Pro Tools 101_ An Introduction to Pro Tools 11 ( PDFDrive )

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Source: Avid ® .3. Click the GRID VALUE pop-up selector again to choose a correspondingGrid size; the options available will vary depending on the Time Scaleselected in Step 2.Figure 8.7 Grid-size options for various Time ScalesSource: Avid ® .
Tip: The Follow Main Time Scale option at the bottom of the GridValue pop-up menu causes the grid to change automaticallywhenever the Main Time Scale is changed, using the Grid size lastset for each Time Scale. To maintain the Grid in a Time Scale that isdifferent from your Main Time Scale, deselect this option.Once you have set the Grid to an appropriate Time Scale and size, you havethe option of displaying the Grid lines in the Edit window to serve as avisual reference. To display or hide Grid lines, click at the head of thecurrently selected main Timebase Ruler or click on the Grid indicator in thetoolbar. The Grid lines will toggle on or off, and the Grid indicator light(green highlight) will toggle on or off, correspondingly.Figure 8.8 Click the main Timebase Ruler or Grid indicator to toggle the Grid-line displaySource: Avid ® .Editing ClipsPro Tools offers a variety of standard editing commands, such as Copy andPaste, as well as application-specific commands, such as Separate Clip andHeal Separation, that affect clips.As discussed in Lesson 4, Pro Tools distinguishes between subset clips(portions of an audio file) and whole-file clips (entire parent audio files).The editing techniques described in this section apply to both types of clips,unless otherwise specified.Standard Editing CommandsLike most commercial applications, Pro Tools offers standard Cut, Copy,Paste, and Clear (delete) commands. The Pro Tools Duplicate and Repeat
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PRO TOOLS ® 101:AN INTRODUCTION TO
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This guide is copyrighted ©2013 by
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This book is dedicated to musicians
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Andy CookAvid Learning Partner Prog
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ContentsIntroductionPART IBackgroun
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Time Scales and RulersMain Time Sca
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Importing VideoEXERCISE 4 Importing
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EXERCISE 6 Configuring the Session
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Considerations for Bouncing AudioBo
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Connect Monitoring DevicesCreating
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IntroductionCongratulations on ente
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▪ Miking techniques▪ Mixer sign
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The Avid Learning Partner ProgramPr
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design, enabling authorized trainin
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PART IBackground InformationOVERVIE
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At its core, Pro Tools is a multi-t
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and modifying sound effects, music,
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Digidesign continued to develop sof
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By March 1995, Pro Tools was recogn
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In 2002, Pro Tools|HD systems were
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A VENUE system is built around one
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speed Ethernet control protocol to
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processors, run more plug-ins, and
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are synonymous—15,000 CPS is the
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Most professional digital recording
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Pro Tools System ConfigurationsThe
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Source: Avid ® .The Mbox Pro is a
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Source: Avid ® .Figure 1.20 003 Ra
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Source: Avid ® .HD MADIHD MADI is
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Delete keyBackspace keyFile-Naming
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EXERCISE 1Pro Tools HardwareIn this
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❏ Standard Pro Tools software❏
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New features introduced in Pro Tool
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When audio is recorded into a Pro T
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Powering Up Your HardwareWhen start
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Tip: Mac users might want to create
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Source: Avid ® .The Pro Tools Soft
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and operations, and for adjusting v
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Source: Avid ® .Edit ToolsPro Tool
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Source: Avid ® .Pro Tools lets you
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Source: Avid ® .Customizing the To
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Figure 2.14 Moving controls in the
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Source: Avid ® .Record and Playbac
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Source: Avid ® .As with the Edit w
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functions of the MIDI controls are
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The Tile command arranges open wind
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Source: Avid ® .To use the Zoomer
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highlighted in the Edit window. In
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Tip: Dragging the Scrubber tool bet
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In Shuffle mode, clip movement is c
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Source: Avid ® .▪ Select the des
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Pro Tools provides two types of Rul
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▪ ALT-CLICK (Windows) or OPTION-C
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enable metronome playback is to set
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Review/Discussion Questions1. Name
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EXERCISE 2The Software InterfaceIn
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8. The signal routing controls labe
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22. The button labeled C in Figure
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LESSON 9EXERCISE 8LESSON 10EXERCISE
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Shortcut: Press CTRL+UP ARROW or DO
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A sample rate of 44.1 kHz, the indu
