Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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5. In the OPTIONS section of the Input Quantize window, select any otherdesired options.Using Virtual InstrumentsVirtual instruments are the software equivalents of outboard synthesizers orsound modules. Many virtual instruments are available for Pro Tools in theform of real-time plug-ins. The Xpand! 2 , Boom, and Structure Free plug-insare examples of virtual instruments that are included with Pro Tools.Virtual instrument plug-ins can be added to Auxiliary Input tracks orInstrument tracks and triggered by MIDI events routed through the respectivetracks.For basic recording with a virtual instrument, you will want to create anInstrument track and connect a MIDI controller as described earlier in thislesson.Placing a Virtual Instrument on an Instrument TrackA virtual instrument plug-in can be placed directly on an Instrument track,allowing the instrument to be triggered by the MIDI data on the track duringplayback or by MIDI data passing through the track for live input monitoring.To add a virtual instrument such as Xpand! 2 , Boom, or Structure Free to anInstrument track in Pro Tools, do the following:1. Display the track inserts, if not already shown, by choosing VIEW > MIXWINDOW VIEWS or VIEW > EDIT WINDOW VIEWS and selecting INSERTSA-E or INSERTS F-J.2. Click an insert on the Instrument track, choose PLUG-IN > INSTRUMENT,and select the virtual instrument to use on the track. The track’s MIDIOutput will automatically be assigned to the virtual instrument plug-in,and the instrument’s user interface will open.Figure 6.13 Selecting the Xpand! 2 virtual instrument plug-in
Source: Avid ® .Tip: Stereo Instrument tracks provide two options for plug-ins:multichannel plug-ins and multi-mono plug-ins. Choose multichannelplug-ins for stereo virtual instruments; choose multi-mono plug-insfor mono virtual instruments.3. Assign the appropriate hardware outputs, if not already selected, usingthe AUDIO OUTPUT PATH SELECTOR (for monitoring and playbackpurposes).4. Set the track’s VOLUME FADER to the desired output level.5. Play notes on your MIDI controller. The meters on the Instrument trackwill register the instrument’s audio output.Tip: It may be necessary to record-enable the Instrument track to allowMIDI signals to pass through the track.Tip: The MIDI signal received on an Instrument track is displayed bythe MIDI meter in the Instrument view. If the MIDI meter on an
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PRO TOOLS ® 101:AN INTRODUCTION TO
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This guide is copyrighted ©2013 by
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This book is dedicated to musicians
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Andy CookAvid Learning Partner Prog
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ContentsIntroductionPART IBackgroun
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Time Scales and RulersMain Time Sca
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Importing VideoEXERCISE 4 Importing
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EXERCISE 6 Configuring the Session
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Considerations for Bouncing AudioBo
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Connect Monitoring DevicesCreating
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IntroductionCongratulations on ente
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▪ Miking techniques▪ Mixer sign
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The Avid Learning Partner ProgramPr
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design, enabling authorized trainin
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PART IBackground InformationOVERVIE
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At its core, Pro Tools is a multi-t
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and modifying sound effects, music,
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Digidesign continued to develop sof
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By March 1995, Pro Tools was recogn
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In 2002, Pro Tools|HD systems were
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A VENUE system is built around one
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speed Ethernet control protocol to
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processors, run more plug-ins, and
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are synonymous—15,000 CPS is the
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Most professional digital recording
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Pro Tools System ConfigurationsThe
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Source: Avid ® .The Mbox Pro is a
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Source: Avid ® .Figure 1.20 003 Ra
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Source: Avid ® .HD MADIHD MADI is
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Delete keyBackspace keyFile-Naming
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EXERCISE 1Pro Tools HardwareIn this
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❏ Standard Pro Tools software❏
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New features introduced in Pro Tool
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When audio is recorded into a Pro T
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Powering Up Your HardwareWhen start
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Tip: Mac users might want to create
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Source: Avid ® .The Pro Tools Soft
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and operations, and for adjusting v
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Source: Avid ® .Edit ToolsPro Tool
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Source: Avid ® .Pro Tools lets you
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Source: Avid ® .Customizing the To
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Figure 2.14 Moving controls in the
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Source: Avid ® .Record and Playbac
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Source: Avid ® .As with the Edit w
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functions of the MIDI controls are
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The Tile command arranges open wind
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Source: Avid ® .To use the Zoomer
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highlighted in the Edit window. In
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Tip: Dragging the Scrubber tool bet
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In Shuffle mode, clip movement is c
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Source: Avid ® .▪ Select the des
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Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
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Source: Avid ® .Tip: Additional de
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Source: Avid ® .When a track has b
Page 155 and 156: Source: Avid ® .Example: Suppose y
Page 157 and 158: 4. Click the RECORD button in the T
Page 159 and 160: Source: Avid ® .Note that clips on
Page 161 and 162: ▪ Right-click on the file or clip
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Page 165 and 166: Source: Avid ® .If no other confir
Page 167 and 168: 10. What types of clips are represe
Page 169 and 170: understand whether the file can be
Page 171 and 172: Professional format offers high-qua
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Page 175 and 176: 5. If any audio files or clips are
Page 177 and 178: b. Choose the volume or folder that
Page 179 and 180: The files will be automatically con
Page 181 and 182: Source: Avid ® .4. Select the desi
Page 183 and 184: 9. How would you go about importing
Page 185 and 186: 2. Copy the following audio files i
Page 187 and 188: 1. Choose FILE > SAVE to save the s
Page 189 and 190: audio file in that MIDI data does n
Page 191 and 192: 3. Select either MIDI TRACK or INST
Page 193 and 194: Though MIDI tracks are typically ti
Page 195 and 196: also want to set the key signature
Page 197 and 198: Figure 6.7 The Tempo Change dialog
Page 199 and 200: Source: Avid ® .3. Click OK to ins
Page 201 and 202: To display the Instrument view, do
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Page 205: To enable Input Quantize, do the fo
Page 209 and 210: Source: Avid ® and inMusic®.The p
Page 211 and 212: Source: Avid ® and inMusic®.Using
Page 213 and 214: Source: Avid ® and inMusic®.Using
Page 215 and 216: Source: Avid ® and inMusic®.Figur
Page 217 and 218: 3. Click PLAY in the Transport wind
Page 219 and 220: Source: Avid ® .Tip: When Zoom Tog
Page 221 and 222: Source: Avid ® .Figure 6.32 Toggli
Page 223 and 224: 11. What kind of virtual instrument
Page 225 and 226: 1. Click on the HORIZONTAL ZOOM IN
Page 227 and 228: Figure EX5.4 The Vacuum plug-in win
