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Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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In Shuffle mode, clip movement is constrained by other clips, and any

changes you make affect the placement of subsequent clips on the track. When

you move a clip in Shuffle mode, it will snap to the previous or next clip on

the track. Additionally, when you perform an edit (trim, cut/delete, or paste

material), all clips to the right will slide along the Timeline in train-car

fashion to make space (when adding material) or to close a gap (when

removing material).

Use Shuffle mode as a convenient way to make clips line up next to each

other, without overlapping or leaving silence between them.

Slip Mode

In Slip mode, you can move, trim, cut, or paste clips freely within a track

without affecting the placement of other clips on the track. In this mode, you

can place a clip anywhere on a track, leaving space between it and other

clips, if desired. It is also possible to move a clip so that it overlaps or

completely covers another clip.

Use Slip mode when you want the Trim, Selector, Grabber, and Pencil tools

to work without restrictions to placement in time.

Spot Mode

In Spot mode, you can move or place clips at precise locations by specifying

the destination location in a dialog box. As in Slip mode, edit operations do

not affect the placement of other clips on the track.

When Spot mode is enabled, Pro Tools prompts you with a dialog box when

working with clips, allowing you to specify the start, end, duration, or other

relevant parameters. Use Spot mode when you want to control the placement

or duration of a clip using precise numerical values.

Grid Mode

In Grid mode, clips and MIDI notes that are moved, trimmed, or inserted will

snap to the nearest time increment using the currently selected Time Scale

and Grid size. Grid mode can be applied using either Absolute or Relative

positioning options. (See Lesson 8 for details.)

Use Grid mode for making precise edits and aligning clips and selections

using precise time intervals.

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