SumerianGrammar
SumerianGrammar
SumerianGrammar
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CHAPTER SIXTEEN<br />
EMESAL<br />
Emesal (eme-sal) is a sociolinguistic variety of Sumerian attested for<br />
the speech of women or goddesses and of the “cantor” (gala). The<br />
pronunciation is supported by the Akkadian loanword ummisallu (AHw.<br />
s.v.; see also emesallu, CAD E). The meaning of the term is not completely<br />
clear; maybe “thin, fine tongue” (sal = raqqu) referred to a<br />
highpitched voice; cf. Russian tonkij golos “thin (high-pitched) voice”;<br />
see also Krecher 1967b, 87 fn. 1).<br />
Note: The fact that the “cantor” used a form of speech otherwise attested for female<br />
persons has caused much speculation: Was the gala a eunuch or an effeminate<br />
male See the discussion in Schretter 1990, 124–36. It is, however, well known that<br />
the modern counter-tenor or even altus is sung by sexually normal male persons.<br />
Emesal is first attested in the early OB period. It is found in a oneto-one<br />
relation with eme-gi 7 (-r) in phonology, morphology, vocabulary,<br />
and syntax. The main difference between the standard form of<br />
Sumerian (eme-gi 7 (-r)) and emesal regards sounds and lexicon.<br />
Emesal is spelled phonetically (e.g., zé-eb [zeb] = dùg “good,<br />
sweet”) or semi-phonetically (e.g., d Mu-ul-líl [Mullil] = Enlil where<br />
the second element líl is never given as *li-il). It is quite probable<br />
that also traditional eme-gi 7 (-r) spelling could be read in emesal when<br />
required by context.<br />
Only a few examples out of the very ample evidence for emesal<br />
will be offered here, the whole material having been collected by<br />
Krecher 1967b and Schretter 1990, with special attention to the<br />
phonetic evidence.<br />
eme-gi 7 (-r)<br />
eme-sal<br />
a-ga a-ba “back, rear”<br />
dùg zé-eb “good, sweet”<br />
ga- da- (modal indicator: cohortative)<br />
enim e-ne-è∞g “word”<br />
nir-∞gál “e-er-ma-al “person of authority”<br />
di∞gir dìm-me-er “deity”