Page 229 and 230: 3. Click the RECORD button in the T
Page 231 and 232: LESSON 7Selecting and NavigatingThi
Page 233 and 234: 2. Drag up or down to change the he
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Page 237 and 238: 2. Drag the TIMELINE SELECTION OUT
Page 239 and 240: 5. Press RETURN or ENTER to confirm
Page 241 and 242: Source: Avid ® .Selecting Material
Page 243 and 244: OPTION+TAB (Mac). With each press o
Page 245 and 246: ▪ To select from the current curs
Page 247 and 248: 2. Choose the desired height from t
Page 249 and 250: Source: Avid ® .Using the Zoomer T
Page 251 and 252: Figure 7.23 Zoom Toggle buttonSourc
Page 253 and 254: Source: Avid ® .To store a zoom se
Page 255 and 256: Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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you edit your session. The Grid set
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Tip: The Follow Main Time Scale opt
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Note: When you cut or clear a selec
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1. Make a selection of any length a
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Source: Avid ® .When you separate
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Source: Avid ® .Moving and Trimmin
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automatically snap to each other li
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Source: Avid ® .4. Click the curso
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move the selected clip or clips wit
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Tip: If you are using a laptop comp
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Source: Avid ® .3. Choose the desi
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is available, the crossfade will ap
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1. Choose SETUP > PREFERENCES and t
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Source: Avid ® .The following acti
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Source: Avid ® .Restoring from Ses
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11. How would you go about creating
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To remove silence before the drum p
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inside the clip and drag to the rig
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InputsThe term input refers to an a
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Source: Avid ® .Configuring the Mi
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Source: Avid ® . ©2013 Frank D. C
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Source: Avid ® .Tip: The Inserts a
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To route a send to an external devi
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Source: Avid ® .3. Begin playback
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Pro Tools also allows you to view a
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Plug-ins can be used in mono, multi
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plug-in can be added to a track to
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Review/Discussion Questions1. What
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EXERCISE 8Arranging Audio and Creat
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Figure EX8.2 Setting the start time
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Source: Avid ®2. Click on INSERT S
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LESSON 10Finishing Your WorkThis le
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▪ It allows you to back up an ent
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out.) If the Audio Files option is
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Source: Gobbler ® .4. Select the d
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▪ Bounced material is automatical
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Source: Avid ® .8. Allow recording
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Source: Avid ® .4. Choose FILE > B
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respectively. This file format can
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Figure 10.10 The Bounce to Disk pro
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Tip: For more information on SoundC
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the track is posted.) You can also
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Source: Avid ® .6. Enter your user
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2. Select the desired files in iTun
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2. How is the Save Copy In command
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3. If needed, click on the MUTE but
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5. If any MIDI notes remain overhan
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OVERVIEWPART IIIHands-On ProjectsPa
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To complete these projects, you wil
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PROJECT 1Music Hands-On ProjectIn t
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c. Type Music Project PT11 in the t
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®4. Click OK to close
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Source: Avid ®Name and reposition
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Insert Xpand! 2 onto the Drums trac
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2. With the GRABBER tool, select th
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Source: Avid ®3. With the PENCIL t
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Source: Avid ® and inMusic®5. Cli
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white, and the corresponding note w
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4. Close the Workspace browser to r
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Select the location to insert time
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Source: Avid ®6. Click the GRID bu
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2. Open the Memory Locations window
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Bus 1 (Verb). Therefore, all you wi
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Save Work in ProgressBefore continu
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It is often useful to create a scor
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Source: Avid ®Configure the staff
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Source: Avid ®Adjust the Maxim set
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Make a 16-bit stereo bounce of your
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Remove Unused MaterialTo save disk
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PROJECT 2Post Hands-On ProjectIn th
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a. Choose WINDOW > NEW WORKSPACE.b.
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Source: Avid ®5. Click OK to close
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5. Double-click on the track name (
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5. Select SESSION START in the Loca
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Source: Avid ®4. Click DONE. The A
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3. When the clip ends, press the SP
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Source: Avid ®6. If needed, set th
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Gradually move the mouse back and f
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Change the MusicNext you will need
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Source: Avid ®2. Press E on your k
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
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Mix window, 40-41Comments area (Imp
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Digidesigngrammy award, 9history of
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toolbar, customizing, 37-38editingC
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MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
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Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
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description, 192displaying and hidi
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Session windows oriented for, 239-2
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Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
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mixing exercise, 276-282powering up
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Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
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Tap Tempo mode, 115Tempo field, 54T
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playback point, 71shortcuts, 68size
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WaveCache file, 28-29waveform, 14wi
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