Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

Recommendations

Info

3. Verify that Part A displays the 022 Synth Basses > Hybrid Thump Basspart.Figure PR1.13 Part A assignment in the Xpand! 2 plug-inSource: Avid ® and inMusic®4. If needed, click on the Part A display and select 022 SYNTH BASSES >HYBRID THUMP BASS from the pop-up menu.Figure PR1.14 Assigning Part A, if not previously assigned
Source: Avid ® and inMusic®5. Click on the CLOSE button in the upper-right corner (Windows) or upperleftcorner (Mac) of the Xpand! 2 window to close the plug-in window.6. Press CTRL+= (Windows) or COMMAND+= (Mac) to toggle back to the Editwindow.View the MIDI velocity stalks on the SynthBass track:1. Locate the SynthBass track in the Edit window.2. With the GRABBER tool, select the first SynthBass clip on the track.3. Press E on your keyboard to activate Zoom Toggle. The selection willexpand, filling the available space in the window, and the track willchange to Notes view.4. Click on the TRACK VIEW SELECTOR for the SynthBass track and chooseVELOCITY from the pop-up menu. (Alternatively, you can display the
Page 3 and 4:
PRO TOOLS ® 101:AN INTRODUCTION TO
Page 5 and 6:
This guide is copyrighted ©2013 by
Page 7 and 8:
This book is dedicated to musicians
Page 9 and 10:
Andy CookAvid Learning Partner Prog
Page 11 and 12:
ContentsIntroductionPART IBackgroun
Page 13 and 14:
Time Scales and RulersMain Time Sca
Page 15 and 16:
Importing VideoEXERCISE 4 Importing
Page 17 and 18:
EXERCISE 6 Configuring the Session
Page 19 and 20:
Considerations for Bouncing AudioBo
Page 21 and 22:
Connect Monitoring DevicesCreating
Page 23 and 24:
IntroductionCongratulations on ente
Page 25 and 26:
▪ Miking techniques▪ Mixer sign
Page 27 and 28:
The Avid Learning Partner ProgramPr
Page 29 and 30:
design, enabling authorized trainin
Page 31 and 32:
PART IBackground InformationOVERVIE
Page 33 and 34:
At its core, Pro Tools is a multi-t
Page 35 and 36:
and modifying sound effects, music,
Page 37 and 38:
Digidesign continued to develop sof
Page 39 and 40:
By March 1995, Pro Tools was recogn
Page 41 and 42:
In 2002, Pro Tools|HD systems were
Page 43 and 44:
A VENUE system is built around one
Page 45 and 46:
speed Ethernet control protocol to
Page 47 and 48:
processors, run more plug-ins, and
Page 49 and 50:
are synonymous—15,000 CPS is the
Page 51 and 52:
Most professional digital recording
Page 53 and 54:
Pro Tools System ConfigurationsThe
Page 55 and 56:
Source: Avid ® .The Mbox Pro is a
Page 57 and 58:
Source: Avid ® .Figure 1.20 003 Ra
Page 59 and 60:
Source: Avid ® .HD MADIHD MADI is
Page 61 and 62:
Delete keyBackspace keyFile-Naming
Page 63 and 64:
EXERCISE 1Pro Tools HardwareIn this
Page 65 and 66:
❏ Standard Pro Tools software❏
Page 67 and 68:
New features introduced in Pro Tool
Page 69 and 70:
When audio is recorded into a Pro T
Page 71 and 72:
Powering Up Your HardwareWhen start
Page 73 and 74:
Tip: Mac users might want to create
Page 75 and 76:
Source: Avid ® .The Pro Tools Soft
Page 77 and 78:
and operations, and for adjusting v
Page 79 and 80:
Source: Avid ® .Edit ToolsPro Tool
Page 81 and 82:
Source: Avid ® .Pro Tools lets you
Page 83 and 84:
Source: Avid ® .Customizing the To
Page 85 and 86:
Figure 2.14 Moving controls in the
Page 87 and 88:
Source: Avid ® .Record and Playbac
Page 89 and 90:
Source: Avid ® .As with the Edit w
Page 91 and 92:
functions of the MIDI controls are
Page 93 and 94:
The Tile command arranges open wind
Page 95 and 96:
Source: Avid ® .To use the Zoomer
Page 97 and 98:
