Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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3. Verify that Part A displays the 022 Synth Basses > Hybrid Thump Basspart.Figure PR1.13 Part A assignment in the Xpand! 2 plug-inSource: Avid ® and inMusic®4. If needed, click on the Part A display and select 022 SYNTH BASSES >HYBRID THUMP BASS from the pop-up menu.Figure PR1.14 Assigning Part A, if not previously assigned
Source: Avid ® and inMusic®5. Click on the CLOSE button in the upper-right corner (Windows) or upperleftcorner (Mac) of the Xpand! 2 window to close the plug-in window.6. Press CTRL+= (Windows) or COMMAND+= (Mac) to toggle back to the Editwindow.View the MIDI velocity stalks on the SynthBass track:1. Locate the SynthBass track in the Edit window.2. With the GRABBER tool, select the first SynthBass clip on the track.3. Press E on your keyboard to activate Zoom Toggle. The selection willexpand, filling the available space in the window, and the track willchange to Notes view.4. Click on the TRACK VIEW SELECTOR for the SynthBass track and chooseVELOCITY from the pop-up menu. (Alternatively, you can display the
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PRO TOOLS ® 101:AN INTRODUCTION TO
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This guide is copyrighted ©2013 by
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This book is dedicated to musicians
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Andy CookAvid Learning Partner Prog
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ContentsIntroductionPART IBackgroun
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Time Scales and RulersMain Time Sca
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Importing VideoEXERCISE 4 Importing
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EXERCISE 6 Configuring the Session
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Considerations for Bouncing AudioBo
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Connect Monitoring DevicesCreating
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IntroductionCongratulations on ente
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▪ Miking techniques▪ Mixer sign
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The Avid Learning Partner ProgramPr
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design, enabling authorized trainin
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PART IBackground InformationOVERVIE
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At its core, Pro Tools is a multi-t
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and modifying sound effects, music,
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Digidesign continued to develop sof
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By March 1995, Pro Tools was recogn
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In 2002, Pro Tools|HD systems were
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A VENUE system is built around one
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speed Ethernet control protocol to
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processors, run more plug-ins, and
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are synonymous—15,000 CPS is the
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Most professional digital recording
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Pro Tools System ConfigurationsThe
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Source: Avid ® .The Mbox Pro is a
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Source: Avid ® .Figure 1.20 003 Ra
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Source: Avid ® .HD MADIHD MADI is
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Delete keyBackspace keyFile-Naming
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EXERCISE 1Pro Tools HardwareIn this
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❏ Standard Pro Tools software❏
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New features introduced in Pro Tool
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When audio is recorded into a Pro T
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Powering Up Your HardwareWhen start
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Tip: Mac users might want to create
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Source: Avid ® .The Pro Tools Soft
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and operations, and for adjusting v
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Source: Avid ® .Edit ToolsPro Tool
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Source: Avid ® .Pro Tools lets you
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Source: Avid ® .Customizing the To
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Figure 2.14 Moving controls in the
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Source: Avid ® .Record and Playbac
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Source: Avid ® .As with the Edit w
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functions of the MIDI controls are
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The Tile command arranges open wind
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Source: Avid ® .To use the Zoomer
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highlighted in the Edit window. In
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Tip: Dragging the Scrubber tool bet
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In Shuffle mode, clip movement is c
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Source: Avid ® .▪ Select the des
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Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
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Source: Avid ® .Tip: Additional de
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Source: Avid ® .When a track has b
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Source: Avid ® .Example: Suppose y
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4. Click the RECORD button in the T
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Source: Avid ® .Note that clips on
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▪ Right-click on the file or clip
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are cleared on the hard drive.Figur
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Source: Avid ® .If no other confir
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10. What types of clips are represe
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understand whether the file can be
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Professional format offers high-qua
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▪ Comments. The area along the bo
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5. If any audio files or clips are
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b. Choose the volume or folder that
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The files will be automatically con
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Source: Avid ® .4. Select the desi
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9. How would you go about importing
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2. Copy the following audio files i
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1. Choose FILE > SAVE to save the s
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audio file in that MIDI data does n
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3. Select either MIDI TRACK or INST
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Though MIDI tracks are typically ti
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also want to set the key signature
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Figure 6.7 The Tempo Change dialog
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Source: Avid ® .3. Click OK to ins
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To display the Instrument view, do
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keyboard could receive double MIDI
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To enable Input Quantize, do the fo
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Source: Avid ® .Tip: Stereo Instru
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Source: Avid ® and inMusic®.The p
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Figur
