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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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164 CATALOGUE OF SCULPTURE.324. <strong>in</strong> his hand a kanoun, or dish, such as those <strong>in</strong> which <strong>the</strong>com, sashes, or sacrificial implements were usually broughtto <strong>the</strong> altar. The position <strong>of</strong> <strong>the</strong> left hand seems to showthat <strong>the</strong> thumb is <strong>in</strong>serted <strong>in</strong> a boss, as <strong>in</strong> a phiale omphalote.Holes <strong>in</strong> <strong>the</strong> marble may <strong>in</strong>dicate sashes <strong>of</strong>bronze, hang<strong>in</strong>g from <strong>the</strong> dish.49, 50. Two maidens (Nos. 49, 50) are seen stand<strong>in</strong>g wi<strong>the</strong>mpty hands. Perhaps one has given up <strong>the</strong> dish whichis held by <strong>the</strong> <strong>of</strong>ficer (No. 48.) In that case <strong>the</strong>se wouldbe Canephori, maidens <strong>of</strong> noble birth, whose privilege itwas to carry <strong>in</strong> <strong>the</strong> procession <strong>the</strong> dishes just described.They are draped <strong>in</strong> long chitons, with diploidia, and wearsmall mantles over <strong>the</strong> shoulders.51. Ano<strong>the</strong>r <strong>of</strong>ficer (No. 61) stands look<strong>in</strong>g towards <strong>the</strong>procession. He has held <strong>in</strong> <strong>the</strong> right hand some object<strong>in</strong> metal, perhaps a herald's staff. Two holes for <strong>the</strong>attachment <strong>of</strong> it are visible <strong>in</strong> <strong>the</strong> marble. The gesture<strong>of</strong> <strong>the</strong> left hand shows that <strong>the</strong> <strong>of</strong>ficer is giv<strong>in</strong>g some62, 53. order to <strong>the</strong> two maidens before him (Nos. 52, 63), whostand with empty hands, like Nos. 49 and 60.54. The next maiden (No. 54) walks alone, carry<strong>in</strong>g a56. bowl (phiale), used for sacrificial libations. No. 56 looksback at <strong>the</strong> figure on <strong>the</strong> next slab (No. 56), and helpsher to carry her burden.Slab vii. is a cast from <strong>the</strong> orig<strong>in</strong>al, which was removedfrom <strong>the</strong> Acropolis by Choiseul-Gouffier <strong>in</strong> 1787, and isnow <strong>in</strong> <strong>the</strong> Louvre. The right foot <strong>of</strong> <strong>the</strong> magistrate(No. 48) is cast from a fragment which is still at A<strong>the</strong>ns.66. The next maiden (No. 56), assisted by No. 55, holds VIII.a thymiaterion with a conical cover, used for burn<strong>in</strong>g<strong>in</strong>cense. Censers <strong>of</strong> this form are not uncommon onGreek vases. (Cf. Vases <strong>in</strong> <strong>the</strong> B. M., C. 32, E. 98, E. 241,57, 58. E. 285, E. 352.) Next follow two figures (Nos. 57, 68),each carry<strong>in</strong>g <strong>in</strong> <strong>the</strong> right hand a jug, o<strong>in</strong>ochoe, <strong>the</strong>n59, 60. two more (Nos. 59, 60), carry<strong>in</strong>g phialae.

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