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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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AGORACKITOS AND POLYCLEITOS. 265<strong>of</strong> <strong>the</strong> Temple <strong>of</strong> Nemesis at Bhamnus.— Presented by J. P.Gandy Deer<strong>in</strong>g, Esq., 1820.Parian marble; height, 1 foot 4J <strong>in</strong>ches. Uned. Antiquities <strong>of</strong> Attica,p. 43 ; Leake, A<strong>the</strong>ns and Demi <strong>of</strong> Attica, II., p. 108 ; Synopsis,No. 325 (273); £lg<strong>in</strong> Room Guide, II., No. E. 4; Six, Num.Chron. 3rd. Ser., II., p. 94 ; cf. co<strong>in</strong> <strong>of</strong> Cyprus, ibidem, pi. 5 ;Gardner, Joum. <strong>of</strong> Hellen. Studies, VIII., p. 47 ; Rossbach,A<strong>the</strong>nische Mit<strong>the</strong>ilungen, XV., p. 64; Overbeck, Schriftquellen,834-843. .POLYCLEITOS OP ARGOS AND THE PELO-PONNESIAN SCHOOL.Polycleitos <strong>of</strong> Argos was, as has already been observed(p. 90), one <strong>of</strong> <strong>the</strong> great pupils <strong>of</strong> Ageladas <strong>of</strong> Argos, whowas also <strong>the</strong> master <strong>of</strong> Myron and perhaps <strong>of</strong> Pheidias.Noth<strong>in</strong>g is recorded as to <strong>the</strong> life <strong>of</strong> Polycleitos; hisage, as compared with that <strong>of</strong> Pheidias, is not accuratelyknown. It is probable that he was ra<strong>the</strong>r younger thanPheidias, as he was work<strong>in</strong>g at a later date. Pl<strong>in</strong>y gives<strong>the</strong> 90th Olympiad, or 420 B.C., as <strong>the</strong> date <strong>of</strong> Polycleitos.This may be <strong>the</strong> date <strong>of</strong> his great statue <strong>of</strong> Hera at Argos,<strong>the</strong> older temple <strong>of</strong> Hera hav<strong>in</strong>g been burnt <strong>in</strong> 422 B.C.,and it was probably near <strong>the</strong> end <strong>of</strong> <strong>the</strong> sculptor's life.No orig<strong>in</strong>al works by <strong>the</strong> hand <strong>of</strong> Polycleitos survive,but several <strong>sculpture</strong>s are known which can be shownwith probability to have been copied more or less directlyfrom orig<strong>in</strong>als, <strong>of</strong> which <strong>the</strong> character is thus ascerta<strong>in</strong>ed.Polycleitos was famous <strong>in</strong> antiquity as<strong>the</strong> author <strong>of</strong> amethodical system <strong>of</strong> proportions for <strong>the</strong> human form.One <strong>in</strong> particular <strong>of</strong> his figures, <strong>the</strong> Doryphoros, wasknown as <strong>the</strong> Canon, and was adopted as <strong>the</strong> ideal type <strong>of</strong>a youthful male figure by later sculptors. This figure,and its companion <strong>the</strong> Diadumenos (see below, Nos. 500,501), are known to us from copies. They are <strong>of</strong> vigorous

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