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A catalogue of sculpture in the Department of ... - Warburg Institute

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. SylL,248 CATALOGUE OF SCULPTURE.sandal. A somewhat similar <strong>in</strong>cident is seen on <strong>the</strong>Piirtlienon frieze, (west side, No. 29). There, however,<strong>the</strong> figure has his foot rest<strong>in</strong>g on a rock, while here <strong>the</strong>Victory balances herself on <strong>the</strong> left f iot with <strong>the</strong> rightleg high <strong>in</strong> <strong>the</strong> air, <strong>in</strong> a position <strong>of</strong> effort such as doesnot occur on <strong>the</strong> frieze <strong>of</strong> <strong>the</strong> Par<strong>the</strong>non.Ross, pi. 13, figs. B, Bb; Kekule, Balustrade, pi. 4, fig. 0; Orerbeck,Gr. PlasL, ord ed., I., fig. 82; Murray, II., pi. 16, fig. 4; Brunn,Denhmaeler, No. 35. The mean<strong>in</strong>g <strong>of</strong> <strong>the</strong> subject is not known.In <strong>the</strong> ritual <strong>in</strong>scription <strong>of</strong> Andania <strong>the</strong> <strong>in</strong>itiated are ordered tohave bare feet, and possibly <strong>the</strong> Victory is supposed to beremov<strong>in</strong>g her sandals before enter<strong>in</strong>g a shr<strong>in</strong>e. Dittenberger,388, 15, cf. ibidem, 357, 25.428 W<strong>in</strong>ged Victory stand<strong>in</strong>g turned to <strong>the</strong> left, <strong>the</strong> rightarm advanced. The right hand and all <strong>the</strong> left arm be<strong>in</strong>gbroken away, <strong>the</strong> motive <strong>of</strong> this figure has not beenascerta<strong>in</strong>ed, but probably <strong>the</strong> Victory was deck<strong>in</strong>g atrophy.Kekule, Balustrade, pi. 4, fig. M; Arch. Zeit., 1862, pi. 162;Overbeck, Gr. Piast., 3rd ed., I., fig. 82 ; Brunn, Denk<strong>in</strong>aeler,No. 35.429. Two w<strong>in</strong>ged Victories about to sacrifice a bull, whichone <strong>of</strong> <strong>the</strong>m is hold<strong>in</strong>g back as it spr<strong>in</strong>gs forward. Theo<strong>the</strong>r Victory leads <strong>the</strong> way, mov<strong>in</strong>g to <strong>the</strong> right.Ross, pi. 13, fig. A; Kekul

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