Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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Avid EQ IIIThe Avid EQ III is an equalizer plug-in for adjusting the frequency spectrumof audio material in Pro Tools. This plug-in can be added to a track in a 1-band or 7-band parametric EQ configuration.To add the EQ III plug-in to a Pro Tools track, do one of the following:▪ For a mono track, click on an INSERT SELECTOR and choose PLUG-IN >EQ > EQ3 1-BAND (MONO) (or choose the 7-Band option, as desired).The EQ III plug-in window will open.▪ For a stereo track, click on an INSERT SELECTOR and chooseMULTICHANNEL PLUG-IN > EQ > EQ3 1-BAND (STEREO) (orchoose the 7-Band option, as desired). The multi-channel EQ III plug-inwindow will open.Figure 9.14 The EQ III 7-band equalizer plug-in windowSource: Avid ® .Avid Dynamics IIIThe Avid Dynamics III plug-in provides a suite of dynamics processing plugins,including a Compressor/Limiter, an Expander/Gate, and a De-Esser.The Compressor/Limiter plug-in can be used to control dynamic levels, usingstandard attack, release, threshold, and ratio controls. The Expander/Gate
plug-in can be added to a track to eliminate unwanted background noise byfine-tuning the ratio, attack, hold, release, and range. The De-Esser can beused to reduce sibilants, using frequency and range controls.To add a Dynamics III plug-in to a Pro Tools track, do one of the following:▪ For a mono track, click on an INSERT SELECTOR and choose PLUG-IN >DYNAMICS > DYN 3 COMPRESSOR/LIMITER (MONO) (or choose the De-Esser or Expander/Gate, as desired). The selected Dynamics III plug-inwindow will open.▪ For a stereo track, click on an INSERT SELECTOR and choose PLUG-IN >MULTICHANNEL PLUG-IN > DYNAMICS > DYN 3COMPRESSOR/LIMITER(STEREO) (or choose the De-Esser or Expander/Gate, as desired). Theselected Dynamics III plug-in window will open.Figure 9.15 The Dynamics III Compressor/Limiter plug-in windowSource: Avid ® .Avid Channel StripThe Avid Channel Strip plug-in combines EQ, Dynamics, Filter, and Gaineffects processing in a single user interface. The Avid Channel Stripprocessing algorithms are based on the award-winning Euphonix System 5console channel strip effects. In addition to standard knob and fader controls,Channel Strip also provides a graph of the gain transfer curve for the
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PRO TOOLS ® 101:AN INTRODUCTION TO
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This guide is copyrighted ©2013 by
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This book is dedicated to musicians
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Andy CookAvid Learning Partner Prog
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ContentsIntroductionPART IBackgroun
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Time Scales and RulersMain Time Sca
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Importing VideoEXERCISE 4 Importing
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EXERCISE 6 Configuring the Session
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Considerations for Bouncing AudioBo
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Connect Monitoring DevicesCreating
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IntroductionCongratulations on ente
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▪ Miking techniques▪ Mixer sign
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The Avid Learning Partner ProgramPr
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design, enabling authorized trainin
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PART IBackground InformationOVERVIE
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At its core, Pro Tools is a multi-t
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and modifying sound effects, music,
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Digidesign continued to develop sof
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By March 1995, Pro Tools was recogn
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In 2002, Pro Tools|HD systems were
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A VENUE system is built around one
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speed Ethernet control protocol to
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processors, run more plug-ins, and
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are synonymous—15,000 CPS is the
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Most professional digital recording
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Pro Tools System ConfigurationsThe
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Source: Avid ® .The Mbox Pro is a
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Source: Avid ® .Figure 1.20 003 Ra
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Source: Avid ® .HD MADIHD MADI is
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Delete keyBackspace keyFile-Naming
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EXERCISE 1Pro Tools HardwareIn this
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❏ Standard Pro Tools software❏
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New features introduced in Pro Tool
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When audio is recorded into a Pro T
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Powering Up Your HardwareWhen start
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Tip: Mac users might want to create
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Source: Avid ® .The Pro Tools Soft
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and operations, and for adjusting v
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Source: Avid ® .Edit ToolsPro Tool
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Source: Avid ® .Pro Tools lets you
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Source: Avid ® .Customizing the To
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Figure 2.14 Moving controls in the
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Source: Avid ® .Record and Playbac
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Source: Avid ® .As with the Edit w
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functions of the MIDI controls are
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The Tile command arranges open wind
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Source: Avid ® .To use the Zoomer
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highlighted in the Edit window. In
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Tip: Dragging the Scrubber tool bet
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In Shuffle mode, clip movement is c
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Source: Avid ® .▪ Select the des
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Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
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Source: Avid ® .Tip: Additional de
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Source: Avid ® .When a track has b
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Source: Avid ® .Example: Suppose y
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4. Click the RECORD button in the T
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Source: Avid ® .Note that clips on
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▪ Right-click on the file or clip
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are cleared on the hard drive.Figur
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Source: Avid ® .If no other confir
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10. What types of clips are represe
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understand whether the file can be
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Professional format offers high-qua
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▪ Comments. The area along the bo
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5. If any audio files or clips are
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b. Choose the volume or folder that
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The files will be automatically con
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Source: Avid ® .4. Select the desi
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9. How would you go about importing
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2. Copy the following audio files i
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1. Choose FILE > SAVE to save the s
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audio file in that MIDI data does n
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3. Select either MIDI TRACK or INST
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Though MIDI tracks are typically ti
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also want to set the key signature