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Source: Avid ® .Using the dialog b
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Source: Avid ® .Track FormatWithin
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tracks to the Timeline and use mult
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Source: Avid ® .Shortcut: Press CT
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The edit cursor is a flashing line
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Page ScrollingTo scroll the Edit wi
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Locating a SessionWorkspace browser
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Source: Avid ® .Opening a SessionO
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9. Which tool can be used to set th
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Source: Avid ® .Tip: You may need
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2. Choose VIEW > MAIN COUNTER > BAR
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LESSON 4Making Your First Audio Rec
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Disk Usage WindowWith a session run
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Source: Avid ® .Tip: Additional de
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Source: Avid ® .When a track has b
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Source: Avid ® .Example: Suppose y
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4. Click the RECORD button in the T
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Source: Avid ® .Note that clips on
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▪ Right-click on the file or clip
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are cleared on the hard drive.Figur
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Source: Avid ® .If no other confir
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10. What types of clips are represe
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understand whether the file can be
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Professional format offers high-qua
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▪ Comments. The area along the bo
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5. If any audio files or clips are
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b. Choose the volume or folder that
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The files will be automatically con
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Source: Avid ® .4. Select the desi
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9. How would you go about importing
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2. Copy the following audio files i
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1. Choose FILE > SAVE to save the s
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audio file in that MIDI data does n
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3. Select either MIDI TRACK or INST
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Though MIDI tracks are typically ti
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also want to set the key signature
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Figure 6.7 The Tempo Change dialog
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Source: Avid ® .3. Click OK to ins
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To display the Instrument view, do
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keyboard could receive double MIDI
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To enable Input Quantize, do the fo
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Source: Avid ® .Tip: Stereo Instru
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Source: Avid ® and inMusic®.The p
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Using
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Source: Avid ® and inMusic®.Figur
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3. Click PLAY in the Transport wind
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Source: Avid ® .Tip: When Zoom Tog
Page 221 and 222: Source: Avid ® .Figure 6.32 Toggli
Page 223 and 224: 11. What kind of virtual instrument
Page 225 and 226: 1. Click on the HORIZONTAL ZOOM IN
Page 227 and 228: Figure EX5.4 The Vacuum plug-in win
Page 229 and 230: 3. Click the RECORD button in the T
Page 231 and 232: LESSON 7Selecting and NavigatingThi
Page 233 and 234: 2. Drag up or down to change the he
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Page 237 and 238: 2. Drag the TIMELINE SELECTION OUT
Page 239 and 240: 5. Press RETURN or ENTER to confirm
Page 241 and 242: Source: Avid ® .Selecting Material
Page 243 and 244: OPTION+TAB (Mac). With each press o
Page 245 and 246: ▪ To select from the current curs
Page 247 and 248: 2. Choose the desired height from t
Page 249 and 250: Source: Avid ® .Using the Zoomer T
Page 251 and 252: Figure 7.23 Zoom Toggle buttonSourc
Page 253 and 254: Source: Avid ® .To store a zoom se
Page 255 and 256: Figure 7.27 The New Memory Location
Page 257 and 258: Source: Avid ® .Recalling a Marker
Page 259 and 260: 4. Describe two ways to make an Edi
Page 261 and 262: • Tab to Transients• Link Timel
Page 263 and 264: 5. Change the marker name from Loca
Page 265 and 266: To simplify your navigation and wor
Page 267 and 268: ▪ Shuffle. This mode allows you t
Page 269 and 270: Spot mode allows you to specify a d
Page 271: you edit your session. The Grid set
Page 275 and 276: Note: When you cut or clear a selec
Page 277 and 278: 1. Make a selection of any length a
Page 279 and 280: Source: Avid ® .When you separate
Page 281 and 282: Source: Avid ® .Moving and Trimmin
Page 283 and 284: automatically snap to each other li
Page 285 and 286: Source: Avid ® .4. Click the curso
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Page 289 and 290: Tip: If you are using a laptop comp
Page 291 and 292: Source: Avid ® .3. Choose the desi
Page 293 and 294: is available, the crossfade will ap
Page 295 and 296: 1. Choose SETUP > PREFERENCES and t
Page 297 and 298: Source: Avid ® .The following acti
Page 299 and 300: Source: Avid ® .Restoring from Ses
Page 301 and 302: 11. How would you go about creating
Page 303 and 304: To remove silence before the drum p
Page 305 and 306: inside the clip and drag to the rig
Page 307 and 308: InputsThe term input refers to an a
Page 309 and 310: Source: Avid ® .Configuring the Mi
Page 311 and 312: Source: Avid ® . ©2013 Frank D. C
Page 313 and 314: Source: Avid ® .Tip: The Inserts a
Page 315 and 316: To route a send to an external devi
Page 317 and 318: Source: Avid ® .3. Begin playback
Page 319 and 320: Pro Tools also allows you to view a
Page 321 and 322: Plug-ins can be used in mono, multi
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plug-in can be added to a track to
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Review/Discussion Questions1. What
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EXERCISE 8Arranging Audio and Creat
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Figure EX8.2 Setting the start time
