Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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Source: Avid ® .Sub Time ScaleThe Sub Time Scale in a Pro Tools session is set to Samples by default,meaning that Timeline locations are represented as sample-based values,relative to the start point of the session. The Sub Time Scale provides aconvenient secondary timing reference.Like the Main Time Scale, the Sub Time Scale can be set to Bars|Beats,Minutes:Seconds, Time Code, Feet+Frames, or Samples. To display the SubTime Scale in the Edit menu, select SHOW SUB COUNTER from the Main TimeScale pop-up menu. To set the Sub Time Scale, select the desired timebasefrom the Sub Time Scale pop-up menu.Figure 2.36 Sub Time Scale pop-up menuSource: Avid ® .Ruler Display Options
Pro Tools provides two types of Rulers that can be displayed in the Editwindow: Timebase Rulers and Conductor Rulers.The Pro Tools Timebase Rulers include the following:▪ Bars|Beats▪ Min:Sec▪ Samples▪ Time Code▪ Time Code 2▪ Feet+FramesTip: Timebase Rulers are commonly referred to as Timelines in theindustry.The Pro Tools Conductor Rulers include the following:▪ Markers▪ Tempo▪ Meter▪ Key▪ ChordsYou can customize your sessions to display only the Timebase and ConductorRulers you want to work with. To display a Ruler, do one of the following:▪ Choose VIEW > RULERS and select the desired Ruler from the submenu.▪ Click the RULER VIEW SELECTOR and select the desired Ruler from thepop-up menu.Figure 2.37 Ruler View selector and pop-up menu
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PRO TOOLS ® 101:AN INTRODUCTION TO
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This guide is copyrighted ©2013 by
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This book is dedicated to musicians
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Andy CookAvid Learning Partner Prog
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ContentsIntroductionPART IBackgroun
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Time Scales and RulersMain Time Sca
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Importing VideoEXERCISE 4 Importing
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EXERCISE 6 Configuring the Session
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Considerations for Bouncing AudioBo
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Connect Monitoring DevicesCreating
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IntroductionCongratulations on ente
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▪ Miking techniques▪ Mixer sign
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The Avid Learning Partner ProgramPr
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design, enabling authorized trainin
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PART IBackground InformationOVERVIE
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At its core, Pro Tools is a multi-t
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and modifying sound effects, music,
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Digidesign continued to develop sof
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By March 1995, Pro Tools was recogn
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In 2002, Pro Tools|HD systems were
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A VENUE system is built around one
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speed Ethernet control protocol to
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processors, run more plug-ins, and
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are synonymous—15,000 CPS is the
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Most professional digital recording
Page 53 and 54: Pro Tools System ConfigurationsThe
Page 55 and 56: Source: Avid ® .The Mbox Pro is a
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Page 59 and 60: Source: Avid ® .HD MADIHD MADI is
Page 61 and 62: Delete keyBackspace keyFile-Naming
Page 63 and 64: EXERCISE 1Pro Tools HardwareIn this
Page 65 and 66: ❏ Standard Pro Tools software❏
Page 67 and 68: New features introduced in Pro Tool
Page 69 and 70: When audio is recorded into a Pro T
Page 71 and 72: Powering Up Your HardwareWhen start
Page 73 and 74: Tip: Mac users might want to create
Page 75 and 76: Source: Avid ® .The Pro Tools Soft
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Page 79 and 80: Source: Avid ® .Edit ToolsPro Tool
Page 81 and 82: Source: Avid ® .Pro Tools lets you
Page 83 and 84: Source: Avid ® .Customizing the To
Page 85 and 86: Figure 2.14 Moving controls in the
Page 87 and 88: Source: Avid ® .Record and Playbac
Page 89 and 90: Source: Avid ® .As with the Edit w
Page 91 and 92: functions of the MIDI controls are
Page 93 and 94: The Tile command arranges open wind
Page 95 and 96: Source: Avid ® .To use the Zoomer
Page 97 and 98: highlighted in the Edit window. In
Page 99 and 100: Tip: Dragging the Scrubber tool bet
Page 101 and 102: In Shuffle mode, clip movement is c
Page 103: Source: Avid ® .▪ Select the des
Page 107 and 108: ▪ ALT-CLICK (Windows) or OPTION-C
Page 109 and 110: enable metronome playback is to set
Page 111 and 112: Review/Discussion Questions1. Name
Page 113 and 114: EXERCISE 2The Software InterfaceIn
Page 115 and 116: 8. The signal routing controls labe
Page 117 and 118: 22. The button labeled C in Figure
Page 119 and 120: LESSON 9EXERCISE 8LESSON 10EXERCISE
Page 121 and 122: Shortcut: Press CTRL+UP ARROW or DO
Page 123 and 124: A sample rate of 44.1 kHz, the indu
Page 125 and 126: Source: Avid ® .Using the dialog b
Page 127 and 128: Source: Avid ® .Track FormatWithin
Page 129 and 130: tracks to the Timeline and use mult
Page 131 and 132: Source: Avid ® .Shortcut: Press CT
Page 133 and 134: The edit cursor is a flashing line
Page 135 and 136: Page ScrollingTo scroll the Edit wi
Page 137 and 138: Locating a SessionWorkspace browser
Page 139 and 140: Source: Avid ® .Opening a SessionO
Page 141 and 142: 9. Which tool can be used to set th
Page 143 and 144: Source: Avid ® .Tip: You may need
Page 145 and 146: 2. Choose VIEW > MAIN COUNTER > BAR
Page 147 and 148: LESSON 4Making Your First Audio Rec
Page 149 and 150: Disk Usage WindowWith a session run
Page 151 and 152: Source: Avid ® .Tip: Additional de
Page 153 and 154: Source: Avid ® .When a track has b
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Source: Avid ® .Example: Suppose y
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4. Click the RECORD button in the T
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Source: Avid ® .Note that clips on
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▪ Right-click on the file or clip
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are cleared on the hard drive.Figur
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Source: Avid ® .If no other confir
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10. What types of clips are represe
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understand whether the file can be
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Professional format offers high-qua
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▪ Comments. The area along the bo
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5. If any audio files or clips are
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b. Choose the volume or folder that
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The files will be automatically con
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Source: Avid ® .4. Select the desi
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9. How would you go about importing
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2. Copy the following audio files i
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1. Choose FILE > SAVE to save the s
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audio file in that MIDI data does n
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3. Select either MIDI TRACK or INST
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Though MIDI tracks are typically ti
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also want to set the key signature
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Figure 6.7 The Tempo Change dialog
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Source: Avid ® .3. Click OK to ins
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To display the Instrument view, do
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keyboard could receive double MIDI
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To enable Input Quantize, do the fo
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Source: Avid ® .Tip: Stereo Instru
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Source: Avid ® and inMusic®.The p
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Figur
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3. Click PLAY in the Transport wind
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Source: Avid ® .Tip: When Zoom Tog
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Source: Avid ® .Figure 6.32 Toggli
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11. What kind of virtual instrument
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1. Click on the HORIZONTAL ZOOM IN
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Figure EX5.4 The Vacuum plug-in win
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3. Click the RECORD button in the T
