12.07.2015 Views

A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

SHOW MORE
SHOW LESS
  • No tags were found...

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

252 CATALOGUE OF SCULPTURE.belong to a scheme not <strong>in</strong>tro'lTiced <strong>in</strong> <strong>the</strong> 5th century<strong>sculpture</strong>; more free play <strong>of</strong> humour is admitted. At<strong>the</strong> same time Attic schemes <strong>of</strong> composition present<strong>the</strong>mselves, which had already come <strong>in</strong>to use <strong>in</strong><strong>of</strong> Pheidias.<strong>the</strong> timeThis frieze is a remarkable example <strong>of</strong> <strong>the</strong> Greek power<strong>of</strong> comb<strong>in</strong><strong>in</strong>g variety and symmetry. On <strong>the</strong> right andleft <strong>of</strong> Dionysos <strong>the</strong> groups correspond with greataccuracy, but <strong>the</strong> correspondent groups always differ onefrom ano<strong>the</strong>r. On each side <strong>of</strong> <strong>the</strong> God we have anattendant Satyr ; a Satyr with a crater ; a Satyr watch<strong>in</strong>g<strong>the</strong> conflict ; a Satyr hasten<strong>in</strong>g to jo<strong>in</strong> it ; a Satyrkneel<strong>in</strong>g on a pirate; a Satyr about to strike a piratethrown to <strong>the</strong> ground; a Satyr break<strong>in</strong>g <strong>of</strong>f a branchfrom a tree ; a pirate, half transformed, leap<strong>in</strong>g <strong>in</strong>to <strong>the</strong>sea. The rema<strong>in</strong>der <strong>of</strong> <strong>the</strong> frieze is less exactly symmetrical.Wheler, Journey, p. 397 ; Spon, Voyage (ed. 1679), II., p. 132. Aview <strong>of</strong> <strong>the</strong> monument from <strong>the</strong> monastery garden is shown <strong>in</strong>Stuart, I., chap. IV., pi. 1. The view from <strong>the</strong> street is <strong>in</strong>Le Roy, Ru<strong>in</strong>es, pi. 13. A view <strong>of</strong> <strong>the</strong> <strong>in</strong>terior used as a library,Dodwell, Tour, I., pi. fac<strong>in</strong>g p. 289. A view subsequent to <strong>the</strong>destruction <strong>of</strong> <strong>the</strong> monastery is given, Exp. de Morde, III.,pi. 96. For <strong>the</strong> present state <strong>of</strong> <strong>the</strong> monument see Harrison,Mythology and Monuments <strong>of</strong> Anc. A<strong>the</strong>ns, p. 245. The orig<strong>in</strong>alfrieze is <strong>of</strong> Pentelic marble; height, lOJ <strong>in</strong>ches.Stuart, I., ch. IV.,pis. 1-26. Stuart's draw<strong>in</strong>gs which are freely restored are<strong>the</strong> basis <strong>of</strong> <strong>the</strong> <strong>in</strong>accurate plate <strong>in</strong> Stuart, 2nd ed., Vol. I.,ch. IV., pi. 30. The illustrations <strong>in</strong> most <strong>of</strong> <strong>the</strong> text-books arederived from <strong>the</strong> latter plate ; e.g., Miiller, Denkmdler, pi. 37 ;Overbeck, Gr. Plast., 3rd ed., II., p. 91. These works all repeatan erroneous order <strong>of</strong> <strong>the</strong> two groups <strong>of</strong> No. 8, which spoils <strong>the</strong>symmetry <strong>of</strong> <strong>the</strong> frieze ; cf. Murray, II., p. 333. An <strong>in</strong>dependentand more accurate publication is that <strong>in</strong> Mas. Marbles, IX.,pis. 22-26, taken from <strong>the</strong> Elg<strong>in</strong> casts. See also Ellis, Elg<strong>in</strong>Marbles, II., pp. 79-87. The Bi-itish Museum also possesses acareful series <strong>of</strong> draw<strong>in</strong>gs from <strong>the</strong> <strong>sculpture</strong>s, by Lord Elg<strong>in</strong>'sartist, Lusicri.Wolters, No. 1328.Eeport <strong>of</strong> <strong>the</strong> Elg<strong>in</strong> Committee, appendix, p. xli.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!