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Source: Avid ®2. Click on INSERT S
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LESSON 10Finishing Your WorkThis le
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▪ It allows you to back up an ent
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out.) If the Audio Files option is
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Source: Gobbler ® .4. Select the d
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▪ Bounced material is automatical
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Source: Avid ® .8. Allow recording
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Source: Avid ® .4. Choose FILE > B
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respectively. This file format can
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Figure 10.10 The Bounce to Disk pro
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Tip: For more information on SoundC
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the track is posted.) You can also
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Source: Avid ® .6. Enter your user
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2. Select the desired files in iTun
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2. How is the Save Copy In command
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3. If needed, click on the MUTE but
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5. If any MIDI notes remain overhan
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OVERVIEWPART IIIHands-On ProjectsPa
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To complete these projects, you wil
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PROJECT 1Music Hands-On ProjectIn t
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c. Type Music Project PT11 in the t
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3. Press CTRL+= (Windows) or COMMAN
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Source: Avid ®4. Click OK to close
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Source: Avid ®Name and reposition
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Insert Xpand! 2 onto the Drums trac
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2. With the GRABBER tool, select th
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Source: Avid ®3. With the PENCIL t
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Source: Avid ® and inMusic®5. Cli
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white, and the corresponding note w
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4. Close the Workspace browser to r
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Select the location to insert time
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Source: Avid ®6. Click the GRID bu
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2. Open the Memory Locations window
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Bus 1 (Verb). Therefore, all you wi
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Save Work in ProgressBefore continu
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It is often useful to create a scor
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Source: Avid ®Configure the staff
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Source: Avid ®Adjust the Maxim set
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Make a 16-bit stereo bounce of your
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Remove Unused MaterialTo save disk
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PROJECT 2Post Hands-On ProjectIn th
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a. Choose WINDOW > NEW WORKSPACE.b.
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Source: Avid ®5. Click OK to close
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5. Double-click on the track name (
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5. Select SESSION START in the Loca
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Source: Avid ®4. Click DONE. The A
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3. When the clip ends, press the SP
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Source: Avid ®6. If needed, set th
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Gradually move the mouse back and f
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Change the MusicNext you will need
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Source: Avid ®2. Press E on your k
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are not real-time processors. These
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Source: Avid ®2. With Loop Playbac
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3. If needed, choose VIEW > NARROW
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Now that your project is complete,
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PART IVCourse Completion Informatio
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Source: Avid ®Additional ProjectsA
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Additional certification options ar
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▪ POW-r Dither. An advanced type
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APPENDIX BAIR Creative Collection P
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IndexNumerics003 family, 19003 Rack
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Eleven Rack, 18-19exercise, 25-26HD
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mixdown technique, 213Post Hands-On
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Mix window, 40-41Comments area (Imp
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Digidesigngrammy award, 9history of
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toolbar, customizing, 37-38editingC
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MIDI, 29organization, 28rendered, 3
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Hertz (Hz), 14Hide Views function,
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Key Change dialog box, 116key signa
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Controls, 119controlsCountoff contr
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description, 192displaying and hidi
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Session windows oriented for, 239-2
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Avid audio, 21Avid Channel Strip, 2
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importing media, 269-272knock sweet
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mixing exercise, 276-282powering up
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Reverse plug-in, 292Revert to Saved
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on selected tracks, 146Tab key, 147
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Transport window controls and displ
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Tap Tempo mode, 115Tempo field, 54T
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playback point, 71shortcuts, 68size
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WaveCache file, 28-29waveform, 14wi
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