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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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144 CATALOGUE OF SCULPTUEE.dra-wn back his left arm to prepare a blow, probably witlia sword. The action <strong>of</strong> his right shoulder shows that hehas seized <strong>the</strong> Centaur by <strong>the</strong> hair with his right hand.A draw<strong>in</strong>g by Feodor, one <strong>of</strong> <strong>the</strong> artists employed byLord Elg<strong>in</strong> at A<strong>the</strong>ns, shows that <strong>the</strong> left arm and leftleg <strong>of</strong> <strong>the</strong> Lapith, now want<strong>in</strong>g, were <strong>the</strong>n perfect,and that he may have worn a bronze helmet up to <strong>the</strong> datewhen <strong>the</strong> draw<strong>in</strong>g was made. The direction <strong>of</strong> <strong>the</strong> miss<strong>in</strong>gportions <strong>of</strong> <strong>the</strong> left arm and leg is <strong>in</strong>dicated by projectionson <strong>the</strong> ground <strong>of</strong> <strong>the</strong> relief. The right arm waswant<strong>in</strong>g from <strong>the</strong> elbow. In Carrey's draw<strong>in</strong>g, all <strong>the</strong>right arm <strong>of</strong> <strong>the</strong> Centaur is given ; but his legs weremutilated.Mus. MiirbleSf VII., pi. 14; Michaelis, pi. 4, ssxii. ; Stereoscopic,Ko. 95.Of <strong>the</strong> thirty-two metopes which orig<strong>in</strong>ally adorned<strong>the</strong> north side <strong>of</strong> <strong>the</strong> Par<strong>the</strong>non, only twelve (i.-iii. andxxiv.-xxxii. <strong>of</strong> Michaelis, pi. 4) rema<strong>in</strong> <strong>in</strong> <strong>the</strong>ir orig<strong>in</strong>alposition, and three <strong>of</strong> <strong>the</strong>se (ii., xxvi., xxx.) are so defacedthat <strong>the</strong>ir subjects cannot be made out.In <strong>the</strong> explosion<strong>of</strong> 1687, twenty metopes (iv.-xxiii.) were destroyed, allbut a few fragments. The subjects <strong>of</strong> <strong>the</strong> metopes whichhave perished may have been <strong>the</strong> combats <strong>of</strong> Centaursand Lapiths. Michaelis supposes xxiv., xxv. to representa scene from <strong>the</strong> tak<strong>in</strong>g <strong>of</strong> Troy.322. The only metope from <strong>the</strong> north side, <strong>of</strong> which acast is exhibited <strong>in</strong> <strong>the</strong> British Museum, is <strong>the</strong> last <strong>of</strong> <strong>the</strong>series, at <strong>the</strong> north-west angle <strong>of</strong> <strong>the</strong> temple. It representsa draped female figure seated on a rock, towardswhom advances from <strong>the</strong> left ano<strong>the</strong>r draped femalefigure, extend<strong>in</strong>g forward her left hand muffled <strong>in</strong>drapery. Both figures wear talaric chitons, over whichfall diploidia and mantles. The figure advanc<strong>in</strong>g wearssandals. The folds <strong>of</strong> <strong>the</strong> drapery are very rich andabundant. There is a careful draw<strong>in</strong>g <strong>of</strong> this metope by

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