alytical practical grammar - Toronto Public Library
alytical practical grammar - Toronto Public Library
alytical practical grammar - Toronto Public Library
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234 ENGLISH GRAl\IMAR.<br />
1114. In odes and lyric pieces, versea of different kinds and ,Jifferent<br />
metres or measures are often intermingled, after the manner of the ancient<br />
choral oues, with a pleasing effect, "Alexanuet·'s Feast," Collins' "Ode<br />
to the Passions," &c.. are examples.<br />
POETIC PAUSES.<br />
1115. Be"iu03 the usual pauses required to mark the sense in reading,<br />
anu which may be called sentential pauses, indicateu oy the punctuation.<br />
there are other pauses in poetic composition, required by, and nece,sary<br />
to give proper effect to, tbe movement of the line.<br />
1116. These are chiefly the Filial pause and the C(£SltTal pause.<br />
1117. The jinal pause is required at the end of every line of poetry,<br />
even whpre tbere is no Reutential pause. When that is the case, it consiiits<br />
in a brief suspension of the voice, without any change iu its tone or pitcb.<br />
'Vben a sentential pause occurs at the end of the line, as it does very<br />
ofteu, it takes tbe plnce of, nnd supersedes tbejinal pause.<br />
1118. The c(£wral panse is a snepension of the voice somewhere in the<br />
line itself, for which no rule can be given, but which will always be manifest<br />
when poetry is well I'e~d. It, doe, Hot occur in very ehOl·t lines. In<br />
lines of sOllie length, it generally occurs near the middle; sometimes,<br />
however, neare\' the beginning', and sometimes nearer the end; orten in<br />
the middle of a foot, but never in tbe midule of Il woru. Sometimes,<br />
besiJcs this, a Fort of demic(£sltral pause is required, to give full effect to<br />
the expression. Tbe following lines furuish examples of the C(£SUTlll pause<br />
in different pllrts of the line, aud also of the demint'.,ural pause. The<br />
furmer is marked ( ") nnu the btter ( ');-<br />
" The steer and lion" at one crib shall meet,<br />
Aud harmless serpents" lick the pilgrim's feet."<br />
" The crested basilisk" and speckled snake."<br />
" Aud on the sightless eyeballs" pour the day."<br />
"But not to me returns<br />
Day," or the sweet approach of even or morn."<br />
" No sooner had the Almighty ceased," but all<br />
The multitude of angels" with a shout<br />
Loud" as from nnmbers without numbers," sweet<br />
As from blest yoices" uttering joy."<br />
" \Varms' in the sun," refreshes' in the breeze<br />
Glows' in the stars," and blossoms' in the tr~es .<br />
Lives' through all life," extends' throu .... h all extent<br />
Spreads' undivided," operates' unspent> '<br />
EXERCISES.<br />
As exercises ill scnnning, lines or stllnzas from [lny poetical work may<br />
be selected.