Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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Source: Avid ® .MIDI OutputThe MIDI Output selector for a MIDI-compatible track determines whichdevice or port is used for monitoring and playing back MIDI data. Live MIDIsignals can be routed to an audio sound source for monitoring purposes whenMIDI Thru is enabled under the Options menu (default). Similarly, recordedMIDI signals can be routed to an audio sound source for playback purposes.You use the MIDI Output selector to configure the device or port and theMIDI channel that the signal is routed to for both of these purposes.Caution: When using MIDI Thru, you might need to disable LocalControl on your MIDI keyboard controller. Otherwise, your
keyboard could receive double MIDI notes, which can lead tostuck notes.On MIDI tracks, the MIDI Output selector is located where the Audio OutputPath selector would be on an Audio track; on Instrument tracks, it is locatedin the Instrument view in the Mix window or Edit window.To set the MIDI Output, do the following:1. Click on the MIDI OUTPUT SELECTOR in the Edit or Mix window.2. Select the instrument or port and channel you wish to route the output tofor MIDI playback.Record-Enabling MIDI-Compatible TracksThe process you use to enable recording on a Pro Tools MIDI track orInstrument track is the same as you use for an Audio track: Simply click thetrack’s RECORD ENABLE button in either the Edit window or the Mix window.As with an Audio track, the Record Enable button flashes red when a MIDIcompatibletrack is record-ready.Setting Record OptionsPro Tools provides various record options that are specific to working withMIDI data. You will need to set the MIDI Controls and Input Quantizeoptions as desired prior to beginning to record onto your MIDI tracks.MIDI ControlsAs discussed in Lesson 2, the Pro Tools Transport window or Edit windowcan be set to show MIDI Controls that you can use when recording MIDIdata.To display MIDI Controls in the Pro Tools Transport window, do thefollowing:1. Select WINDOW > TRANSPORT to display the Transport window, if it is notcurrently showing.2. Select VIEW > TRANSPORT > MIDI CONTROLS to display the MIDIControls, if they are not currently showing.
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PRO TOOLS ® 101:AN INTRODUCTION TO
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This guide is copyrighted ©2013 by
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This book is dedicated to musicians
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Andy CookAvid Learning Partner Prog
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ContentsIntroductionPART IBackgroun
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Time Scales and RulersMain Time Sca
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Importing VideoEXERCISE 4 Importing
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EXERCISE 6 Configuring the Session
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Considerations for Bouncing AudioBo
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Connect Monitoring DevicesCreating
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IntroductionCongratulations on ente
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▪ Miking techniques▪ Mixer sign
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The Avid Learning Partner ProgramPr
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design, enabling authorized trainin
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PART IBackground InformationOVERVIE
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At its core, Pro Tools is a multi-t
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and modifying sound effects, music,
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Digidesign continued to develop sof
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By March 1995, Pro Tools was recogn
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In 2002, Pro Tools|HD systems were
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A VENUE system is built around one
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speed Ethernet control protocol to
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processors, run more plug-ins, and
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are synonymous—15,000 CPS is the
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Most professional digital recording
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Pro Tools System ConfigurationsThe
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Source: Avid ® .The Mbox Pro is a
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Source: Avid ® .Figure 1.20 003 Ra
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Source: Avid ® .HD MADIHD MADI is
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Delete keyBackspace keyFile-Naming
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EXERCISE 1Pro Tools HardwareIn this
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❏ Standard Pro Tools software❏
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New features introduced in Pro Tool
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When audio is recorded into a Pro T
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Powering Up Your HardwareWhen start
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Tip: Mac users might want to create
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Source: Avid ® .The Pro Tools Soft
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and operations, and for adjusting v
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Source: Avid ® .Edit ToolsPro Tool
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Source: Avid ® .Pro Tools lets you
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Source: Avid ® .Customizing the To
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Figure 2.14 Moving controls in the
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Source: Avid ® .Record and Playbac
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Source: Avid ® .As with the Edit w
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functions of the MIDI controls are
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The Tile command arranges open wind
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Source: Avid ® .To use the Zoomer
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highlighted in the Edit window. In
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Tip: Dragging the Scrubber tool bet
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In Shuffle mode, clip movement is c
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Source: Avid ® .▪ Select the des
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Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
Page 151 and 152: Source: Avid ® .Tip: Additional de
Page 153 and 154: Source: Avid ® .When a track has b
Page 155 and 156: Source: Avid ® .Example: Suppose y
Page 157 and 158: 4. Click the RECORD button in the T
Page 159 and 160: Source: Avid ® .Note that clips on
Page 161 and 162: ▪ Right-click on the file or clip
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Page 165 and 166: Source: Avid ® .If no other confir
Page 167 and 168: 10. What types of clips are represe
Page 169 and 170: understand whether the file can be
Page 171 and 172: Professional format offers high-qua
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Page 175 and 176: 5. If any audio files or clips are
Page 177 and 178: b. Choose the volume or folder that
Page 179 and 180: The files will be automatically con
Page 181 and 182: Source: Avid ® .4. Select the desi
Page 183 and 184: 9. How would you go about importing
Page 185 and 186: 2. Copy the following audio files i
Page 187 and 188: 1. Choose FILE > SAVE to save the s
Page 189 and 190: audio file in that MIDI data does n
Page 191 and 192: 3. Select either MIDI TRACK or INST
Page 193 and 194: Though MIDI tracks are typically ti
Page 195 and 196: also want to set the key signature
Page 197 and 198: Figure 6.7 The Tempo Change dialog
Page 199 and 200: Source: Avid ® .3. Click OK to ins
Page 201: To display the Instrument view, do
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Page 207 and 208: Source: Avid ® .Tip: Stereo Instru
Page 209 and 210: Source: Avid ® and inMusic®.The p
Page 211 and 212: Source: Avid ® and inMusic®.Using
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Page 215 and 216: Source: Avid ® and inMusic®.Figur
Page 217 and 218: 3. Click PLAY in the Transport wind
Page 219 and 220: Source: Avid ® .Tip: When Zoom Tog
Page 221 and 222: Source: Avid ® .Figure 6.32 Toggli
Page 223 and 224: 11. What kind of virtual instrument
Page 225 and 226: 1. Click on the HORIZONTAL ZOOM IN
Page 227 and 228: Figure EX5.4 The Vacuum plug-in win
Page 229 and 230: 3. Click the RECORD button in the T
Page 231 and 232: LESSON 7Selecting and NavigatingThi
Page 233 and 234: 2. Drag up or down to change the he
