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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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HISTORY OF THE PARTHENON. 93two pediments, or gables at each end <strong>of</strong> <strong>the</strong> build<strong>in</strong>g (seebelow, Nos. 303, 304) were filled with figures <strong>sculpture</strong>d<strong>in</strong> <strong>the</strong> round. Above <strong>the</strong> architrave, or beam rest<strong>in</strong>g on<strong>the</strong> columns, were metopes, or square panels, adornedwith groups <strong>in</strong> very high relief, which served to fill up<strong>the</strong> spaces between <strong>the</strong> triglyphs, or groups <strong>of</strong> threevertical parallel bands, represent<strong>in</strong>g beam ends. AllFig. 6.—Plan <strong>of</strong> <strong>the</strong> Par<strong>the</strong>non.(From Michaelis.)<strong>the</strong>se <strong>sculpture</strong>d decorations were executed, like <strong>the</strong>architecture, <strong>in</strong> Pentelic marble.The statue <strong>of</strong> <strong>the</strong> Par<strong>the</strong>nos is known toexistence about 430 a.d. ;have been <strong>in</strong>but not long after this date <strong>the</strong>figure was removed, and <strong>the</strong> Par<strong>the</strong>non was converted<strong>in</strong>to a Christian church, dedicated at first to Santa Sophia(or <strong>the</strong> Div<strong>in</strong>e Wisdom), and afterwards to <strong>the</strong> Panagia (orVirg<strong>in</strong> Mary). For <strong>the</strong> purposes <strong>of</strong> <strong>the</strong> church, an apsewas built at <strong>the</strong> east end <strong>of</strong> <strong>the</strong> cella, and <strong>the</strong> entrancewas moved to <strong>the</strong> west end. The build<strong>in</strong>g was also given

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