advanced building skins 14 | 15 June 2012 - lamp.tugraz.at - Graz ...
advanced building skins 14 | 15 June 2012 - lamp.tugraz.at - Graz ...
advanced building skins 14 | 15 June 2012 - lamp.tugraz.at - Graz ...
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Prof. Dr.n<strong>at</strong>.techn. Oliver Englhardt<br />
Institute of Building Construction<br />
<strong>Graz</strong> University of Technology<br />
Copyright © with the authors. All rights reserved.<br />
Plastic M<strong>at</strong>erials in Facade Applic<strong>at</strong>ions<br />
The Oskar von Miller Tower<br />
Summary<br />
Thomas Ries, Dipl.-Ing., Architecture Team<br />
Evonik Industries AG, Germany, thomas.ries@evonik.com<br />
In the contemporary architecture formable m<strong>at</strong>erials get more and more important. Plastic<br />
m<strong>at</strong>erials are predestin<strong>at</strong>ed for modern architecture and its language of facades. The paper wants to<br />
analyze the cre<strong>at</strong>ive potential of plastic m<strong>at</strong>erials in façade applic<strong>at</strong>ions and tries to prove it by<br />
introducing a new contemporary project, the Oskar-von-Miller-Tower in Munich with its 42 m<br />
high façade made of a translucent plastic m<strong>at</strong>erial. In the conclusion the paper wants to answer the<br />
question which are the characteristic and unique <strong>at</strong>titudes of plastic m<strong>at</strong>erials in façade<br />
applic<strong>at</strong>ions by a short comparison of <strong>building</strong>s like Olympic Stadium Munich (1972), Art House<br />
<strong>Graz</strong> (2003) and the Oskar-von-Miller-Tower (2010) also in rel<strong>at</strong>ion to the possible change of<br />
exposure to the m<strong>at</strong>erial and the structural design<br />
Keywords: Plastic m<strong>at</strong>erial, formability, transparency, Oskar-von-Miller, Plexiglas<br />
1 Introduction<br />
In the Nineties of the last century a new kind of architectural organic design developed more and more.<br />
This was not only ascribed to a new and special gener<strong>at</strong>ion of architects, it is more caused by the<br />
digitaliz<strong>at</strong>ion of the planning offices since the beginning of the Nineties. Finding structures and forms<br />
with the help of digitalized mediums brought the architects and designer to a leaving of m<strong>at</strong>erial<br />
reality, a leaving of conventional geometries. Now every form, every structure seems to be possible,<br />
can be simul<strong>at</strong>ed, and new complex geometries and new ideas of spaces and <strong>building</strong> designs are<br />
creaeted totally free. Th<strong>at</strong> is one of the important reasons why designs of Zaha Hadid or Ben van<br />
Berkel for example are existing and have been built in reality. Forms and structures becoming more<br />
free flowing, amorphous – it began a time of cre<strong>at</strong>ing a new organic style of architecture with new<br />
m<strong>at</strong>erials suitable to the new development of designs. These m<strong>at</strong>erials must follow the simul<strong>at</strong>ed,<br />
flowing form, nearly jointless in their surfaces. As <strong>building</strong> is characterized by economics more and<br />
more the skin of the <strong>building</strong>s become thinner and must include more and more technical functions.<br />
We can realize this development in the line of projects like the Eden Project by Nicolas Grimshaw, the<br />
art house <strong>Graz</strong> from Peter Cook and finally it cumul<strong>at</strong>es in the skin of the Allianz Arena, Munich by<br />
Herzog & DeMeuron or the envelope of the Unilever Building, Hamburg, by Behnisch architects. This<br />
development and specific<strong>at</strong>ion is characteristic for plastic m<strong>at</strong>erials with their <strong>at</strong>titudes and so you can<br />
realize digitaliz<strong>at</strong>ion of <strong>building</strong> is one of the main reasons for reinforced applic<strong>at</strong>ion of plastic<br />
m<strong>at</strong>erials in the <strong>building</strong> envelope after their “golden time” in the Sixties and Seventies.<br />
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