Page 235 and 236: end, and length values for the Time
Page 237 and 238: 2. Drag the TIMELINE SELECTION OUT
Page 239 and 240: 5. Press RETURN or ENTER to confirm
Page 241 and 242: Source: Avid ® .Selecting Material
Page 243 and 244: OPTION+TAB (Mac). With each press o
Page 245 and 246: ▪ To select from the current curs
Page 247 and 248: 2. Choose the desired height from t
Page 249 and 250: Source: Avid ® .Using the Zoomer T
Page 251 and 252: Figure 7.23 Zoom Toggle buttonSourc
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Source: Avid ® .To store a zoom se
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Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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you edit your session. The Grid set
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Tip: The Follow Main Time Scale opt
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Note: When you cut or clear a selec
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1. Make a selection of any length a
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Source: Avid ® .When you separate
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Source: Avid ® .Moving and Trimmin
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automatically snap to each other li
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Source: Avid ® .4. Click the curso
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move the selected clip or clips wit
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Tip: If you are using a laptop comp
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Source: Avid ® .3. Choose the desi
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is available, the crossfade will ap
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1. Choose SETUP > PREFERENCES and t
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Source: Avid ® .The following acti
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Source: Avid ® .Restoring from Ses
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11. How would you go about creating
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To remove silence before the drum p
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inside the clip and drag to the rig
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InputsThe term input refers to an a
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Source: Avid ® .Configuring the Mi
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Source: Avid ® . ©2013 Frank D. C
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Source: Avid ® .Tip: The Inserts a
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To route a send to an external devi
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Source: Avid ® .3. Begin playback
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Pro Tools also allows you to view a
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Plug-ins can be used in mono, multi
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plug-in can be added to a track to
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Review/Discussion Questions1. What
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EXERCISE 8Arranging Audio and Creat
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Figure EX8.2 Setting the start time
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Source: Avid ®2. Click on INSERT S
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LESSON 10Finishing Your WorkThis le
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▪ It allows you to back up an ent
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out.) If the Audio Files option is
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Source: Gobbler ® .4. Select the d
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▪ Bounced material is automatical
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Source: Avid ® .8. Allow recording
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Source: Avid ® .4. Choose FILE > B
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respectively. This file format can
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Figure 10.10 The Bounce to Disk pro
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Tip: For more information on SoundC
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the track is posted.) You can also
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Source: Avid ® .6. Enter your user
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2. Select the desired files in iTun
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2. How is the Save Copy In command
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3. If needed, click on the MUTE but
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5. If any MIDI notes remain overhan
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OVERVIEWPART IIIHands-On ProjectsPa
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To complete these projects, you wil
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PROJECT 1Music Hands-On ProjectIn t
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c. Type Music Project PT11 in the t
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®4. Click OK to close
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Source: Avid ®Name and reposition
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Insert Xpand! 2 onto the Drums trac
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2. With the GRABBER tool, select th
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Source: Avid ®3. With the PENCIL t
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Source: Avid ® and inMusic®5. Cli
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white, and the corresponding note w
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4. Close the Workspace browser to r
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Select the location to insert time
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Source: Avid ®6. Click the GRID bu
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2. Open the Memory Locations window
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Bus 1 (Verb). Therefore, all you wi
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Save Work in ProgressBefore continu
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It is often useful to create a scor
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Source: Avid ®Configure the staff
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Source: Avid ®Adjust the Maxim set
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Make a 16-bit stereo bounce of your
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Remove Unused MaterialTo save disk
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PROJECT 2Post Hands-On ProjectIn th
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a. Choose WINDOW > NEW WORKSPACE.b.
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Source: Avid ®5. Click OK to close
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5. Double-click on the track name (
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5. Select SESSION START in the Loca
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Source: Avid ®4. Click DONE. The A
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3. When the clip ends, press the SP
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Source: Avid ®6. If needed, set th
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Gradually move the mouse back and f
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Change the MusicNext you will need
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Source: Avid ®2. Press E on your k
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
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Mix window, 40-41Comments area (Imp
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Digidesigngrammy award, 9history of
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toolbar, customizing, 37-38editingC
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MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
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Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
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description, 192displaying and hidi
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Session windows oriented for, 239-2
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Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
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mixing exercise, 276-282powering up
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Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
Page 491 and 492:
Tap Tempo mode, 115Tempo field, 54T
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playback point, 71shortcuts, 68size
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WaveCache file, 28-29waveform, 14wi
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