Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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Source: Avid ® .Figure 1.7 The Control|24 integrated front end for Pro Tools LE and TDM systemsSource: Avid ® .The influence of Pro Tools continued to spread, and in 2001, Digidesignreceived a Technical GRAMMY ® Award from the National Academy ofRecording Arts and Sciences ® , for “breaking the boundaries of digitalrecording and revolutionizing the way music is produced.”
In 2002, Pro Tools|HD systems were unveiled as successors to Pro ToolsTDM and Pro Tools|24. These systems provided support for higher samplerates and very large mixing topologies, addressing the needs of high-endmusic and post-production studios.On the opposite side of the spectrum, the first Mbox was introduced as aportable “studio in a box” for the hobbyist and small project studio markets.The Digi 002 and Digi 002 Rack audio interface options followed, extendingthe capabilities of Pro Tools LE.Growth of Avid AudioIn August 2004, Avid acquired M-Audio, a leading provider of computeraudio peripherals, keyboard controllers, and related music and recordinggear. The subsequent release of Pro Tools M-Powered software providedcompatibility with a vast array of existing M-Audio devices and interfaces.One year later, Avid acquired Wizoo Sound Design, a pioneering developerof virtual instruments, sample libraries, and real-time effects. The WizooR&D team formed a group that became known as the Advanced InstrumentResearch (AIR) group. At Avid, the AIR Software Group developed a hostof innovative plug-ins for Pro Tools, including all of the virtual instrumentsand effects in the Air Creative Collection (included with Pro Tools), as wellas the Hybrid, Strike, Velvet, Structure, and Transfuser virtual instruments forPro Tools.In 2006, Sibelius Software Ltd. joined the Avid Audio family. Under Avid,Sibelius continues to develop and market its own line of software, includingits well-known professional music notation package. Today, Pro Toolsincorporates notation capabilities directly and can export MIDI data as ascore for Sibelius software.ICON Integrated Console EnvironmentThe ICON integrated console environment debuted in 2004. ICON systemsfeature either the flagship D-Control worksurface or the medium-format D-Command worksurface. Both ICON options employ a modular architecture,allowing facilities to scale their system as needs dictate.Expandable to 80 physical faders, D-Control provides a central mixingenvironment for facilities with larger rooms. D-Control includes a
Page 3 and 4: PRO TOOLS ® 101:AN INTRODUCTION TO
Page 5 and 6: This guide is copyrighted ©2013 by
Page 7 and 8: This book is dedicated to musicians
Page 9 and 10: Andy CookAvid Learning Partner Prog
Page 11 and 12: ContentsIntroductionPART IBackgroun
Page 13 and 14: Time Scales and RulersMain Time Sca
Page 15 and 16: Importing VideoEXERCISE 4 Importing
Page 17 and 18: EXERCISE 6 Configuring the Session
Page 19 and 20: Considerations for Bouncing AudioBo
Page 21 and 22: Connect Monitoring DevicesCreating
Page 23 and 24: IntroductionCongratulations on ente
Page 25 and 26: ▪ Miking techniques▪ Mixer sign
Page 27 and 28: The Avid Learning Partner ProgramPr
Page 29 and 30: design, enabling authorized trainin
Page 31 and 32: PART IBackground InformationOVERVIE
Page 33 and 34: At its core, Pro Tools is a multi-t
Page 35 and 36: and modifying sound effects, music,
Page 37 and 38: Digidesign continued to develop sof
Page 39: By March 1995, Pro Tools was recogn
Page 43 and 44: A VENUE system is built around one
Page 45 and 46: speed Ethernet control protocol to
Page 47 and 48: processors, run more plug-ins, and
Page 49 and 50: are synonymous—15,000 CPS is the
Page 51 and 52: Most professional digital recording
Page 53 and 54: Pro Tools System ConfigurationsThe
Page 55 and 56: Source: Avid ® .The Mbox Pro is a
Page 57 and 58: Source: Avid ® .Figure 1.20 003 Ra
Page 59 and 60: Source: Avid ® .HD MADIHD MADI is
Page 61 and 62: Delete keyBackspace keyFile-Naming
Page 63 and 64: EXERCISE 1Pro Tools HardwareIn this
Page 65 and 66: ❏ Standard Pro Tools software❏
Page 67 and 68: New features introduced in Pro Tool
Page 69 and 70: When audio is recorded into a Pro T
Page 71 and 72: Powering Up Your HardwareWhen start
Page 73 and 74: Tip: Mac users might want to create
Page 75 and 76: Source: Avid ® .The Pro Tools Soft
Page 77 and 78: and operations, and for adjusting v
Page 79 and 80: Source: Avid ® .Edit ToolsPro Tool
Page 81 and 82: Source: Avid ® .Pro Tools lets you
Page 83 and 84: Source: Avid ® .Customizing the To
Page 85 and 86: Figure 2.14 Moving controls in the
Page 87 and 88: Source: Avid ® .Record and Playbac
Page 89 and 90: Source: Avid ® .As with the Edit w
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functions of the MIDI controls are
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The Tile command arranges open wind
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Source: Avid ® .To use the Zoomer
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highlighted in the Edit window. In
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Tip: Dragging the Scrubber tool bet
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In Shuffle mode, clip movement is c
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Source: Avid ® .▪ Select the des
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Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
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Source: Avid ® .Tip: Additional de
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Source: Avid ® .When a track has b
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Source: Avid ® .Example: Suppose y
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4. Click the RECORD button in the T
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Source: Avid ® .Note that clips on
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▪ Right-click on the file or clip
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are cleared on the hard drive.Figur
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Source: Avid ® .If no other confir
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10. What types of clips are represe
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understand whether the file can be
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Professional format offers high-qua
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▪ Comments. The area along the bo
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5. If any audio files or clips are
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b. Choose the volume or folder that
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The files will be automatically con
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Source: Avid ® .4. Select the desi
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9. How would you go about importing
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2. Copy the following audio files i
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1. Choose FILE > SAVE to save the s
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audio file in that MIDI data does n
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3. Select either MIDI TRACK or INST
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Though MIDI tracks are typically ti
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also want to set the key signature
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Figure 6.7 The Tempo Change dialog
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Source: Avid ® .3. Click OK to ins
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To display the Instrument view, do
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keyboard could receive double MIDI
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To enable Input Quantize, do the fo
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Source: Avid ® .Tip: Stereo Instru
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Source: Avid ® and inMusic®.The p
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Figur
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3. Click PLAY in the Transport wind
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Source: Avid ® .Tip: When Zoom Tog
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Source: Avid ® .Figure 6.32 Toggli
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11. What kind of virtual instrument
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1. Click on the HORIZONTAL ZOOM IN
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Figure EX5.4 The Vacuum plug-in win
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3. Click the RECORD button in the T
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LESSON 7Selecting and NavigatingThi
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2. Drag up or down to change the he