highlighted in the Edit window. In
Page 99 and 100:
Tip: Dragging the Scrubber tool bet
Page 101 and 102:
In Shuffle mode, clip movement is c
Page 103 and 104:
Source: Avid ® .▪ Select the des
Page 105 and 106:
Pro Tools provides two types of Rul
Page 107 and 108:
▪ ALT-CLICK (Windows) or OPTION-C
Page 109 and 110:
enable metronome playback is to set
Page 111 and 112:
Review/Discussion Questions1. Name
Page 113 and 114:
EXERCISE 2The Software InterfaceIn
Page 115 and 116:
8. The signal routing controls labe
Page 117 and 118:
22. The button labeled C in Figure
Page 119 and 120:
LESSON 9EXERCISE 8LESSON 10EXERCISE
Page 121 and 122:
Shortcut: Press CTRL+UP ARROW or DO
Page 123 and 124:
A sample rate of 44.1 kHz, the indu
Page 125 and 126:
Source: Avid ® .Using the dialog b
Page 127 and 128:
Source: Avid ® .Track FormatWithin
Page 129 and 130:
tracks to the Timeline and use mult
Page 131 and 132:
Source: Avid ® .Shortcut: Press CT
Page 133 and 134:
The edit cursor is a flashing line
Page 135 and 136:
Page ScrollingTo scroll the Edit wi
Page 137 and 138:
Locating a SessionWorkspace browser
Page 139 and 140:
Source: Avid ® .Opening a SessionO
Page 141 and 142:
9. Which tool can be used to set th
Page 143 and 144:
Source: Avid ® .Tip: You may need
Page 145 and 146:
2. Choose VIEW > MAIN COUNTER > BAR
Page 147 and 148:
LESSON 4Making Your First Audio Rec
Page 149 and 150:
Disk Usage WindowWith a session run
Page 151 and 152:
Source: Avid ® .Tip: Additional de
Page 153 and 154:
Source: Avid ® .When a track has b
Page 155 and 156:
Source: Avid ® .Example: Suppose y
Page 157 and 158:
4. Click the RECORD button in the T
Page 159 and 160:
Source: Avid ® .Note that clips on
Page 161 and 162:
▪ Right-click on the file or clip
Page 163 and 164:
are cleared on the hard drive.Figur
Page 165 and 166:
Source: Avid ® .If no other confir
Page 167 and 168:
10. What types of clips are represe
Page 169 and 170:
understand whether the file can be
Page 171 and 172:
Professional format offers high-qua
Page 173 and 174:
▪ Comments. The area along the bo
Page 175 and 176:
5. If any audio files or clips are
Page 177 and 178:
b. Choose the volume or folder that
Page 179 and 180:
The files will be automatically con
Page 181 and 182:
Source: Avid ® .4. Select the desi
Page 183 and 184:
9. How would you go about importing
Page 185 and 186:
2. Copy the following audio files i
Page 187 and 188:
1. Choose FILE > SAVE to save the s
Page 189 and 190:
audio file in that MIDI data does n
Page 191 and 192:
3. Select either MIDI TRACK or INST
Page 193 and 194:
Though MIDI tracks are typically ti
Page 195 and 196:
also want to set the key signature
Page 197 and 198:
Figure 6.7 The Tempo Change dialog
Page 199 and 200:
Source: Avid ® .3. Click OK to ins
Page 201 and 202:
To display the Instrument view, do
Page 203 and 204:
keyboard could receive double MIDI
Page 205 and 206:
To enable Input Quantize, do the fo
Page 207 and 208:
Source: Avid ® .Tip: Stereo Instru
Page 209 and 210:
Source: Avid ® and inMusic®.The p
Page 211 and 212:
Source: Avid ® and inMusic®.Using
Page 213 and 214:
Source: Avid ® and inMusic®.Using
Page 215 and 216:
Source: Avid ® and inMusic®.Figur
Page 217 and 218:
3. Click PLAY in the Transport wind
Page 219 and 220:
Source: Avid ® .Tip: When Zoom Tog
Page 221 and 222:
Source: Avid ® .Figure 6.32 Toggli
Page 223 and 224:
11. What kind of virtual instrument
Page 225 and 226:
1. Click on the HORIZONTAL ZOOM IN
Page 227 and 228:
Figure EX5.4 The Vacuum plug-in win
Page 229 and 230:
3. Click the RECORD button in the T
Page 231 and 232:
