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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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BEANCHIDAE. 17which, <strong>the</strong> <strong>sculpture</strong>s <strong>of</strong> Branchidae must be assigned.is certa<strong>in</strong> that none <strong>of</strong> <strong>the</strong>m are later than <strong>the</strong> destruction<strong>of</strong> <strong>the</strong> temple by <strong>the</strong> Persians, and <strong>the</strong> latest <strong>of</strong> <strong>the</strong>m(No. 16) appears a generation earlier than <strong>the</strong> worksassociated with that period. On <strong>the</strong> o<strong>the</strong>r hand, <strong>the</strong>re isno reason to place <strong>the</strong> oldest before <strong>the</strong> early part <strong>of</strong> <strong>the</strong>sixth century B.C. Thus <strong>the</strong>se <strong>sculpture</strong>s cover <strong>the</strong> period<strong>of</strong> (say) 580-520 B.C. On epigraphic grounds, <strong>the</strong> datemay be more closely def<strong>in</strong>ed. It is believed that <strong>the</strong>older form for rj was changed to H shortly before550 B.C. By this criterion, Nos. 10, 17, belong to an oldergroup, and No. 14 to a later group. An <strong>in</strong>scribed basenow <strong>in</strong> <strong>the</strong> British Museum with <strong>the</strong> name <strong>of</strong> an artist,Terpsicles, also belongs to <strong>the</strong> older group (Roehl, I.G.A.,484). It has been suggested that Chares <strong>of</strong> Teichioussa(No. 14) was one <strong>of</strong> <strong>the</strong> local tyrants who were establishedafter <strong>the</strong> destruction <strong>of</strong> <strong>the</strong> k<strong>in</strong>gdom <strong>of</strong> Croesus (546 B.C.),and this agrees well with <strong>the</strong> epigraphical evidence.The statues <strong>of</strong> Branchidae are <strong>of</strong> <strong>in</strong>terest because <strong>the</strong>yexhibit <strong>the</strong> process by which <strong>the</strong> grotesque coarseness<strong>of</strong> primitive work tends towards <strong>the</strong> stiff and formal ref<strong>in</strong>ementthat marks <strong>the</strong> later stage <strong>of</strong> archaic art. Theseries <strong>in</strong> <strong>the</strong> British Museum breaks <strong>of</strong>f before <strong>the</strong> secondstage has been completely atta<strong>in</strong>ed, but it can be wellsupplemented by a seatel female figure from Miletus,now <strong>in</strong> <strong>the</strong> Louvre (Rayet et Thomas, Milet et le GolfeLatmique, pi. 21).The <strong>sculpture</strong>s <strong>of</strong> <strong>the</strong> Sacred Way were discovered by Chandler <strong>in</strong>1765 {Antiqs. <strong>of</strong> Ionia, 1st ed., I. p. 46; Chandler, Travels <strong>in</strong>Asia M<strong>in</strong>or, 1775, p. 152). They were more accurately exam<strong>in</strong>edby Gell, and <strong>the</strong> second Dilettanti expedition <strong>in</strong> 1812{Antiqs. <strong>of</strong> Ionia, 2nd ed., 1821, Part I., p. 29, vignette, andch. III., pi. 1 ; Miiller, Denkmaeler, I., pi. 9, fig. 33). A moreaccurate sketch was made by Ross {Arch. Zuit., 1850,* pi. 13),Such <strong>of</strong> <strong>the</strong> <strong>sculpture</strong>s as could be found <strong>in</strong> 1858 were removedby Sir C. Newton ; Newton, II., p. 527. On <strong>the</strong> <strong>in</strong>scriptions seeKirchh<strong>of</strong>f, StwMen, 4th ed., pp. 19, 25.It

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