Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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original tracks to free up resources. You can also use the stereo track as partof a Bounce to Disk operation to create a completed audio mix.Bouncing to DiskThe Bounce to Disk command allows you to mix your entire session directlyto a hard drive in the same way a mix-down would occur with a traditionalstudio setup. This can be useful when you want to work with the mixedrecording outside of Pro Tools, such as when you are posting song files to theInternet or burning them to CD. The Bounce to Disk function also providesmore robust control than you have when bouncing to tracks, enabling you toset the bit depth, file format, and sample rate for the resulting bounced file. InPro Tools 11, you can also choose to perform an Offline Bounce for a fasterthan-real-timemixdown.The Bounce to Disk command combines the outputs of all currently audibletracks routed to a common output or output pair to create a new audio file ona selected hard drive or other supported volume. The newly bounced file canbe automatically imported into the session at the completion of the bounce, ifdesired.To bounce all currently audible tracks, do the following:1. Adjust track output levels and finalize an automated mix. Any inserts oreffects settings that are active on your tracks will be permanently writtento the bounced audio files.2. Make sure that all of the tracks you want to include in the bounce areaudible. If you want to create a sub-mix of tracks, solo only those tracks.Conversely, if you want to mix down all tracks in your session, make sureno tracks are soloed or muted.3. Assign the output of each track you want to include in your bounce to thesame bus or output pair by clicking the AUDIO OUTPUT PATH SELECTORand choosing the corresponding output from the pop-up menu.Figure 10.7 Selecting an output pair
Source: Avid ® .4. Choose FILE > BOUNCE TO > DISK. The Bounce dialog box willappear.Figure 10.8 The Bounce dialog boxSource: Avid ® .
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PRO TOOLS ® 101:AN INTRODUCTION TO
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This guide is copyrighted ©2013 by
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This book is dedicated to musicians
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Andy CookAvid Learning Partner Prog
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ContentsIntroductionPART IBackgroun
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Time Scales and RulersMain Time Sca
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Importing VideoEXERCISE 4 Importing
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EXERCISE 6 Configuring the Session
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Considerations for Bouncing AudioBo
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Connect Monitoring DevicesCreating
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IntroductionCongratulations on ente
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▪ Miking techniques▪ Mixer sign
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The Avid Learning Partner ProgramPr
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design, enabling authorized trainin
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PART IBackground InformationOVERVIE
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At its core, Pro Tools is a multi-t
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and modifying sound effects, music,
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Digidesign continued to develop sof
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By March 1995, Pro Tools was recogn
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In 2002, Pro Tools|HD systems were
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A VENUE system is built around one
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speed Ethernet control protocol to
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processors, run more plug-ins, and
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are synonymous—15,000 CPS is the
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Most professional digital recording
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Pro Tools System ConfigurationsThe
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Source: Avid ® .The Mbox Pro is a
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Source: Avid ® .Figure 1.20 003 Ra
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Source: Avid ® .HD MADIHD MADI is
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Delete keyBackspace keyFile-Naming
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EXERCISE 1Pro Tools HardwareIn this
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❏ Standard Pro Tools software❏
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New features introduced in Pro Tool
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When audio is recorded into a Pro T
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Powering Up Your HardwareWhen start
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Tip: Mac users might want to create
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Source: Avid ® .The Pro Tools Soft
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and operations, and for adjusting v
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Source: Avid ® .Edit ToolsPro Tool
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Source: Avid ® .Pro Tools lets you
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Source: Avid ® .Customizing the To
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Figure 2.14 Moving controls in the
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Source: Avid ® .Record and Playbac
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Source: Avid ® .As with the Edit w
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functions of the MIDI controls are
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The Tile command arranges open wind
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Source: Avid ® .To use the Zoomer
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highlighted in the Edit window. In
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Tip: Dragging the Scrubber tool bet
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In Shuffle mode, clip movement is c
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Source: Avid ® .▪ Select the des
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Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
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Source: Avid ® .Tip: Additional de
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Source: Avid ® .When a track has b
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Source: Avid ® .Example: Suppose y
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4. Click the RECORD button in the T
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Source: Avid ® .Note that clips on
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▪ Right-click on the file or clip
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are cleared on the hard drive.Figur
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Source: Avid ® .If no other confir
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10. What types of clips are represe
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understand whether the file can be
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Professional format offers high-qua
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▪ Comments. The area along the bo
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5. If any audio files or clips are
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b. Choose the volume or folder that
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The files will be automatically con
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Source: Avid ® .4. Select the desi
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9. How would you go about importing
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2. Copy the following audio files i
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1. Choose FILE > SAVE to save the s
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audio file in that MIDI data does n
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3. Select either MIDI TRACK or INST
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Though MIDI tracks are typically ti
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also want to set the key signature
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Figure 6.7 The Tempo Change dialog
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Source: Avid ® .3. Click OK to ins
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To display the Instrument view, do
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keyboard could receive double MIDI
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To enable Input Quantize, do the fo
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Source: Avid ® .Tip: Stereo Instru