LESSON 7Selecting and NavigatingThi
Page 233 and 234:
2. Drag up or down to change the he
Page 235 and 236:
end, and length values for the Time
Page 237 and 238:
2. Drag the TIMELINE SELECTION OUT
Page 239 and 240:
5. Press RETURN or ENTER to confirm
Page 241 and 242:
Source: Avid ® .Selecting Material
Page 243 and 244:
OPTION+TAB (Mac). With each press o
Page 245 and 246:
▪ To select from the current curs
Page 247 and 248:
2. Choose the desired height from t
Page 249 and 250:
Source: Avid ® .Using the Zoomer T
Page 251 and 252:
Figure 7.23 Zoom Toggle buttonSourc
Page 253 and 254:
Source: Avid ® .To store a zoom se
Page 255 and 256:
Figure 7.27 The New Memory Location
Page 257 and 258:
Source: Avid ® .Recalling a Marker
Page 259 and 260:
4. Describe two ways to make an Edi
Page 261 and 262:
• Tab to Transients• Link Timel
Page 263 and 264:
5. Change the marker name from Loca
Page 265 and 266:
To simplify your navigation and wor
Page 267 and 268:
▪ Shuffle. This mode allows you t
Page 269 and 270:
Spot mode allows you to specify a d
Page 271 and 272:
you edit your session. The Grid set
Page 273 and 274:
Tip: The Follow Main Time Scale opt
Page 275 and 276:
Note: When you cut or clear a selec
Page 277 and 278:
1. Make a selection of any length a
Page 279 and 280:
Source: Avid ® .When you separate
Page 281 and 282:
Source: Avid ® .Moving and Trimmin
Page 283 and 284:
automatically snap to each other li
Page 285 and 286:
Source: Avid ® .4. Click the curso
Page 287 and 288:
move the selected clip or clips wit
Page 289 and 290:
Tip: If you are using a laptop comp
Page 291 and 292:
Source: Avid ® .3. Choose the desi
Page 293 and 294:
is available, the crossfade will ap
Page 295 and 296:
1. Choose SETUP > PREFERENCES and t
Page 297 and 298:
Source: Avid ® .The following acti
Page 299 and 300:
Source: Avid ® .Restoring from Ses
Page 301 and 302:
11. How would you go about creating
Page 303 and 304:
To remove silence before the drum p
Page 305 and 306:
inside the clip and drag to the rig
Page 307 and 308:
InputsThe term input refers to an a
Page 309 and 310:
Source: Avid ® .Configuring the Mi
Page 311 and 312:
Source: Avid ® . ©2013 Frank D. C
Page 313 and 314:
Source: Avid ® .Tip: The Inserts a
Page 315 and 316:
To route a send to an external devi
Page 317 and 318:
Source: Avid ® .3. Begin playback
Page 319 and 320:
Pro Tools also allows you to view a
Page 321 and 322:
Plug-ins can be used in mono, multi
Page 323 and 324:
plug-in can be added to a track to
Page 325 and 326:
Review/Discussion Questions1. What
Page 327 and 328:
EXERCISE 8Arranging Audio and Creat
Page 329 and 330:
Figure EX8.2 Setting the start time
Page 331 and 332:
Source: Avid ®2. Click on INSERT S
Page 333 and 334: LESSON 10Finishing Your WorkThis le
Page 335 and 336: ▪ It allows you to back up an ent
Page 337 and 338: out.) If the Audio Files option is
Page 339 and 340: Source: Gobbler ® .4. Select the d
Page 341 and 342: ▪ Bounced material is automatical
Page 343 and 344: Source: Avid ® .8. Allow recording
Page 345 and 346: Source: Avid ® .4. Choose FILE > B
Page 347 and 348: respectively. This file format can
Page 349 and 350: Figure 10.10 The Bounce to Disk pro
Page 351 and 352: Tip: For more information on SoundC
Page 353 and 354: the track is posted.) You can also
Page 355 and 356: Source: Avid ® .6. Enter your user
Page 357 and 358: 2. Select the desired files in iTun
Page 359 and 360: 2. How is the Save Copy In command
Page 361 and 362: 3. If needed, click on the MUTE but
Page 363 and 364: 5. If any MIDI notes remain overhan
