Arts styled home with <strong>the</strong><br />

Neoclassical architecture <strong>of</strong> its predecessors, this site is potentially <strong>the</strong> best surviving example <strong>of</strong> what<br />

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