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Source: Avid ® and inMusic®.The p
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Figur
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3. Click PLAY in the Transport wind
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Source: Avid ® .Tip: When Zoom Tog
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Source: Avid ® .Figure 6.32 Toggli
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11. What kind of virtual instrument
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1. Click on the HORIZONTAL ZOOM IN
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Figure EX5.4 The Vacuum plug-in win
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3. Click the RECORD button in the T
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LESSON 7Selecting and NavigatingThi
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2. Drag up or down to change the he
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end, and length values for the Time
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2. Drag the TIMELINE SELECTION OUT
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5. Press RETURN or ENTER to confirm
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Source: Avid ® .Selecting Material
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OPTION+TAB (Mac). With each press o
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▪ To select from the current curs
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2. Choose the desired height from t
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Source: Avid ® .Using the Zoomer T
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Figure 7.23 Zoom Toggle buttonSourc
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Source: Avid ® .To store a zoom se
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Figure 7.27 The New Memory Location
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Source: Avid ® .Recalling a Marker
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4. Describe two ways to make an Edi
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• Tab to Transients• Link Timel
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5. Change the marker name from Loca
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To simplify your navigation and wor
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▪ Shuffle. This mode allows you t
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Spot mode allows you to specify a d
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you edit your session. The Grid set
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Tip: The Follow Main Time Scale opt
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Note: When you cut or clear a selec
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1. Make a selection of any length a
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Source: Avid ® .When you separate
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Source: Avid ® .Moving and Trimmin
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automatically snap to each other li
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Source: Avid ® .4. Click the curso
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move the selected clip or clips wit
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Tip: If you are using a laptop comp
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Source: Avid ® .3. Choose the desi
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Page 295 and 296: 1. Choose SETUP > PREFERENCES and t
Page 297 and 298: Source: Avid ® .The following acti
Page 299 and 300: Source: Avid ® .Restoring from Ses
Page 301 and 302: 11. How would you go about creating
Page 303 and 304: To remove silence before the drum p
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Page 307 and 308: InputsThe term input refers to an a
Page 309 and 310: Source: Avid ® .Configuring the Mi
Page 311 and 312: Source: Avid ® . ©2013 Frank D. C
Page 313 and 314: Source: Avid ® .Tip: The Inserts a
Page 315 and 316: To route a send to an external devi
Page 317 and 318: Source: Avid ® .3. Begin playback
Page 319 and 320: Pro Tools also allows you to view a
Page 321 and 322: Plug-ins can be used in mono, multi
Page 323 and 324: plug-in can be added to a track to
Page 325 and 326: Review/Discussion Questions1. What
Page 327 and 328: EXERCISE 8Arranging Audio and Creat
Page 329 and 330: Figure EX8.2 Setting the start time
Page 331 and 332: Source: Avid ®2. Click on INSERT S
Page 333 and 334: LESSON 10Finishing Your WorkThis le
Page 335 and 336: ▪ It allows you to back up an ent
Page 337 and 338: out.) If the Audio Files option is
Page 339 and 340: Source: Gobbler ® .4. Select the d
Page 341 and 342: ▪ Bounced material is automatical
Page 343: Source: Avid ® .8. Allow recording
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Page 349 and 350: Figure 10.10 The Bounce to Disk pro
Page 351 and 352: Tip: For more information on SoundC
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Page 355 and 356: Source: Avid ® .6. Enter your user
Page 357 and 358: 2. Select the desired files in iTun
Page 359 and 360: 2. How is the Save Copy In command
Page 361 and 362: 3. If needed, click on the MUTE but
Page 363 and 364: 5. If any MIDI notes remain overhan
Page 365 and 366: OVERVIEWPART IIIHands-On ProjectsPa
Page 367 and 368: To complete these projects, you wil
Page 369 and 370: PROJECT 1Music Hands-On ProjectIn t
Page 371 and 372: c. Type Music Project PT11 in the t
Page 373 and 374: 3. Press CTRL+= (Windows) or COMMAN
Page 375 and 376: Source: Avid ®4. Click OK to close
Page 377 and 378: Source: Avid ®Name and reposition
Page 379 and 380: Insert Xpand! 2 onto the Drums trac
Page 381 and 382: 2. With the GRABBER tool, select th
Page 383 and 384: Source: Avid ®3. With the PENCIL t
Page 385 and 386: Source: Avid ® and inMusic®5. Cli
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Page 389 and 390: 4. Close the Workspace browser to r
Page 391 and 392: Select the location to insert time
Page 393 and 394: Source: Avid ®6. Click the GRID bu
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2. Open the Memory Locations window
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Bus 1 (Verb). Therefore, all you wi
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Save Work in ProgressBefore continu
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It is often useful to create a scor
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Source: Avid ®Configure the staff
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Source: Avid ®Adjust the Maxim set
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Make a 16-bit stereo bounce of your
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Remove Unused MaterialTo save disk
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PROJECT 2Post Hands-On ProjectIn th
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a. Choose WINDOW > NEW WORKSPACE.b.
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®5. Click OK to close
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5. Double-click on the track name (
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5. Select SESSION START in the Loca
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Source: Avid ®4. Click DONE. The A
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3. When the clip ends, press the SP
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Source: Avid ®6. If needed, set th
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Gradually move the mouse back and f
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Change the MusicNext you will need
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Source: Avid ®2. Press E on your k
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1. Press CTRL+= (Windows) or COMMAN
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
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Mix window, 40-41Comments area (Imp
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Digidesigngrammy award, 9history of
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toolbar, customizing, 37-38editingC
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MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
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Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
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description, 192displaying and hidi
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Session windows oriented for, 239-2
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Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
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mixing exercise, 276-282powering up
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Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
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Tap Tempo mode, 115Tempo field, 54T
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playback point, 71shortcuts, 68size
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WaveCache file, 28-29waveform, 14wi
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