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end, and length values for the Time
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2. Drag the TIMELINE SELECTION OUT
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5. Press RETURN or ENTER to confirm
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Source: Avid ® .Selecting Material
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OPTION+TAB (Mac). With each press o
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▪ To select from the current curs
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2. Choose the desired height from t
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Source: Avid ® .Using the Zoomer T
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Figure 7.23 Zoom Toggle buttonSourc
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Source: Avid ® .To store a zoom se
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Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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you edit your session. The Grid set
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Tip: The Follow Main Time Scale opt
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Note: When you cut or clear a selec
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1. Make a selection of any length a
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Source: Avid ® .When you separate
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Source: Avid ® .Moving and Trimmin
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automatically snap to each other li
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Source: Avid ® .4. Click the curso
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move the selected clip or clips wit
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Tip: If you are using a laptop comp
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Source: Avid ® .3. Choose the desi
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is available, the crossfade will ap
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1. Choose SETUP > PREFERENCES and t
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Source: Avid ® .The following acti
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Source: Avid ® .Restoring from Ses
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11. How would you go about creating
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To remove silence before the drum p
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inside the clip and drag to the rig
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InputsThe term input refers to an a
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Source: Avid ® .Configuring the Mi
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Source: Avid ® . ©2013 Frank D. C
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Source: Avid ® .Tip: The Inserts a
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To route a send to an external devi
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Source: Avid ® .3. Begin playback
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Pro Tools also allows you to view a
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Plug-ins can be used in mono, multi
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plug-in can be added to a track to
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Review/Discussion Questions1. What
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EXERCISE 8Arranging Audio and Creat
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Figure EX8.2 Setting the start time
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Source: Avid ®2. Click on INSERT S
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LESSON 10Finishing Your WorkThis le
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▪ It allows you to back up an ent
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out.) If the Audio Files option is
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Source: Gobbler ® .4. Select the d
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▪ Bounced material is automatical
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Source: Avid ® .8. Allow recording
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Source: Avid ® .4. Choose FILE > B
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respectively. This file format can
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Figure 10.10 The Bounce to Disk pro
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Tip: For more information on SoundC
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the track is posted.) You can also
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Source: Avid ® .6. Enter your user
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2. Select the desired files in iTun
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2. How is the Save Copy In command
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3. If needed, click on the MUTE but
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5. If any MIDI notes remain overhan
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OVERVIEWPART IIIHands-On ProjectsPa
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To complete these projects, you wil
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PROJECT 1Music Hands-On ProjectIn t
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c. Type Music Project PT11 in the t
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®4. Click OK to close
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Source: Avid ®Name and reposition
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Insert Xpand! 2 onto the Drums trac
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2. With the GRABBER tool, select th
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Source: Avid ®3. With the PENCIL t
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Source: Avid ® and inMusic®5. Cli
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white, and the corresponding note w
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4. Close the Workspace browser to r
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Select the location to insert time
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Source: Avid ®6. Click the GRID bu
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2. Open the Memory Locations window
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Bus 1 (Verb). Therefore, all you wi
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Save Work in ProgressBefore continu
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It is often useful to create a scor
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Source: Avid ®Configure the staff
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Source: Avid ®Adjust the Maxim set
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Make a 16-bit stereo bounce of your
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Remove Unused MaterialTo save disk
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PROJECT 2Post Hands-On ProjectIn th
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a. Choose WINDOW > NEW WORKSPACE.b.
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Source: Avid ®5. Click OK to close
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5. Double-click on the track name (
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5. Select SESSION START in the Loca
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Source: Avid ®4. Click DONE. The A
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3. When the clip ends, press the SP
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Source: Avid ®6. If needed, set th
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Gradually move the mouse back and f
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Change the MusicNext you will need
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Source: Avid ®2. Press E on your k
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
Page 461 and 462:
Mix window, 40-41Comments area (Imp
Page 463 and 464:
Digidesigngrammy award, 9history of
Page 465 and 466:
toolbar, customizing, 37-38editingC
Page 467 and 468:
MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
Page 471 and 472:
Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
Page 475 and 476:
description, 192displaying and hidi
Page 477 and 478:
Session windows oriented for, 239-2
Page 479 and 480:
Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
Page 483 and 484:
mixing exercise, 276-282powering up
Page 485 and 486:
Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
Page 491 and 492:
Tap Tempo mode, 115Tempo field, 54T
Page 493 and 494:
playback point, 71shortcuts, 68size
Page 495 and 496:
WaveCache file, 28-29waveform, 14wi
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