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alytical practical grammar - Toronto Public Library

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234 ENGLISH GRAl\IMAR.<br />

1114. In odes and lyric pieces, versea of different kinds and ,Jifferent<br />

metres or measures are often intermingled, after the manner of the ancient<br />

choral oues, with a pleasing effect, "Alexanuet·'s Feast," Collins' "Ode<br />

to the Passions," &c.. are examples.<br />

POETIC PAUSES.<br />

1115. Be"iu03 the usual pauses required to mark the sense in reading,<br />

anu which may be called sentential pauses, indicateu oy the punctuation.<br />

there are other pauses in poetic composition, required by, and nece,sary<br />

to give proper effect to, tbe movement of the line.<br />

1116. These are chiefly the Filial pause and the C(£SltTal pause.<br />

1117. The jinal pause is required at the end of every line of poetry,<br />

even whpre tbere is no Reutential pause. When that is the case, it consiiits<br />

in a brief suspension of the voice, without any change iu its tone or pitcb.<br />

'Vben a sentential pause occurs at the end of the line, as it does very<br />

ofteu, it takes tbe plnce of, nnd supersedes tbejinal pause.<br />

1118. The c(£wral panse is a snepension of the voice somewhere in the<br />

line itself, for which no rule can be given, but which will always be manifest<br />

when poetry is well I'e~d. It, doe, Hot occur in very ehOl·t lines. In<br />

lines of sOllie length, it generally occurs near the middle; sometimes,<br />

however, neare\' the beginning', and sometimes nearer the end; orten in<br />

the middle of a foot, but never in tbe midule of Il woru. Sometimes,<br />

besiJcs this, a Fort of demic(£sltral pause is required, to give full effect to<br />

the expression. Tbe following lines furuish examples of the C(£SUTlll pause<br />

in different pllrts of the line, aud also of the demint'.,ural pause. The<br />

furmer is marked ( ") nnu the btter ( ');-<br />

" The steer and lion" at one crib shall meet,<br />

Aud harmless serpents" lick the pilgrim's feet."<br />

" The crested basilisk" and speckled snake."<br />

" Aud on the sightless eyeballs" pour the day."<br />

"But not to me returns<br />

Day," or the sweet approach of even or morn."<br />

" No sooner had the Almighty ceased," but all<br />

The multitude of angels" with a shout<br />

Loud" as from nnmbers without numbers," sweet<br />

As from blest yoices" uttering joy."<br />

" \Varms' in the sun," refreshes' in the breeze<br />

Glows' in the stars," and blossoms' in the tr~es .<br />

Lives' through all life," extends' throu .... h all extent<br />

Spreads' undivided," operates' unspent> '<br />

EXERCISES.<br />

As exercises ill scnnning, lines or stllnzas from [lny poetical work may<br />

be selected.

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