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Figure 6.7 The Tempo Change dialog
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Source: Avid ® .3. Click OK to ins
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To display the Instrument view, do
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keyboard could receive double MIDI
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To enable Input Quantize, do the fo
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Source: Avid ® .Tip: Stereo Instru
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Source: Avid ® and inMusic®.The p
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Figur
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3. Click PLAY in the Transport wind
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Source: Avid ® .Tip: When Zoom Tog
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Source: Avid ® .Figure 6.32 Toggli
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11. What kind of virtual instrument
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1. Click on the HORIZONTAL ZOOM IN
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Figure EX5.4 The Vacuum plug-in win
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3. Click the RECORD button in the T
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LESSON 7Selecting and NavigatingThi
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2. Drag up or down to change the he
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end, and length values for the Time
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2. Drag the TIMELINE SELECTION OUT
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5. Press RETURN or ENTER to confirm
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Source: Avid ® .Selecting Material
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OPTION+TAB (Mac). With each press o
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▪ To select from the current curs
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2. Choose the desired height from t
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Source: Avid ® .Using the Zoomer T
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Figure 7.23 Zoom Toggle buttonSourc
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Source: Avid ® .To store a zoom se
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Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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Page 273 and 274: Tip: The Follow Main Time Scale opt
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Page 277 and 278: 1. Make a selection of any length a
Page 279 and 280: Source: Avid ® .When you separate
Page 281 and 282: Source: Avid ® .Moving and Trimmin
Page 283 and 284: automatically snap to each other li
Page 285 and 286: Source: Avid ® .4. Click the curso
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Page 289 and 290: Tip: If you are using a laptop comp
Page 291 and 292: Source: Avid ® .3. Choose the desi
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Page 295 and 296: 1. Choose SETUP > PREFERENCES and t
Page 297 and 298: Source: Avid ® .The following acti
Page 299 and 300: Source: Avid ® .Restoring from Ses
Page 301 and 302: 11. How would you go about creating
Page 303 and 304: To remove silence before the drum p
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Page 307 and 308: InputsThe term input refers to an a
Page 309 and 310: Source: Avid ® .Configuring the Mi
Page 311 and 312: Source: Avid ® . ©2013 Frank D. C
Page 313 and 314: Source: Avid ® .Tip: The Inserts a
Page 315 and 316: To route a send to an external devi
Page 317 and 318: Source: Avid ® .3. Begin playback
Page 319 and 320: Pro Tools also allows you to view a
Page 321: Plug-ins can be used in mono, multi
Page 325 and 326: Review/Discussion Questions1. What
Page 327 and 328: EXERCISE 8Arranging Audio and Creat
Page 329 and 330: Figure EX8.2 Setting the start time
Page 331 and 332: Source: Avid ®2. Click on INSERT S
Page 333 and 334: LESSON 10Finishing Your WorkThis le
Page 335 and 336: ▪ It allows you to back up an ent
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Page 339 and 340: Source: Gobbler ® .4. Select the d
Page 341 and 342: ▪ Bounced material is automatical
Page 343 and 344: Source: Avid ® .8. Allow recording
Page 345 and 346: Source: Avid ® .4. Choose FILE > B
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Page 349 and 350: Figure 10.10 The Bounce to Disk pro
Page 351 and 352: Tip: For more information on SoundC
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Page 355 and 356: Source: Avid ® .6. Enter your user
Page 357 and 358: 2. Select the desired files in iTun
Page 359 and 360: 2. How is the Save Copy In command
Page 361 and 362: 3. If needed, click on the MUTE but
Page 363 and 364: 5. If any MIDI notes remain overhan
Page 365 and 366: OVERVIEWPART IIIHands-On ProjectsPa
Page 367 and 368: To complete these projects, you wil
Page 369 and 370: PROJECT 1Music Hands-On ProjectIn t
Page 371 and 372: c. Type Music Project PT11 in the t
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®4. Click OK to close
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Source: Avid ®Name and reposition
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Insert Xpand! 2 onto the Drums trac
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2. With the GRABBER tool, select th
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Source: Avid ®3. With the PENCIL t
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Source: Avid ® and inMusic®5. Cli
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white, and the corresponding note w
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4. Close the Workspace browser to r
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Select the location to insert time
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Source: Avid ®6. Click the GRID bu
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2. Open the Memory Locations window
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Bus 1 (Verb). Therefore, all you wi
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Save Work in ProgressBefore continu
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It is often useful to create a scor
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Source: Avid ®Configure the staff
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Source: Avid ®Adjust the Maxim set
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Make a 16-bit stereo bounce of your
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Remove Unused MaterialTo save disk
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PROJECT 2Post Hands-On ProjectIn th
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a. Choose WINDOW > NEW WORKSPACE.b.
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Source: Avid ®5. Click OK to close
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5. Double-click on the track name (
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5. Select SESSION START in the Loca
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Source: Avid ®4. Click DONE. The A
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3. When the clip ends, press the SP
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Source: Avid ®6. If needed, set th
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Gradually move the mouse back and f
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Change the MusicNext you will need
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Source: Avid ®2. Press E on your k
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
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Mix window, 40-41Comments area (Imp
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Digidesigngrammy award, 9history of
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toolbar, customizing, 37-38editingC
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MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
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Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
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description, 192displaying and hidi
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Session windows oriented for, 239-2
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Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
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mixing exercise, 276-282powering up
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Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
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Tap Tempo mode, 115Tempo field, 54T
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playback point, 71shortcuts, 68size
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WaveCache file, 28-29waveform, 14wi
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