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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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METOPES OF PARTHENON. 135leg, <strong>the</strong> orig<strong>in</strong>al <strong>of</strong> which is <strong>in</strong> <strong>the</strong> museum at Copenhagen; but he expresses a doubt whe<strong>the</strong>r this fragmentdoes not belong to <strong>the</strong> right h<strong>in</strong>d-leg. "When Carreydrew<strong>the</strong> metope, it was nearly perfect. On <strong>the</strong> uppermarg<strong>in</strong> <strong>of</strong> <strong>the</strong> marble still rema<strong>in</strong>s <strong>the</strong> bead and reelmould<strong>in</strong>g which once ornamented all <strong>the</strong> metopes, but<strong>of</strong> which <strong>the</strong>re are few traces elsewhere.Mus. Mm-bles, VIL, pi. 7 ; Stereoscopic, No. 82. For <strong>the</strong> two heads,see Brondsted, Voi/ages et Becherches, p. 171 ; Mus. Marbles, VII.,pi. 17 ; Michaelis, pi. 3, iv.308. When Carrey saw this metope, <strong>the</strong> figure <strong>of</strong> <strong>the</strong> Lapith,now want<strong>in</strong>g, was still extant, and we must <strong>the</strong>reforesupply <strong>the</strong> motive <strong>of</strong> <strong>the</strong> group by reference to his draw<strong>in</strong>g(fig. 9). In <strong>the</strong> orig<strong>in</strong>al composition, <strong>the</strong> Centaur,Fig. 9.—Metopes 308, 309, from Carrey.rear<strong>in</strong>g up aga<strong>in</strong>st his antagonist, grasps <strong>the</strong> Lapith'sright thigh between his forelegs, extend<strong>in</strong>g his left armtowards him, probably to seize <strong>the</strong> hair <strong>of</strong> his head. TheLapith with extended right arm is try<strong>in</strong>g to keep <strong>the</strong>Centaur at arm's length, while he struggles to escape; hisleft arm must have been raised. The right arm <strong>of</strong> <strong>the</strong>Centaur must have been drawn back to strike. All that

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