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National Park Service U.S. Department of the Interior

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<strong>the</strong>ir ridges meeting at right angles; <strong>the</strong> round or polygonal turret is a feature <strong>of</strong> <strong>the</strong> later phase<br />

<strong>of</strong> <strong>the</strong> style. . . ." 1542<br />

"Eclectic style <strong>of</strong> domestic architecture <strong>of</strong> <strong>the</strong> 1870s and 1880s in England and <strong>the</strong> U.S.A.;<br />

misnamed after Queen Anne, but actually based on country-house architecture. It is<br />

characterized by a blending <strong>of</strong> Tudor Gothic, English Renaissance and, in <strong>the</strong> U.S.A., Colonial<br />

elements." 1543<br />

"Queen Anne (1880-1910) - An architectural style characterized by: irregularity <strong>of</strong> plan and<br />

massing, variety <strong>of</strong> color and texture, variety <strong>of</strong> window treatment, multiple steep ro<strong>of</strong>s, porches<br />

with decorative gables, frequent use <strong>of</strong> bay windows, chimneys that incorporate molded brick or<br />

corbelling, and wall surfaces that vary in texture and material used." 1544<br />

Renaissance Revival - a style that looked back to buildings first designed during <strong>the</strong> European<br />

Renaissance, which in turn had looked back to classical Roman architecture. The most used<br />

precedents were Italian structures, but those <strong>of</strong> France, England, and Germany were also used<br />

as models. This style was popular in America at <strong>the</strong> end <strong>of</strong> <strong>the</strong> nineteenth and beginning <strong>of</strong> <strong>the</strong><br />

twentieth centuries. (See Italian Renaissance Architecture.)<br />

"The Romano-Tuscan Mode - straight-fronted buildings - cubic blocks when freestanding -<br />

without any considerable projections or recessions in <strong>the</strong> main mass are <strong>the</strong> rule. Columns, if<br />

present, are confined to porches or window tabernacle frames. A massive cornice (cornicione in<br />

<strong>the</strong> prototypes), sometimes scaled to <strong>the</strong> full height <strong>of</strong> <strong>the</strong> building, is <strong>the</strong> crowning feature; <strong>the</strong><br />

ro<strong>of</strong> behind it is low and invisible to <strong>the</strong> spectator in <strong>the</strong> street. Elevations are symmetrical.<br />

Apart from rusticated quoins, and sometimes a rusticated ground story, <strong>the</strong> wall surfaces are<br />

usually smooth and plain, serving as a neutral background for windows, doorways, and (in many<br />

cases) balustraded balconies. The windows, which are <strong>of</strong>ten linked horizontally by<br />

stringcourses, are normally trabeated. . . ." 1545<br />

"The North Italian Mode - In general form, buildings <strong>of</strong> this Renaissance Revival mode<br />

resemble those <strong>of</strong> <strong>the</strong> Romano-Tuscan, and like <strong>the</strong>m <strong>the</strong>y have symmetrical elevations<br />

crowned with bold cornices. But windows are always arched, and <strong>the</strong>y tend to be, or at least to<br />

seem, larger; <strong>the</strong>re is a minimum <strong>of</strong> unbroken wall surface. The over-all effect is decidedly<br />

richer, with strong contrasts <strong>of</strong> light and shade. . . ." 1546<br />

Renaissance Revival Furniture and Decoration<br />

Renaissance Revival style furniture and decoration was one <strong>of</strong> <strong>the</strong> most prevalent and enduring<br />

styles <strong>of</strong> <strong>the</strong> nineteenth century. Its earliest manifestations appeared in <strong>the</strong> 1840s. The style was<br />

disseminated through <strong>the</strong> numerous universal expositions, as well as through pattern books and<br />

journals. The style originated in France, but drew on all phases <strong>of</strong> <strong>the</strong> Renaissance in France as<br />

well as Italy for inspiration. The eclectic nature <strong>of</strong> <strong>the</strong> Renaissance Revival is illustrated by <strong>the</strong><br />

1542 Whiffen, 115.<br />

1543 Harris, 442.<br />

1544 Phillips, 129-30.<br />

1545 Whiffen, 75.<br />

1546 Whiffen, 79.<br />

427

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