Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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stereo balanced XLR outputs as well as dedicated ¼-inch outputs. Alsoincluded are a mic input, two ¼-inch line-level inputs, AES/EBU andS/PDIF digital I/O, and MIDI I/O. Eleven Rack communicates with ProTools via a high-speed USB 2.0 connection.Figure 1.18 Eleven Rack audio interfaceSource: Avid ® .The 003 Family (Discontinued)The 003 family consists of the 003, the 003 Rack, and the 003 Rack+FireWire-enabled interfaces. All three units provide up to 18 channels ofsimultaneous I/O. The 003 provides I/O by way of an integrated controlsurface with eight motorized, touch-sensitive faders in a portable 8×4×2digital mixer. The 003 Rack and 003 Rack+ each provide the same I/Ofunctionality in a rack-mounted unit, with the 003 Rack+ providing additionalmic preamps built into the interface. All units provide 24-bit, 96-kHz audioand include eight analog inputs, four mic preamps (eight on the 003 Rack+),eight channels of ADAT optical I/O, and two channels of S/PDIF digital I/O.Figure 1.19 003 audio interface
Source: Avid ® .Figure 1.20 003 Rack+ audio interfaceSource: Avid ® .Pro Tools HD SoftwareA Pro Tools HD 11 authorization lets you run Pro Tools HD 11 on asupported Mac or Windows computer with Pro Tools|HD Native, ProTools|HD Native Thunderbolt, or Pro Tools|HDX hardware. A Pro Tools HDauthorization also authorizes Pro Tools HD software functionality onsupported Mac or Windows systems without HD hardware. This allows ProTools HD users to run a native Pro Tools laptop system when away from thestudio, for powerful on-the-go editing and mixing.
Page 3 and 4:
PRO TOOLS ® 101:AN INTRODUCTION TO
Page 5 and 6: This guide is copyrighted ©2013 by
Page 7 and 8: This book is dedicated to musicians
Page 9 and 10: Andy CookAvid Learning Partner Prog
Page 11 and 12: ContentsIntroductionPART IBackgroun
Page 13 and 14: Time Scales and RulersMain Time Sca
Page 15 and 16: Importing VideoEXERCISE 4 Importing
Page 17 and 18: EXERCISE 6 Configuring the Session
Page 19 and 20: Considerations for Bouncing AudioBo
Page 21 and 22: Connect Monitoring DevicesCreating
Page 23 and 24: IntroductionCongratulations on ente
Page 25 and 26: ▪ Miking techniques▪ Mixer sign
Page 27 and 28: The Avid Learning Partner ProgramPr
Page 29 and 30: design, enabling authorized trainin
Page 31 and 32: PART IBackground InformationOVERVIE
Page 33 and 34: At its core, Pro Tools is a multi-t
Page 35 and 36: and modifying sound effects, music,
Page 37 and 38: Digidesign continued to develop sof
Page 39 and 40: By March 1995, Pro Tools was recogn
Page 41 and 42: In 2002, Pro Tools|HD systems were
Page 43 and 44: A VENUE system is built around one
Page 45 and 46: speed Ethernet control protocol to
Page 47 and 48: processors, run more plug-ins, and
Page 49 and 50: are synonymous—15,000 CPS is the
Page 51 and 52: Most professional digital recording
Page 53 and 54: Pro Tools System ConfigurationsThe
Page 55: Source: Avid ® .The Mbox Pro is a
Page 59 and 60: Source: Avid ® .HD MADIHD MADI is
Page 61 and 62: Delete keyBackspace keyFile-Naming
Page 63 and 64: EXERCISE 1Pro Tools HardwareIn this
Page 65 and 66: ❏ Standard Pro Tools software❏
Page 67 and 68: New features introduced in Pro Tool
Page 69 and 70: When audio is recorded into a Pro T
Page 71 and 72: Powering Up Your HardwareWhen start
Page 73 and 74: Tip: Mac users might want to create
Page 75 and 76: Source: Avid ® .The Pro Tools Soft
Page 77 and 78: and operations, and for adjusting v
Page 79 and 80: Source: Avid ® .Edit ToolsPro Tool
Page 81 and 82: Source: Avid ® .Pro Tools lets you
Page 83 and 84: Source: Avid ® .Customizing the To
Page 85 and 86: Figure 2.14 Moving controls in the
Page 87 and 88: Source: Avid ® .Record and Playbac
Page 89 and 90: Source: Avid ® .As with the Edit w
Page 91 and 92: functions of the MIDI controls are
Page 93 and 94: The Tile command arranges open wind
Page 95 and 96: Source: Avid ® .To use the Zoomer
Page 97 and 98: highlighted in the Edit window. In
Page 99 and 100: Tip: Dragging the Scrubber tool bet
Page 101 and 102: In Shuffle mode, clip movement is c
Page 103 and 104: Source: Avid ® .▪ Select the des
Page 105 and 106: Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
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Source: Avid ® .Tip: Additional de
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Source: Avid ® .When a track has b
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Source: Avid ® .Example: Suppose y
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4. Click the RECORD button in the T
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Source: Avid ® .Note that clips on
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▪ Right-click on the file or clip
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are cleared on the hard drive.Figur
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Source: Avid ® .If no other confir
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10. What types of clips are represe
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understand whether the file can be
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Professional format offers high-qua
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▪ Comments. The area along the bo
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5. If any audio files or clips are
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b. Choose the volume or folder that
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The files will be automatically con
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Source: Avid ® .4. Select the desi
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9. How would you go about importing
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2. Copy the following audio files i
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1. Choose FILE > SAVE to save the s
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audio file in that MIDI data does n
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3. Select either MIDI TRACK or INST
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Though MIDI tracks are typically ti
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also want to set the key signature
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Figure 6.7 The Tempo Change dialog
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Source: Avid ® .3. Click OK to ins
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To display the Instrument view, do
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keyboard could receive double MIDI
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To enable Input Quantize, do the fo
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Source: Avid ® .Tip: Stereo Instru
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Source: Avid ® and inMusic®.The p
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Figur
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3. Click PLAY in the Transport wind
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Source: Avid ® .Tip: When Zoom Tog
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Source: Avid ® .Figure 6.32 Toggli
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11. What kind of virtual instrument
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1. Click on the HORIZONTAL ZOOM IN
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Figure EX5.4 The Vacuum plug-in win
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3. Click the RECORD button in the T
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LESSON 7Selecting and NavigatingThi
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2. Drag up or down to change the he
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end, and length values for the Time
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2. Drag the TIMELINE SELECTION OUT
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5. Press RETURN or ENTER to confirm
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Source: Avid ® .Selecting Material
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OPTION+TAB (Mac). With each press o
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▪ To select from the current curs
