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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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6 CATALOGUE OF SCULPTURE.The accession <strong>of</strong> <strong>the</strong> Townley Collection<strong>in</strong> 1805 madenecessary <strong>the</strong> erection <strong>of</strong> a special build<strong>in</strong>g <strong>in</strong> <strong>the</strong> garden<strong>of</strong> <strong>the</strong> <strong>the</strong>n exist<strong>in</strong>g Montague House, and also caused <strong>the</strong>creation <strong>of</strong> a separate <strong>Department</strong> under Taylor Combe,for <strong>the</strong> custody <strong>of</strong> <strong>the</strong> antiquities, which had beenpreviously attached to <strong>the</strong> Library.In 1814, <strong>the</strong> Phigaleian <strong>sculpture</strong>s were purchased <strong>of</strong><strong>the</strong> explorers ^ <strong>in</strong> a public auction at Zante, and <strong>the</strong>Museum <strong>the</strong>reby acquired its first series <strong>of</strong> <strong>sculpture</strong>sfrom a Greek build<strong>in</strong>g. A fragment, which had been lostdur<strong>in</strong>g <strong>the</strong> transportation <strong>of</strong> <strong>the</strong>marbles,^ was presentedby Mr. J. Spencer Stanhope <strong>in</strong> 1816.Thomas Bruce, seventh Earl <strong>of</strong> Elg<strong>in</strong> (1766-1841),whose collection was <strong>the</strong> next and greatest addition to <strong>the</strong>British Museum, had been appo<strong>in</strong>ted British Ambassadorto <strong>the</strong> Porte ia 1799. On his appo<strong>in</strong>tment, he resolvedto make his time <strong>of</strong> <strong>of</strong>fice <strong>of</strong> service to <strong>the</strong> cause <strong>of</strong> art,and accord<strong>in</strong>gly engaged a body <strong>of</strong> five architects,draughtsmen and formatori, under Lusieri, a Neapolitanportrait pa<strong>in</strong>ter, to make casts, plans and draw<strong>in</strong>gs from<strong>the</strong> rema<strong>in</strong>s <strong>in</strong> Greece, and more particularly at A<strong>the</strong>ns.While <strong>the</strong> work was <strong>in</strong> progress, Lord Elg<strong>in</strong> became aware<strong>of</strong> <strong>the</strong> rapid destruction that was tak<strong>in</strong>g place <strong>of</strong> <strong>the</strong><strong>sculpture</strong>s <strong>in</strong> A<strong>the</strong>ns. The success <strong>of</strong> <strong>the</strong> British arms <strong>in</strong>Egypt hav<strong>in</strong>g made <strong>the</strong> disposition <strong>of</strong> <strong>the</strong> Porte favourableto <strong>the</strong> BritishAmbassador, a firman was obta<strong>in</strong>ed whichsanctioned <strong>the</strong> removal <strong>of</strong> <strong>the</strong> <strong>sculpture</strong>s. The wholecollection, formed by Lord Elg<strong>in</strong>'s agents, was, after longnegotiations, and an enquiry by a Select Committee <strong>of</strong> <strong>the</strong>House <strong>of</strong> Commons, purchased <strong>of</strong> Lord Elg<strong>in</strong> for £35,000<strong>in</strong> 1816. It consists <strong>of</strong> <strong>sculpture</strong>s and architectural' See p. 270. " Part <strong>of</strong> No. 534.

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