Page 365 and 366: OVERVIEWPART IIIHands-On ProjectsPa
Page 367 and 368: To complete these projects, you wil
Page 369 and 370: PROJECT 1Music Hands-On ProjectIn t
Page 371 and 372: c. Type Music Project PT11 in the t
Page 373 and 374: 3. Press CTRL+= (Windows) or COMMAN
Page 375 and 376: Source: Avid ®4. Click OK to close
Page 377 and 378: Source: Avid ®Name and reposition
Page 379 and 380: Insert Xpand! 2 onto the Drums trac
Page 381 and 382: 2. With the GRABBER tool, select th
Page 383: Source: Avid ®3. With the PENCIL t
Page 387 and 388: white, and the corresponding note w
Page 389 and 390: 4. Close the Workspace browser to r
Page 391 and 392: Select the location to insert time
Page 393 and 394: Source: Avid ®6. Click the GRID bu
Page 395 and 396: 2. Open the Memory Locations window
Page 397 and 398: Bus 1 (Verb). Therefore, all you wi
Page 399 and 400: Save Work in ProgressBefore continu
Page 401 and 402: It is often useful to create a scor
Page 403 and 404: Source: Avid ®Configure the staff
Page 405 and 406: Source: Avid ®Adjust the Maxim set
Page 407 and 408: Make a 16-bit stereo bounce of your
Page 409 and 410: Remove Unused MaterialTo save disk
Page 411 and 412: PROJECT 2Post Hands-On ProjectIn th
Page 413 and 414: a. Choose WINDOW > NEW WORKSPACE.b.
Page 415 and 416: 3. Press CTRL+= (Windows) or COMMAN
Page 417 and 418: Source: Avid ®5. Click OK to close
Page 419 and 420: 5. Double-click on the track name (
Page 421 and 422: 5. Select SESSION START in the Loca
Page 423 and 424: Source: Avid ®4. Click DONE. The A
Page 425 and 426: 3. When the clip ends, press the SP
Page 427 and 428: Source: Avid ®6. If needed, set th
Page 429 and 430: Gradually move the mouse back and f
Page 431 and 432: Change the MusicNext you will need
Page 433 and 434: Source: Avid ®2. Press E on your k
Page 435 and 436:
1. Press CTRL+= (Windows) or COMMAN
Page 437 and 438:
are not real-time processors. These
Page 439 and 440:
Source: Avid ®2. With Loop Playbac
Page 441 and 442:
3. If needed, choose VIEW > NARROW
Page 443 and 444:
Now that your project is complete,
Page 445 and 446:
PART IVCourse Completion Informatio
Page 447 and 448:
Source: Avid ®Additional ProjectsA
Page 449 and 450:
Additional certification options ar
Page 451 and 452:
▪ POW-r Dither. An advanced type
Page 453 and 454:
APPENDIX BAIR Creative Collection P
Page 455 and 456:
IndexNumerics003 family, 19003 Rack
Page 457 and 458:
Eleven Rack, 18-19exercise, 25-26HD
Page 459 and 460:
mixdown technique, 213Post Hands-On
Page 461 and 462:
Mix window, 40-41Comments area (Imp
Page 463 and 464:
Digidesigngrammy award, 9history of
Page 465 and 466:
toolbar, customizing, 37-38editingC
Page 467 and 468:
MIDI, 29organization, 28rendered, 3
Page 469 and 470:
Hertz (Hz), 14Hide Views function,
Page 471 and 472:
Key Change dialog box, 116key signa
Page 473 and 474:
Controls, 119controlsCountoff contr
Page 475 and 476:
description, 192displaying and hidi
Page 477 and 478:
Session windows oriented for, 239-2
Page 479 and 480:
Avid audio, 21Avid Channel Strip, 2
Page 481 and 482:
importing media, 269-272knock sweet
Page 483 and 484:
mixing exercise, 276-282powering up
Page 485 and 486:
Reverse plug-in, 292Revert to Saved
Page 487 and 488:
on selected tracks, 146Tab key, 147
Page 489 and 490:
Transport window controls and displ
Page 491 and 492:
Tap Tempo mode, 115Tempo field, 54T
Page 493 and 494:
playback point, 71shortcuts, 68size
Page 495 and 496:
WaveCache file, 28-29waveform, 14wi
show all

Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?