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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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NORTH FRIEZE OF PARTHENON. 169rema<strong>in</strong>s <strong>of</strong> <strong>the</strong> chariot groups still extant show that <strong>the</strong>rewere at least n<strong>in</strong>e <strong>of</strong> <strong>the</strong>se. Accord<strong>in</strong>g to <strong>the</strong> calculation<strong>of</strong> Michaelis, that was <strong>the</strong> orig<strong>in</strong>al number <strong>of</strong> chariots onthis frieze. All <strong>the</strong>se chariots are drawn by four horses,liarmata tetJirijppa, or quadrigae; <strong>the</strong> charioteer stands<strong>in</strong> <strong>the</strong> chariot, and isaccompanied by <strong>the</strong> apobates, whois armed with a helmet and Argolic buckler, and is represented<strong>in</strong> <strong>the</strong> act <strong>of</strong> stepp<strong>in</strong>g down from <strong>the</strong> chariot orstand<strong>in</strong>g beh<strong>in</strong>d it. Each quadriga is accompanied by amarshal, pompeus. The vigour and animation <strong>of</strong> <strong>the</strong>chariot groups form a marked contrast with <strong>the</strong> groupsthat immediately precede <strong>the</strong>m. The transition from <strong>the</strong>rapid motion <strong>of</strong> <strong>the</strong> chariots to <strong>the</strong> quietude <strong>of</strong> <strong>the</strong>Thallophori is skilfully eifected by a chariot seen <strong>in</strong>rapid motion but <strong>in</strong> <strong>the</strong> act <strong>of</strong> be<strong>in</strong>g suddenly checked31. by <strong>the</strong> marshal (No. 31), who is represented eagerlypress<strong>in</strong>g back <strong>the</strong> plung<strong>in</strong>g horses <strong>of</strong> <strong>the</strong> chariot whichfollows on <strong>the</strong> next slab. In <strong>the</strong> haste <strong>of</strong> his movemen<strong>the</strong> has nearly thrown <strong>of</strong>f his mantle, hold<strong>in</strong>g it fromslipp<strong>in</strong>g fur<strong>the</strong>r with his right hand on his right thigh.The orig<strong>in</strong>al <strong>of</strong> this slab was found at A<strong>the</strong>ns probablyabout 1834.32. On <strong>the</strong> slab next on <strong>the</strong> right (xii.) is <strong>the</strong> h<strong>in</strong>d quarter XII.<strong>of</strong> one <strong>of</strong> <strong>the</strong> horses, cut <strong>of</strong>f at <strong>the</strong> jo<strong>in</strong>t. At <strong>the</strong> side <strong>of</strong><strong>the</strong> chariot is a marshal (No. 32), his face turned, andhis right arm extended towards <strong>the</strong> procession foUow-33. <strong>in</strong>g on <strong>the</strong> right. The charioteer (No. 33), who wasmistaken for a Victory by Visconti and o<strong>the</strong>rs, but whos<strong>of</strong>igure is certa<strong>in</strong>ly not female, differs <strong>in</strong> costume from <strong>the</strong>o<strong>the</strong>rs <strong>in</strong> this frieze. He wears a long chiton, over whichis a diploidion reach<strong>in</strong>g to <strong>the</strong> hips. The breast is crosseddiagonally by two bands. As a part <strong>of</strong> <strong>the</strong> hair is on afragment known tohave been miss<strong>in</strong>g before <strong>the</strong> time<strong>of</strong> Stuart, his draw<strong>in</strong>g <strong>of</strong> <strong>the</strong> figure is proved to bountrustworthy.

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