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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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188 CATALOGUE OF SCULPTURE.327. On slab xxxi., as <strong>in</strong> <strong>the</strong> preced<strong>in</strong>g, <strong>the</strong> re<strong>in</strong>s and <strong>the</strong> XXXI.hestor were <strong>of</strong> bronze.Slabs xxxii.-xxxiv. are now wholly lost, except <strong>in</strong> XXXII.-Carrey's draw<strong>in</strong>gs. They conta<strong>in</strong>ed two chariots, both XXXIV.at a standstill, or mov<strong>in</strong>g slowly, and <strong>the</strong> four lastpersons <strong>of</strong> <strong>the</strong> crowd on foot.Slabs XXXV., xxxvi,, and part <strong>of</strong> slab xxxvii. conta<strong>in</strong>ed XXXV.-<strong>the</strong> rema<strong>in</strong>der <strong>of</strong> <strong>the</strong> persons on foot. Fragments <strong>of</strong> XXXVII.XXXV. and <strong>of</strong> xxxvi. (orig<strong>in</strong>al at A<strong>the</strong>ns) alone rema<strong>in</strong>,although <strong>the</strong> slabs were complete <strong>in</strong> <strong>the</strong> time <strong>of</strong> Carrey.The figures as he draws <strong>the</strong>m appear to be elderly men,eighteen <strong>in</strong> number, and resembl<strong>in</strong>g <strong>in</strong> attire and generalcharacter <strong>the</strong> Thallophori who have been already noticedon <strong>the</strong> nor<strong>the</strong>rn frieze. All are clad <strong>in</strong> <strong>the</strong> hirnation.72. Michaelis th<strong>in</strong>ks that No. 72 holds <strong>in</strong> his left hand asmall object shaped like a clarionet, but he appears to73. have mistaken <strong>the</strong> right arm <strong>of</strong> No. 73 hang<strong>in</strong>g down forthis object. Between <strong>the</strong>se supposed Thallophori and<strong>the</strong> victims Carrey <strong>in</strong>serts four figures, two <strong>of</strong> whomhold <strong>in</strong> <strong>the</strong>ir left hands some object like a square tablet,which may be <strong>the</strong> bottom <strong>of</strong> a lyre, as this is <strong>the</strong> place <strong>in</strong><strong>the</strong> procession where <strong>the</strong> musicians might be expected, if<strong>the</strong> arrangement on this side corresponded with that on79*. <strong>the</strong> north side. The fragment (No. 79*) represent<strong>in</strong>g <strong>the</strong>Tipper part <strong>of</strong> a Scapheplioros carry<strong>in</strong>g a tray must alsobelong to this part <strong>of</strong> <strong>the</strong> frieze, and is <strong>the</strong>refore here<strong>in</strong>serted. It is cast from <strong>the</strong> orig<strong>in</strong>al at A<strong>the</strong>ns, whichwas not known to Michaelis. It probably implies thatone slab was want<strong>in</strong>g here, as well as <strong>the</strong> second half <strong>of</strong>slab xxxvii., <strong>of</strong> which Carrey seems to have only drawn<strong>the</strong> first half.The rema<strong>in</strong>der <strong>of</strong> <strong>the</strong> south frieze is occupied withxXXVIII<strong>the</strong> procession <strong>of</strong> victims for <strong>the</strong> sacrifice. Cows only -XLV.are here represented, and, as has been observed, thismay <strong>in</strong>dicate that we have here <strong>the</strong> native A<strong>the</strong>nian

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