Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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4. Make the MX Mix track inactive by right-clicking on the track nameplateand selecting MAKE INACTIVE from the pop-up menu.5. Press ENTER or RETURN to move the insertion point to the beginning of theTimeline, followed by the SPACE BAR to play back the session with thenew music track.6. At the end of the clip, press the SPACE BAR a second time to stopplayback.Save Work in ProgressYou have now completed the editing tasks for your project. You should takethis opportunity to save your work.Save your work:1. Choose FILE > SAVE to save your progress up to this point.Mixing in Pro ToolsNow that all of the editing is complete, you will use some of the mixingfeatures in Pro Tools to add some real-time processing and blend all of thesound elements together.Remove the HumThe Squire 01 clip on the DX 03 track contains a low-frequency hum that youwill now need to remove. Using some creative EQ, you can eliminate most ofthe hum. To do so, you will need to locate and zoom in on the clip, insert anEQ plug-in on the track, and selectively adjust the EQ settings.Locate and zoom in on the Squire 01 clip:1. Click on the SQUIRE 01 clip in the Clip List to select the clip on theTrack Playlist. If necessary, scroll the Clip List until the clip is visible(toward the bottom).Figure PR2.14 Clicking on the clip in the Clip List to select it
Source: Avid ®2. Press E on your keyboard to activate Zoom Toggle and zoom in. TheSquire 01 clip will expand to fill the Edit window.Insert the EQ III 1-Band on the DX 03 track:1. Choose WINDOW > MIX to activate the Mix window or press CTRL+=(Windows) or COMMAND+= (Mac).2. Locate the channel strip for the DX 03 track.3. Click on INSERT SELECTOR A for the track and choose PLUG-IN > EQ> EQ3 1-BAND (MONO) from the pop-up menu. The EQ III 1-band pluginwindow will appear.Figure PR2.15 The EQ III 1-band plug-in window
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PRO TOOLS ® 101:AN INTRODUCTION TO
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This guide is copyrighted ©2013 by
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This book is dedicated to musicians
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Andy CookAvid Learning Partner Prog
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ContentsIntroductionPART IBackgroun
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Time Scales and RulersMain Time Sca
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Importing VideoEXERCISE 4 Importing
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EXERCISE 6 Configuring the Session
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Considerations for Bouncing AudioBo
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Connect Monitoring DevicesCreating
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IntroductionCongratulations on ente
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▪ Miking techniques▪ Mixer sign
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The Avid Learning Partner ProgramPr
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design, enabling authorized trainin
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PART IBackground InformationOVERVIE
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At its core, Pro Tools is a multi-t
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and modifying sound effects, music,
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Digidesign continued to develop sof
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By March 1995, Pro Tools was recogn
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In 2002, Pro Tools|HD systems were
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A VENUE system is built around one
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speed Ethernet control protocol to
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processors, run more plug-ins, and
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are synonymous—15,000 CPS is the
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Most professional digital recording
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Pro Tools System ConfigurationsThe
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Source: Avid ® .The Mbox Pro is a
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Source: Avid ® .Figure 1.20 003 Ra
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Source: Avid ® .HD MADIHD MADI is
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Delete keyBackspace keyFile-Naming
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EXERCISE 1Pro Tools HardwareIn this
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❏ Standard Pro Tools software❏
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New features introduced in Pro Tool
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When audio is recorded into a Pro T
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Powering Up Your HardwareWhen start
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Tip: Mac users might want to create
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Source: Avid ® .The Pro Tools Soft
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and operations, and for adjusting v
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Source: Avid ® .Edit ToolsPro Tool
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Source: Avid ® .Pro Tools lets you
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Source: Avid ® .Customizing the To
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Figure 2.14 Moving controls in the
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Source: Avid ® .Record and Playbac
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Source: Avid ® .As with the Edit w
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functions of the MIDI controls are
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The Tile command arranges open wind
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Source: Avid ® .To use the Zoomer
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highlighted in the Edit window. In
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Tip: Dragging the Scrubber tool bet