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3. Click PLAY in the Transport wind
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Source: Avid ® .Tip: When Zoom Tog
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Source: Avid ® .Figure 6.32 Toggli
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11. What kind of virtual instrument
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1. Click on the HORIZONTAL ZOOM IN
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Figure EX5.4 The Vacuum plug-in win
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3. Click the RECORD button in the T
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LESSON 7Selecting and NavigatingThi
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2. Drag up or down to change the he
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end, and length values for the Time
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2. Drag the TIMELINE SELECTION OUT
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5. Press RETURN or ENTER to confirm
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Source: Avid ® .Selecting Material
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OPTION+TAB (Mac). With each press o
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▪ To select from the current curs
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2. Choose the desired height from t
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Source: Avid ® .Using the Zoomer T
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Figure 7.23 Zoom Toggle buttonSourc
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Source: Avid ® .To store a zoom se
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Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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you edit your session. The Grid set
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Tip: The Follow Main Time Scale opt
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Note: When you cut or clear a selec
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1. Make a selection of any length a
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Source: Avid ® .When you separate
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Source: Avid ® .Moving and Trimmin
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automatically snap to each other li
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Source: Avid ® .4. Click the curso
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move the selected clip or clips wit
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Tip: If you are using a laptop comp
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Source: Avid ® .3. Choose the desi
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is available, the crossfade will ap
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1. Choose SETUP > PREFERENCES and t
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Source: Avid ® .The following acti
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Source: Avid ® .Restoring from Ses
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11. How would you go about creating
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To remove silence before the drum p
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inside the clip and drag to the rig
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InputsThe term input refers to an a
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Source: Avid ® .Configuring the Mi
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Source: Avid ® . ©2013 Frank D. C
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Source: Avid ® .Tip: The Inserts a
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To route a send to an external devi
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Source: Avid ® .3. Begin playback
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Pro Tools also allows you to view a
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Plug-ins can be used in mono, multi
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plug-in can be added to a track to
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Review/Discussion Questions1. What
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EXERCISE 8Arranging Audio and Creat
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Figure EX8.2 Setting the start time
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Source: Avid ®2. Click on INSERT S
Page 333 and 334: LESSON 10Finishing Your WorkThis le
Page 335 and 336: ▪ It allows you to back up an ent
Page 337 and 338: out.) If the Audio Files option is
Page 339 and 340: Source: Gobbler ® .4. Select the d
Page 341 and 342: ▪ Bounced material is automatical
Page 343 and 344: Source: Avid ® .8. Allow recording
Page 345 and 346: Source: Avid ® .4. Choose FILE > B
Page 347 and 348: respectively. This file format can
Page 349 and 350: Figure 10.10 The Bounce to Disk pro
Page 351 and 352: Tip: For more information on SoundC
Page 353 and 354: the track is posted.) You can also
Page 355 and 356: Source: Avid ® .6. Enter your user
Page 357 and 358: 2. Select the desired files in iTun
Page 359 and 360: 2. How is the Save Copy In command
Page 361 and 362: 3. If needed, click on the MUTE but
Page 363 and 364: 5. If any MIDI notes remain overhan
Page 365 and 366: OVERVIEWPART IIIHands-On ProjectsPa
Page 367 and 368: To complete these projects, you wil
Page 369 and 370: PROJECT 1Music Hands-On ProjectIn t
Page 371 and 372: c. Type Music Project PT11 in the t
Page 373 and 374: 3. Press CTRL+= (Windows) or COMMAN
Page 375 and 376: Source: Avid ®4. Click OK to close
Page 377 and 378: Source: Avid ®Name and reposition
Page 379 and 380: Insert Xpand! 2 onto the Drums trac
Page 381 and 382: 2. With the GRABBER tool, select th
Page 383: Source: Avid ®3. With the PENCIL t
Page 387 and 388: white, and the corresponding note w
Page 389 and 390: 4. Close the Workspace browser to r
Page 391 and 392: Select the location to insert time
Page 393 and 394: Source: Avid ®6. Click the GRID bu
Page 395 and 396: 2. Open the Memory Locations window
Page 397 and 398: Bus 1 (Verb). Therefore, all you wi
Page 399 and 400: Save Work in ProgressBefore continu
Page 401 and 402: It is often useful to create a scor
Page 403 and 404: Source: Avid ®Configure the staff
Page 405 and 406: Source: Avid ®Adjust the Maxim set
Page 407 and 408: Make a 16-bit stereo bounce of your
Page 409 and 410: Remove Unused MaterialTo save disk
Page 411 and 412: PROJECT 2Post Hands-On ProjectIn th
Page 413 and 414: a. Choose WINDOW > NEW WORKSPACE.b.
Page 415 and 416: 3. Press CTRL+= (Windows) or COMMAN
Page 417 and 418: Source: Avid ®5. Click OK to close
Page 419 and 420: 5. Double-click on the track name (
Page 421 and 422: 5. Select SESSION START in the Loca
Page 423 and 424: Source: Avid ®4. Click DONE. The A
Page 425 and 426: 3. When the clip ends, press the SP
Page 427 and 428: Source: Avid ®6. If needed, set th
Page 429 and 430: Gradually move the mouse back and f
Page 431 and 432: Change the MusicNext you will need
Page 433 and 434: Source: Avid ®2. Press E on your k
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1. Press CTRL+= (Windows) or COMMAN
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
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Mix window, 40-41Comments area (Imp
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Digidesigngrammy award, 9history of
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toolbar, customizing, 37-38editingC
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MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
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Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
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description, 192displaying and hidi
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Session windows oriented for, 239-2
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Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
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mixing exercise, 276-282powering up
Page 485 and 486:
Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
Page 491 and 492:
Tap Tempo mode, 115Tempo field, 54T
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playback point, 71shortcuts, 68size
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WaveCache file, 28-29waveform, 14wi
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