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A catalogue of sculpture in the Department of ... - Warburg Institute

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186 CATALOGUE OF SCULPTURE.327. Therefore Micliaelis supposes that, while <strong>the</strong> chariots on<strong>the</strong> north frieze have reference to that contest <strong>in</strong> whicharmed apobatae took a part, leap<strong>in</strong>g <strong>of</strong>f and on to <strong>the</strong>quadriga dur<strong>in</strong>g <strong>the</strong> race, <strong>the</strong> chariots <strong>in</strong> <strong>the</strong> south friezesuggest <strong>the</strong> chariots <strong>of</strong> war, harmata polemisteria, <strong>in</strong> whichan armed hoplite stood <strong>in</strong> <strong>the</strong> chariot by <strong>the</strong> side <strong>of</strong> <strong>the</strong>charioteer. Each chariot group, when complete, is seento be accompanied bj' a marshal.Of <strong>the</strong> two figures <strong>in</strong> <strong>the</strong> chariot <strong>of</strong> slab xxiv., noth<strong>in</strong>g XXIV.now rema<strong>in</strong>s but part <strong>of</strong> <strong>the</strong> shield and left arm <strong>of</strong> <strong>the</strong>58. hoplite (No. 58), with a fold <strong>of</strong> drapery hang<strong>in</strong>g from <strong>the</strong>arm. The upper part <strong>of</strong> <strong>the</strong> slab was want<strong>in</strong>g <strong>in</strong> <strong>the</strong> time<strong>of</strong> Carrey, but he gives <strong>the</strong> legs <strong>of</strong> <strong>the</strong> hoplite, who, like<strong>the</strong> correspond<strong>in</strong>g figure <strong>in</strong> slab xxv., was stand<strong>in</strong>g by <strong>the</strong>wheel <strong>of</strong> <strong>the</strong> chariot, <strong>of</strong> which a small portion rema<strong>in</strong>s.This position shows that both <strong>the</strong>se chariots were representedat <strong>the</strong> moment before <strong>the</strong>y started. In <strong>the</strong> shield<strong>of</strong> No. 58 are two rivet holes for <strong>the</strong> attachment <strong>of</strong> abronze handle.In <strong>the</strong> upper hole <strong>the</strong> metal still rema<strong>in</strong>s.Similar rivet holes occur <strong>in</strong> <strong>the</strong> shields <strong>of</strong> Nos. 61 and 66.Michaelis supplies <strong>the</strong> heads <strong>of</strong> <strong>the</strong> horses on this slab bya fragment which belongs to<strong>the</strong> cavalcade <strong>of</strong> horsemen.(See slab xxii., above.)The connection between slabs xxiv. and xxv. is provedby a fragment which has been added to <strong>the</strong> lower corneron <strong>the</strong> right <strong>of</strong> slab xxiv. s<strong>in</strong>ce <strong>the</strong> work <strong>of</strong> Michaelis waspublished. This fragment, <strong>of</strong> which <strong>the</strong> orig<strong>in</strong>al is atA<strong>the</strong>ns, gives part <strong>of</strong> <strong>the</strong> wheel <strong>of</strong> <strong>the</strong> chariot <strong>of</strong> xxv. and<strong>the</strong> forefeet <strong>of</strong> <strong>the</strong> horses <strong>of</strong> xxiv.In slabxxv. <strong>the</strong> horses' heads now want<strong>in</strong>g are given XXV.60. <strong>in</strong> Carrey's draw<strong>in</strong>g. Of <strong>the</strong> charioteer (No. 60) verylittle is now visible but part <strong>of</strong> his drapery. The armed61. figure (No. 61) <strong>in</strong> this chariot group, whose appearanceis more youthful than that <strong>of</strong> <strong>the</strong> o<strong>the</strong>r hoplites <strong>in</strong> thispart <strong>of</strong> <strong>the</strong> frieze, wears a chiton with a double girdle

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