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In Shuffle mode, clip movement is c
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Source: Avid ® .▪ Select the des
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Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
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Source: Avid ® .Tip: Additional de
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Source: Avid ® .When a track has b
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Source: Avid ® .Example: Suppose y
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4. Click the RECORD button in the T
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Source: Avid ® .Note that clips on
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▪ Right-click on the file or clip
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are cleared on the hard drive.Figur
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Source: Avid ® .If no other confir
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10. What types of clips are represe
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understand whether the file can be
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Professional format offers high-qua
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▪ Comments. The area along the bo
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5. If any audio files or clips are
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b. Choose the volume or folder that
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The files will be automatically con
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Source: Avid ® .4. Select the desi
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9. How would you go about importing
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2. Copy the following audio files i
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1. Choose FILE > SAVE to save the s
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audio file in that MIDI data does n
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3. Select either MIDI TRACK or INST
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Though MIDI tracks are typically ti
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also want to set the key signature
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Figure 6.7 The Tempo Change dialog
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Source: Avid ® .3. Click OK to ins
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To display the Instrument view, do
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keyboard could receive double MIDI
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To enable Input Quantize, do the fo
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Source: Avid ® .Tip: Stereo Instru
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Source: Avid ® and inMusic®.The p
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Figur
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3. Click PLAY in the Transport wind
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Source: Avid ® .Tip: When Zoom Tog
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Source: Avid ® .Figure 6.32 Toggli
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11. What kind of virtual instrument
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1. Click on the HORIZONTAL ZOOM IN
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Figure EX5.4 The Vacuum plug-in win
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3. Click the RECORD button in the T
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LESSON 7Selecting and NavigatingThi
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2. Drag up or down to change the he
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end, and length values for the Time
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2. Drag the TIMELINE SELECTION OUT
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5. Press RETURN or ENTER to confirm
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Source: Avid ® .Selecting Material
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OPTION+TAB (Mac). With each press o
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▪ To select from the current curs
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2. Choose the desired height from t
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Source: Avid ® .Using the Zoomer T
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Figure 7.23 Zoom Toggle buttonSourc
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Source: Avid ® .To store a zoom se
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Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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you edit your session. The Grid set
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Tip: The Follow Main Time Scale opt
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Note: When you cut or clear a selec
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1. Make a selection of any length a
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Source: Avid ® .When you separate
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Source: Avid ® .Moving and Trimmin
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automatically snap to each other li
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Source: Avid ® .4. Click the curso
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move the selected clip or clips wit
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Tip: If you are using a laptop comp
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Source: Avid ® .3. Choose the desi
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is available, the crossfade will ap
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1. Choose SETUP > PREFERENCES and t
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Source: Avid ® .The following acti
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Source: Avid ® .Restoring from Ses
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11. How would you go about creating
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To remove silence before the drum p
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inside the clip and drag to the rig