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LESSON 7Selecting and NavigatingThi
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2. Drag up or down to change the he
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end, and length values for the Time
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2. Drag the TIMELINE SELECTION OUT
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5. Press RETURN or ENTER to confirm
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Source: Avid ® .Selecting Material
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OPTION+TAB (Mac). With each press o
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▪ To select from the current curs
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2. Choose the desired height from t
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Source: Avid ® .Using the Zoomer T
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Figure 7.23 Zoom Toggle buttonSourc
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Source: Avid ® .To store a zoom se
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Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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you edit your session. The Grid set
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Tip: The Follow Main Time Scale opt
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Note: When you cut or clear a selec
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1. Make a selection of any length a
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Source: Avid ® .When you separate
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Source: Avid ® .Moving and Trimmin
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automatically snap to each other li
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Source: Avid ® .4. Click the curso
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move the selected clip or clips wit
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Tip: If you are using a laptop comp
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Source: Avid ® .3. Choose the desi
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is available, the crossfade will ap
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1. Choose SETUP > PREFERENCES and t
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Source: Avid ® .The following acti
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Source: Avid ® .Restoring from Ses
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11. How would you go about creating
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To remove silence before the drum p
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inside the clip and drag to the rig
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InputsThe term input refers to an a
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Source: Avid ® .Configuring the Mi
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Source: Avid ® . ©2013 Frank D. C
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Source: Avid ® .Tip: The Inserts a
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To route a send to an external devi
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Source: Avid ® .3. Begin playback
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Pro Tools also allows you to view a
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Plug-ins can be used in mono, multi
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plug-in can be added to a track to
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Review/Discussion Questions1. What
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EXERCISE 8Arranging Audio and Creat
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Figure EX8.2 Setting the start time
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Source: Avid ®2. Click on INSERT S
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LESSON 10Finishing Your WorkThis le
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▪ It allows you to back up an ent
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out.) If the Audio Files option is
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Source: Gobbler ® .4. Select the d
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▪ Bounced material is automatical
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Source: Avid ® .8. Allow recording
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Source: Avid ® .4. Choose FILE > B
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respectively. This file format can
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Figure 10.10 The Bounce to Disk pro
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Tip: For more information on SoundC
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the track is posted.) You can also
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Source: Avid ® .6. Enter your user
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2. Select the desired files in iTun
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2. How is the Save Copy In command
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3. If needed, click on the MUTE but
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5. If any MIDI notes remain overhan
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OVERVIEWPART IIIHands-On ProjectsPa
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To complete these projects, you wil
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PROJECT 1Music Hands-On ProjectIn t
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c. Type Music Project PT11 in the t
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®4. Click OK to close
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Source: Avid ®Name and reposition
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Insert Xpand! 2 onto the Drums trac
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2. With the GRABBER tool, select th
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Source: Avid ®3. With the PENCIL t
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Source: Avid ® and inMusic®5. Cli
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white, and the corresponding note w
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4. Close the Workspace browser to r
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Select the location to insert time
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Source: Avid ®6. Click the GRID bu
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2. Open the Memory Locations window
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Bus 1 (Verb). Therefore, all you wi
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Save Work in ProgressBefore continu
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It is often useful to create a scor
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Source: Avid ®Configure the staff
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Source: Avid ®Adjust the Maxim set
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Make a 16-bit stereo bounce of your
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Remove Unused MaterialTo save disk
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PROJECT 2Post Hands-On ProjectIn th
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a. Choose WINDOW > NEW WORKSPACE.b.
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Source: Avid ®5. Click OK to close
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5. Double-click on the track name (
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5. Select SESSION START in the Loca
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Source: Avid ®4. Click DONE. The A
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3. When the clip ends, press the SP
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Source: Avid ®6. If needed, set th
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Gradually move the mouse back and f
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Change the MusicNext you will need
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Source: Avid ®2. Press E on your k
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
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Mix window, 40-41Comments area (Imp
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Digidesigngrammy award, 9history of
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toolbar, customizing, 37-38editingC
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MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
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Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
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description, 192displaying and hidi
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Session windows oriented for, 239-2
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Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
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mixing exercise, 276-282powering up
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Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
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Tap Tempo mode, 115Tempo field, 54T
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playback point, 71shortcuts, 68size
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WaveCache file, 28-29waveform, 14wi
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