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2. Choose the desired height from t
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Source: Avid ® .Using the Zoomer T
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Figure 7.23 Zoom Toggle buttonSourc
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Source: Avid ® .To store a zoom se
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Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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you edit your session. The Grid set
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Tip: The Follow Main Time Scale opt
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Note: When you cut or clear a selec
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1. Make a selection of any length a
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Source: Avid ® .When you separate
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Source: Avid ® .Moving and Trimmin
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automatically snap to each other li
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Source: Avid ® .4. Click the curso
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move the selected clip or clips wit
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Tip: If you are using a laptop comp
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Source: Avid ® .3. Choose the desi
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is available, the crossfade will ap
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1. Choose SETUP > PREFERENCES and t
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Source: Avid ® .The following acti
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Source: Avid ® .Restoring from Ses
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11. How would you go about creating
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To remove silence before the drum p
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inside the clip and drag to the rig
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InputsThe term input refers to an a
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Source: Avid ® .Configuring the Mi
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Source: Avid ® . ©2013 Frank D. C
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Source: Avid ® .Tip: The Inserts a
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To route a send to an external devi
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Source: Avid ® .3. Begin playback
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Pro Tools also allows you to view a
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Plug-ins can be used in mono, multi
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plug-in can be added to a track to
Page 325 and 326:
Review/Discussion Questions1. What
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EXERCISE 8Arranging Audio and Creat
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Figure EX8.2 Setting the start time
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Source: Avid ®2. Click on INSERT S
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LESSON 10Finishing Your WorkThis le
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▪ It allows you to back up an ent
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out.) If the Audio Files option is
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Source: Gobbler ® .4. Select the d
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▪ Bounced material is automatical
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Source: Avid ® .8. Allow recording
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Source: Avid ® .4. Choose FILE > B
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respectively. This file format can
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Figure 10.10 The Bounce to Disk pro
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Tip: For more information on SoundC
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the track is posted.) You can also
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Source: Avid ® .6. Enter your user
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2. Select the desired files in iTun
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2. How is the Save Copy In command
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3. If needed, click on the MUTE but
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5. If any MIDI notes remain overhan
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OVERVIEWPART IIIHands-On ProjectsPa
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To complete these projects, you wil
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PROJECT 1Music Hands-On ProjectIn t
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c. Type Music Project PT11 in the t
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®4. Click OK to close
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Source: Avid ®Name and reposition
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Insert Xpand! 2 onto the Drums trac
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2. With the GRABBER tool, select th
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Source: Avid ®3. With the PENCIL t
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Source: Avid ® and inMusic®5. Cli
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white, and the corresponding note w
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4. Close the Workspace browser to r
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Select the location to insert time
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Source: Avid ®6. Click the GRID bu
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2. Open the Memory Locations window
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Bus 1 (Verb). Therefore, all you wi
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Save Work in ProgressBefore continu
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It is often useful to create a scor
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Source: Avid ®Configure the staff
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Source: Avid ®Adjust the Maxim set
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Make a 16-bit stereo bounce of your
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Remove Unused MaterialTo save disk
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PROJECT 2Post Hands-On ProjectIn th
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a. Choose WINDOW > NEW WORKSPACE.b.
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Source: Avid ®5. Click OK to close
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5. Double-click on the track name (
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5. Select SESSION START in the Loca
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Source: Avid ®4. Click DONE. The A
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3. When the clip ends, press the SP
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Source: Avid ®6. If needed, set th
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Gradually move the mouse back and f
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Change the MusicNext you will need
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Source: Avid ®2. Press E on your k
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
Page 461 and 462:
Mix window, 40-41Comments area (Imp
Page 463 and 464:
Digidesigngrammy award, 9history of
Page 465 and 466:
toolbar, customizing, 37-38editingC
Page 467 and 468:
MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
Page 471 and 472:
Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
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description, 192displaying and hidi
Page 477 and 478:
Session windows oriented for, 239-2
Page 479 and 480:
Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
Page 483 and 484:
mixing exercise, 276-282powering up
Page 485 and 486:
Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
Page 491 and 492:
Tap Tempo mode, 115Tempo field, 54T
Page 493 and 494:
playback point, 71shortcuts, 68size
Page 495 and 496:
WaveCache file, 28-29waveform, 14wi
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