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InputsThe term input refers to an a
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Source: Avid ® .Configuring the Mi
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Source: Avid ® . ©2013 Frank D. C
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Source: Avid ® .Tip: The Inserts a
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To route a send to an external devi
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Source: Avid ® .3. Begin playback
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Pro Tools also allows you to view a
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Plug-ins can be used in mono, multi
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plug-in can be added to a track to
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Review/Discussion Questions1. What
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EXERCISE 8Arranging Audio and Creat
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Figure EX8.2 Setting the start time
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Source: Avid ®2. Click on INSERT S
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LESSON 10Finishing Your WorkThis le
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▪ It allows you to back up an ent
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out.) If the Audio Files option is
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Source: Gobbler ® .4. Select the d
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▪ Bounced material is automatical
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Source: Avid ® .8. Allow recording
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Source: Avid ® .4. Choose FILE > B
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respectively. This file format can
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Figure 10.10 The Bounce to Disk pro
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Tip: For more information on SoundC
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the track is posted.) You can also
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Source: Avid ® .6. Enter your user
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2. Select the desired files in iTun
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2. How is the Save Copy In command
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3. If needed, click on the MUTE but
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5. If any MIDI notes remain overhan
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OVERVIEWPART IIIHands-On ProjectsPa
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To complete these projects, you wil
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PROJECT 1Music Hands-On ProjectIn t
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c. Type Music Project PT11 in the t
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®4. Click OK to close
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Source: Avid ®Name and reposition
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Insert Xpand! 2 onto the Drums trac
Page 381 and 382: 2. With the GRABBER tool, select th
Page 383 and 384: Source: Avid ®3. With the PENCIL t
Page 385 and 386: Source: Avid ® and inMusic®5. Cli
Page 387 and 388: white, and the corresponding note w
Page 389 and 390: 4. Close the Workspace browser to r
Page 391 and 392: Select the location to insert time
Page 393 and 394: Source: Avid ®6. Click the GRID bu
Page 395 and 396: 2. Open the Memory Locations window
Page 397 and 398: Bus 1 (Verb). Therefore, all you wi
Page 399 and 400: Save Work in ProgressBefore continu
Page 401 and 402: It is often useful to create a scor
Page 403 and 404: Source: Avid ®Configure the staff
Page 405 and 406: Source: Avid ®Adjust the Maxim set
Page 407 and 408: Make a 16-bit stereo bounce of your
Page 409 and 410: Remove Unused MaterialTo save disk
Page 411 and 412: PROJECT 2Post Hands-On ProjectIn th
Page 413 and 414: a. Choose WINDOW > NEW WORKSPACE.b.
Page 415 and 416: 3. Press CTRL+= (Windows) or COMMAN
Page 417 and 418: Source: Avid ®5. Click OK to close
Page 419 and 420: 5. Double-click on the track name (
Page 421 and 422: 5. Select SESSION START in the Loca
Page 423 and 424: Source: Avid ®4. Click DONE. The A
Page 425 and 426: 3. When the clip ends, press the SP
Page 427 and 428: Source: Avid ®6. If needed, set th
Page 429 and 430: Gradually move the mouse back and f
Page 431: Change the MusicNext you will need
Page 435 and 436: 1. Press CTRL+= (Windows) or COMMAN
Page 437 and 438: are not real-time processors. These
Page 439 and 440: Source: Avid ®2. With Loop Playbac
Page 441 and 442: 3. If needed, choose VIEW > NARROW
Page 443 and 444: Now that your project is complete,
Page 445 and 446: PART IVCourse Completion Informatio
Page 447 and 448: Source: Avid ®Additional ProjectsA
Page 449 and 450: Additional certification options ar
Page 451 and 452: ▪ POW-r Dither. An advanced type
Page 453 and 454: APPENDIX BAIR Creative Collection P
Page 455 and 456: IndexNumerics003 family, 19003 Rack
Page 457 and 458: Eleven Rack, 18-19exercise, 25-26HD
Page 459 and 460: mixdown technique, 213Post Hands-On
Page 461 and 462: Mix window, 40-41Comments area (Imp
Page 463 and 464: Digidesigngrammy award, 9history of
Page 465 and 466: toolbar, customizing, 37-38editingC
Page 467 and 468: MIDI, 29organization, 28rendered, 3
Page 469 and 470: Hertz (Hz), 14Hide Views function,
Page 471 and 472: Key Change dialog box, 116key signa
Page 473 and 474: Controls, 119controlsCountoff contr
Page 475 and 476: description, 192displaying and hidi
Page 477 and 478: Session windows oriented for, 239-2
Page 479 and 480: Avid audio, 21Avid Channel Strip, 2
Page 481 and 482: importing media, 269-272knock sweet
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mixing exercise, 276-282powering up
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Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
Page 491 and 492:
Tap Tempo mode, 115Tempo field, 54T
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playback point, 71shortcuts, 68size
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WaveCache file, 28-29waveform, 14wi
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