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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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EAST PEDIMENT OF PARTHENON. 107mouth. The head <strong>of</strong> <strong>the</strong> otlier horse on tliis block (C),wliich was advanced bej'ond <strong>the</strong> outside head, so as to bevisible, is nearly destroyed; only <strong>the</strong> neck and back <strong>of</strong><strong>the</strong> head rema<strong>in</strong>.3Ius. Mar'Jcs, VI., ]'). 2 ;Michaelis, pi. 6, fii^. 9 ;Stereoscopic, No. 105.For <strong>the</strong> two heads still on <strong>the</strong> pediment, see A<strong>the</strong>nische Mit<strong>the</strong>iluiKjen,XVI., p. 81.303 D. This figure, wliich is commonly known as Theseus,recl<strong>in</strong>es on a rock and faces <strong>the</strong> horses <strong>of</strong> Helios. Heleans on his left arm <strong>in</strong> an easy attitude. The rightarm is bent, but, as <strong>the</strong> hand is want<strong>in</strong>g, we can only formconjectures as to what its action may have been. Itprobably held a spear, or some o<strong>the</strong>r long object, <strong>the</strong>end <strong>of</strong> which may have been attached to <strong>the</strong> left ankleat <strong>the</strong> place where a dowel hole is still visible.to some writers, <strong>the</strong> hole served forAccord<strong>in</strong>g<strong>the</strong> attachment <strong>of</strong> <strong>the</strong>laced work <strong>of</strong> a sandal <strong>in</strong> bronze. (^Ber. d. h. sdclis. Ges.d. Wissenscha/ten, 1880, p. 44.) The legs are bent, <strong>the</strong>left leg drawn back under <strong>the</strong> right. The headdress is<strong>in</strong> <strong>the</strong> form <strong>of</strong> <strong>the</strong> krobylos (cf. No. 209). The body isentirely nude : over <strong>the</strong> rock on which <strong>the</strong> figure rests isthrown a mantle under which is strewn a sk<strong>in</strong>, <strong>the</strong> claws<strong>of</strong> which are certa<strong>in</strong>ly those <strong>of</strong> some fel<strong>in</strong>e animal.Thetype and position <strong>of</strong> this figure present so much resemblanceto <strong>the</strong> Heracles on <strong>the</strong> silver co<strong>in</strong>s <strong>of</strong> Croton <strong>in</strong>Lower Italy (Mus. Marbles, vi., title-page), that it hasbeen identified with that hero by Visconti, who supposed<strong>the</strong> sk<strong>in</strong> on which he recl<strong>in</strong>es to be that <strong>of</strong> a lion. Thissk<strong>in</strong>, however, seems more like that <strong>of</strong> a pan<strong>the</strong>r, on whichground <strong>the</strong> figure has been thought to bo Dionysos, whoappears <strong>in</strong> a very similar recl<strong>in</strong><strong>in</strong>g attitude on ano<strong>the</strong>rA<strong>the</strong>nian work, <strong>the</strong> Choragic monument <strong>of</strong> Lysicrates(No. 430, 1) ; compare <strong>the</strong> statue <strong>in</strong> <strong>the</strong> Louvre, Miiller-Wiesoler, Denhmacler, ii., pi. 32, No. 3G0. Compare also<strong>the</strong> figure <strong>of</strong> Dionysos recl<strong>in</strong><strong>in</strong>g, on a relief on uu asJcos iu

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