Ovde - Početak

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the more conventional institutions for the youth socialization,
proved to be too harsh on this medium.
At this time, initial studies on the influence of film
violence on the public started to emerge. In addition, the earliest
impersonations of film characters occurred – a practice that
would closely accompany cinematography until today. Even
then, as well as afterwards, and as part of more modern societies,
isolated incidents led many to erroneous conclusions about the
influence of film on the public. The most serious problem the
film faced in its formative years was the perception of reality of
the novelty medium. As the early twentieth century audiences
were unaccustomed to the film, they were intimidated by the
kind of films that would be considered perfectly innocuous
nowadays. Due to this effect of the film, court rulings have been
issued labelling it as no means of symbolic expression but merely
a means of reproducing real-life events.
Apart from the aforementioned, the second chapter tries
to confirm the theoretic relationship between film violence and
genre. Theoretic characteristics of the film representation of
violence are also outlined in the chapter. All three hypotheses
that influence the definition of the film representation of violence
are scrutinized in the chapter. The emphasis is on censorship,
which was a key factor in this period of film evolution. As the
classical Hollywood period ended, censorship gradually grew
irrelevant, so what comes in the foreground in the third chapter
is the social context and the evolution of the film means of
expression. Censorship will be more expressly mentioned only in
the instances when it influenced a filmmaker or the film industry
more considerably. Nonetheless these incidents have become
increasingly scarce since 1966. Moreover, the film’s means of
expression in the stylization of violence – which originate from
the classical Hollywood period as the aesthetics of substitution –
are also scrutinized. The abstract provides a brief account of social
violence in the first half of the XX century in the USA, while all
key historical events that influenced the film representation of
violence are mentioned as well.